6.2 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
It's All Hallow's Eve. A trio of costumed misfits with very special dietary requirements seizes a Mexican cantina and force the staff to engage in a late night of gaming, food and libations. The only caveat is what's on the menu.
Starring: Michael Weston, Jimmi Simpson, Sutton Foster, Lily Cole, Gabourey SidibeHorror | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 2.5 |
Broadway chanteuses haven’t always had an easy time matriculating to the world of film, even if they’re major stars on the Great White Way, as evidenced by such iconic names as Ethel Merman and Mary Martin, two titans of the stage whose cinema careers never exactly exploded. Of course, neither Merman nor Martin ever appeared in a horror comedy (at least that I can recall), so maybe Broadway’s Thoroughly Modern Millie, Sutton Foster, can be the exception to this pesky rule. Foster is part of the ensemble cast of Gravy, a spottily effective film co-written and directed by James Roday, probably best known as the star of Psych. Roday may in fact be attempting to “psych” out audiences with Gravy, a film which teeters precariously between rather gruesome blood and guts and humor that is pitch black. Roday further ups the ante by delaying the actual thrust of the plot with a rather sweet prelude which finds apparently shy and retiring Anson (Michael Weston) working up enough nerve to ask convenience store clerk Bethany (Sarah Silverman) out on a date. That turns out to be a bit of willful misdirection, or at least a fitful attempt at bookending (since the film returns to this scenario in its closing moments), for Gravy is really concerned with a trio of weirdos (including Anson) who take over a Mexican cantina one Halloween, holding customers and employees hostage and forcing an anachronistically French chef named Yannick (Lothaire Bluteau) who works there to create gourmet meals featuring a string of victims culled from the hostages as various “appetizers”. Those whose minds immediately wander to entertainments like Eating Raoul will find themselves in good, or at least like minded, company, for Roday doesn’t hesitate to at least reference the legendary Paul Bartel comedy. (Those whose minds wander instead to Cannibal! The Musical will find Gravy sadly lacking in song and dance numbers, despite the participation of Foster.) Gravy is a bit too much of a “wink-fest” for its own good, but there are some scattered laughs to be had, as well as a copious supply of gore.
Gravy is presented on Blu-ray courtesy of Scream Factory, an imprint of Shout! Factory, with an AVC encoded 1080p transfer in 2.35:1. While the overall image is sharp and precise, detail levels struggle to overcome a setting that is almost entirely made up of quite dark and/or dimly lit interior environments. Therefore, some wide shots that capture larger areas of the restaurant sometimes fall victim to anemic shadow detail and in a couple of instances crush, where things like black hair or costumes merge with the background. Close-ups can still reveal abundant fine detail, including some squirm inducing looks at various body parts being prepared for consumption. The film's gore offers some of the most vivid saturation of the palette, with good, forceful reds. A lot of the film bears a kind of sickly green-yellow cast, however, something that further detracts from detail levels in midrange to wide shots. Contrast is generally consistent, as are black levels. Once again, there is a tendency toward splotchy yellow artifacts in the darker scenes, something that tends to be a recurrent issue with some of Shout!'s discs.
Gravy's sound design isn't overly ambitious, and so the DTS-HD Master Audio 5.1 mix tends to exploit surround activity more through things like ambient spatial differences, with events happening at the back of the restaurant reverberating through the surrounds as something else is happening in the foreground, rather than really over the top immersion. Some of the best and most consistent surround activity comes courtesy of some source cues, including Tears for Fears, whose Curt Smith also helped to provide the film's score. Dialogue is cleanly presented and well prioritized on this problem free track.
Gravy may provide a bit to nosh on for "horror comedy" fans, but truth be told neither its funny bone nor its gore is particularly "nutritious". Performances are generally quite winning, especially the fey Simpson and weirdly vulnerable Weston. A stronger, more incisive, screenplay would have helped this effort, which ends up being more of a snack than a full fledged meal. Technical merits are generally very good (video) to excellent (audio) for those considering a purchase.
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Legions of the Dead
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Unrated Director's Cut
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Slipcover In Original Pressing
1974
Slipcover in Original Pressing
1985