| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
Workingman's Dead is the fourth studio album (and fifth overall) by American rock band the Grateful Dead. It was recorded in February 1970 and released on June 14, 1970, by Warner Bros. Records. The album and its studio follow-up, American Beauty, were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums in favor of Jerry Garcia and Robert Hunter's Americana-styled songcraft.
Starring: Jerry Garcia| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 0.0 | |
| Overall | 5.0 |
Workingman's Dead was written and recorded under some duress, as longtime fans of the Grateful Dead no doubt know. That may or may not have added to the immediacy that the album obviously offered based on the success it enjoyed, which included giving the Dead their first ever Hot 100 single, Uncle John's Band. The slightly punny title may allude to the fact that this might be jokingly called the "anti-hippie" Dead both in terms of the music offered and even the now famous cover image the album features, where the band at first glance might be mistaken for extras on a western set if not exactly your everyday Joes heading off to a blue collar job, but one way or the other certainly not "long haired freaks" in beads and fringed vests. Rhino and/or Warner Music Group haven't really fully exploited the back catalog of the band yet, though 2025 saw the release of Grateful Dead: Blues for Allah and with some older deluxe editions like Grateful Dead: Giants Stadium Box and Grateful Dead: Sunshine Daydream Deluxe offering live concert performances along with various accoutrements. In that regard, Rhino offered a couple of substantially spendier deluxe editions of this release, including this one, which seem to already be sold out, which may augur well in terms of demonstrating appeal and hopefully leading to more lossless Dead (which kind of sounds like an audio version of a zombie flick).


The only video component here is a static menu, per many Warner Music releases. Unfortunately, this is another effort where they've authored the disc so that it's necessary to navigate through the tracks to get to the audio codec choices, and equally unfortunately choosing a new codec starts the song over. I've shown in the screenshots how the font color changes when either scrolling or selecting an individual track.

Workingman's Dead features Dolby Atmos, DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options, with production credited to Mickey Hart. There are some really interesting differences in the two surround mixes, especially channelization, and for a good example just listen to where that opening acoustic guitar is positioned in the Atmos and then the DTS-HD Master Audio 5.1 mix. Interestingly, the Atmos mix at least occasionally tends to offer more of a (surrounding) wall of sound approach, where a lot of the same vocals and instrumentation can emanate from all channels. That said, there's also clear separation and directionality at times as well, as in High Time, where even in the Atmos mix the acoustic guitar is anchored more toward the rear channels. Songs like Dire Wolf, New Speedway Boogie and Cumberland Blues also have crisp percussion placed rearward, and in fact I'd rate Dire Wolf as one of the more immediately "widely imaged" sounding surround tracks. There's a very slight quasi-phasing sound which attends some of the vocals.

There are no on disc supplements. A leaflet reproduces the cover images and includes credits. The sleeve has an inner print reproducing the front cover image.

While I was too young to really experience the Summer of Love (though my Major General father had to review troops at the Presidio circa 1967-68 when it was still a going military concern), part of my own misspent youth found me in the vaunted location of Haight - Ashbury, in fact right around the corner from the famous "Dead house" (which they had vacated by that time). In a way, though, Workingman's Dead may be the sonic equivalent of their decision to leave the hustle and bustle of San Francisco for the more sylvan climes of Marin, and this is an unusually relaxed, almost gentle, album from the band. Fans of this album are encouraged to listen to both surround mixes, as they can offer some surprising differences. Highly recommended.