8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Two young boys stop speaking in protest after their parents refuse to buy a television set.
Starring: Chishû Ryû, Keiji Sada, Yoshiko Kuga, Kuniko Miyake, Haruko SugimuraForeign | 100% |
Drama | 78% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Japanese: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 4.5 |
Yasujiro Ozu's "Good Morning" a.k.a. "Ohayo" (1959) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include the Japanese master's original silent film "I was Born, but…" (1932) and surviving footage from his early comedy "A Straightforward Boy" (1929); new video essay by critic David Cairns; and new video interview with film scholar David Bordw. The release also arrives with an illustrated leaflet featuring an essay by critic Jonathan Rosenbaum. In Japanese, with optional English subtitles for the main feature. Region-A "locked".
The rebels
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Yasujirô Ozu's Good Morning arrives on Blu-ray courtesy of Criterion.
Thew following text appears inside the leaflet provided with this Blu-ray release:
"This new 4K digital restoration was undertaken by Shochiku MediaWorX Inc. at Imagica under the supervision of Masashi Chikamori (cinematographer, About Her Brother) from the original 35mm original camera negative. The original monaural soundtrack was remastered from the 35mm original soundtrack negative."
The release is sourced from a brand new 4K restoration of Good Morning which was completed by Shochiku Co. in Japan. Quite predictably, the film now looks a lot healthier and overall significantly fresher. I did some direct comparisons with the previous Region-B release from the British Film Institute that we reviewed back in 2011 and I can confirm that all of the obvious limitations of the older master are completely eliminated on the new master. Specifically, there are no traces of sharpening corrections, and grain is far better exposed and resolved (there isn't even a whiff of the harsh noise that pops up on the old release). Delineation and depth are also vastly superior, with the well-lit indoor footage looking especially strong. Brightness and contrast levels are rebalanced as well. There is a new and finer range of wonderfully saturated primaries and nuances, and the fluttering/pulsations that were present on the old master are fully eliminated. Image stability is terrific.
BONUS FILMS:
I was Born, but...
The film shows signs of aging, including minor scratches, specks, scuffs, and even mild instability during transitions, but the technical presentation is far more convincing than that of the BFI release. Also, here the film runs at its proper speed. It is accompanied by a piano score composed by Donald Sosin in 2008. Music only, with optional English subtitles. (91 min/Dolby Digital 1.0/1080p).
A Straightforward Boy
A note, in Japanese, before the opening credits clarifies the following: "The film is a new restored 35mm print originally from the special 9.5mm sized film. Sections of the film are missing throughout. The beginning and the ending segments have been supplied." While the quality of the surviving elements is far from optimal, the film's overall appearance is good enough to appreciate its creator's intent. With optional English subtitles. (14 min/Dolby Digital1.0/1080p).
(Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Japanese LPCM 1.0. Optional English subtitles are provided for the main feature.
The audio has been fully remastered, but I think that most viewers will have a very difficult time noticing a dramatic difference in terms of depth and dynamic strength. Balance and fluidity, however, are improved, though it seems to be obvious enough only during the short music motifs (in the very beginning of the film). The dialog is always stable and easy to follow.
Good Morning is a fascinating film to behold, so simple yet so far-reaching in its observations about modernity. It is also one of Japanese master Yasujiro Ozu's funniest films. It enters the Criterion Collection after an outstanding 4K restoration that was completed by Shochiku Studios in Japan, together with the original silent film that inspired it, I Was Born, but..., featuring a lovely piano score by Donald Sosin. HIGHLY RECOMMENDED.
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