7 | / 10 |
Users | 3.9 | |
Reviewer | 3.5 | |
Overall | 3.7 |
The Gremlins are back, and this time, they've taken total control over the building of a media mogul. In this follow-up feature to the cult hit Gremlins, Billy Peltzer and Kate Beringer move to New York City and meet up with their Mogwai friend, Gizmo, when a series of accidents creates a new generation of diverse gremlins. Billy, Kate, and Gizmo must once again use all their experience to prevent another catastrophe!
Starring: Zach Galligan, Phoebe Cates, John Glover, Christopher Lee, Robert ProskyHorror | 100% |
Comedy | 60% |
Fantasy | 38% |
Sci-Fi | 31% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 2.0
Spanish: Dolby Digital 2.0
Portuguese: Dolby Digital Mono
German: Dolby Digital 2.0
Japanese: Dolby Digital 2.0
Castillian Spanish
English SDH, French, German SDH, Japanese, Portuguese, Spanish, Danish, Finnish, Norwegian, Swedish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 3.5 |
No one was prepared for Gremlins 2: The New Batch. Skirting every rule, subverting every convention of franchise profiteering and, in many ways, flying in the face of good sequel-making sense, director Joe Dante's second round of Mogwai misadventures split moviegoers, critics and, more to the point, the powers that be at Warner Brothers, some of whom suddenly regretted luring Dante back with the promise of complete script-to-screen control of the project. What followed was a flurry of mixed reviews, legions of bemused moviegoers, and the death rattle of Dante's feature film career. (Warner wouldn't come calling again until 2003 with Looney Tunes: Back in Action, and little else, even films made for Universal and Dreamworks, amounted to much.) There wouldn't be a Gremlins 3 either, from Dante or anyone else for that matter, as the studio effectively put the once-wildly popular series-in-the-making out to pasture.
But The New Batch isn't a bad film. Not by any means. Ahead of its time perhaps, out of left field most definitely, but not the misfire its disappointing box office totals and polar audience reactions might suggest. Viciously skewering sequels of all stripes, taking shots at the studio merchandising machine, and even making a string of jokes at the expense of Gremlins itself, Dante's zany follow-up is a madcap, absurdist satire, and still stands as one of the more unconventional, unexpected sequels in Hollywood's storied history.
Back with a vengeance...
Much as I adore the original Gremlins, its dim and dreary VC-1 encoded Blu-ray presentation wasn't the revelation I was hoping it would be. I'm happy to report the same can't be said of the sequel's 1080p/AVC MPEG-4 transfer, which took me by surprise and surpassed my meager expectations. Colors are loud and lively, with vicious reds, rowdy greens, electrifying blues and sinister, pitch-black shadows. Contrast is strong and consistent throughout, skintones are usually dead on (save a few exceptions), and delineation is satisfying, even though cinematographer John Hora tends to frequent far darker realms than Dante. Detail steals the show, though, with frighteningly fine-tuned textures, a crisp field of tasteful grain, and clean edge definition (without any ringing to speak of). Just look at Brain's scales and spikes, Mohawk's spindly spider legs, Gizmo's fur, the veggie Gremlin's roots and leafy skin, even the intricacies of Billy's drawings. It all looks great, despite the fact that heavy shadows sometimes press in and obscure delicate details. There's a bit of crush, of course, albeit nothing that really detracts from Dante's vision or the integrity of Hora's original photography. It helps that artifacting, banding, aliasing and other anomalies are nowhere to be found; only the film's more complex visual effects show significant age, and there's little any presentation could do about that. All things considered, I was elated upon seeing the fruits of Warner's labor.
Warner's DTS-HD Master Audio 5.1 surround track is a blast and a half too, with plenty of slapstick confidence and zany precision to be had. Dialogue -- human, Mogwai or Gremlin; panicked, sing-songy, or garbled and guttural -- is clear, engaging and nicely prioritized in the mix, and there isn't a line, hum or growl that misses its mark. LFE output is firm and forceful, embracing the erupting chaos, exploding beakers, gunshots, spider chases, and Gremlin attacks with spunk and surety. It isn't as powerful as it could be, but it's more than suited to the task at hand. The rear speakers deliver as well, with dozens of beasties darting across the already fully functional soundfield, a convincing cadre of chattering Gremlins hijacking the projector in the back of the "theater," all manner of objects being hurled from speaker to speaker, and every shade of madness and juvenile insanity in between. Directionality isn't spine-crinking, but it is involving; pans are supernaturally smooth, but they are silky; Jerry Goldsmith's score doesn't quite invade the room, but it fills up the soundfield with playful ease. Ultimately, while The New Batch shows some signs of sonic age, its lossless mix has a tight grip on the fuss, furor and foolishness the Gremlins bring to the table.
Gremlins 2: The New Batch was and will continue to be called a failure by many a filmfan, but that doesn't mean it was or remains a failure. The sequel works on Dante's wild-n-wacky terms as both a satire of sequels and as an unpredictable follow-up to one of the biggest hits of the early '80s. The Gremlins faithful will remain split, critics will continue to divide, and The New Batch will forever be the unconventional, under-appreciated surprise it was and is. And Warner's Blu-ray release? With an excellent video transfer (that should erase any memory of its DVD counterpart), a solid DTS-HD Master Audio 5.1 surround track, and a decent selection of (dated) extras, it's even better. Better than Gremlins? As a Blu-ray release, yes. As a film, no. The New Batch doesn't surpass the original, but its high definition debut is far more impressive. Just don't get it wet, leave it in the sun, or... well, watching it after midnight is permitted, I suppose.
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Collector's Edition
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Braindead | Unrated US Cut
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Special Edition | 4K Restoration
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Special Edition
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