6.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The idea is simple: A married woman and a single man meet. They love, they argue, fists fly. A dog strays between town and country. The seasons pass. The man and woman meet again. The dog finds itself between them. The other is in one, the one is in the other and they are three. The former husband shatters everything. A second film begins: the same as the first, and yet not. From the human race we pass to metaphor. This ends in barking and a baby's cries. In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin.
Starring: Héloise Godet, Kamel Abdeli, Richard Chevallier, Zoé Bruneau, Christian GregoriForeign | 100% |
Drama | 74% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.78:1
French: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Two-disc set (2 BDs)
Blu-ray 3D
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 4.0 |
Jean-Luc Godard’s “Goodbye to Language” is a film that defies explanation, and that appears to the point of the work. It’s a swan dive into images, conflicts, and sound, loosely tied together with the story of a combative relationship and the adventures of a dog. It’s philosophy and experimentation, light and dark, love and poop. Yes, bowel movements do factor into the flow of “Goodbye to Language,” which takes on the weight of the world with Godard’s finely-tuned esoteric vision, asking viewers to completely devour a cinematic experience that’s not about interpretation, but complete and utter submission.
Considering that "Goodbye to Language" is a film that's intentionally distorted, it's a little difficult to assess the AVC encoded image (1.84:1 aspect ratio) presentation without Jean-Luc Godard sitting next to me. Shot with numerous cameras ranging in resolution, the feature doesn't have a set "look," offering the viewer a wild ride of diverse footage. Some scenes are sharp and crisp, others are noisy and soft. Colors are natural one moment, and severely tinkered with in others. There doesn't appear to be any overt troubles (there are crush issues) with the viewing experience, which is geared more toward immersion than precision, while 3D imagery registers as intended.
The 5.1 DTS-HD MA sound mix is equally feral in design, toying with volume extremes and position in a way few home theater listening experiences dare to explore. Without a narrative anchor, dialogue and sound effects are free to roam anywhere, with plenty of directional movement to keep circular activity alert, keeping the listener in a state of unrest. Vocal clarity is passable, but English subtitles periodically fail to keep up with dialogue, leaving a few sequences possibly even more bewildering than designed. Perhaps this was intentional, it's difficult to tell. Soundtrack selections offer equal agitation, but hold musicianship satisfactorily.
"Goodbye to Language" isn't necessarily good or bad, it just is. It requires a leap of faith few features demand, rewarding the patient with unusual 3D shot construction. Godard enthusiasts will likely be the most impressed audience for the picture, while newcomers will likely wish they started elsewhere in the director's filmography.
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