7.7 | / 10 |
Users | 4.3 | |
Reviewer | 4.5 | |
Overall | 4.3 |
Gone Baby Gone is Ben Affleck's directorial debut, based on the novel from the acclaimed author of Mystic River. It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. Two young private detectives (Casey Affleck and Michelle Monaghan) are hired to take a closer look at the case and soon they discover nothing is what it seems. Ultimately they will have to risk everything - their relationship, their sanity, and even their lives - to find a little girl-lost.
Starring: Casey Affleck, Michelle Monaghan, Morgan Freeman, Ed Harris, John AshtonCrime | 100% |
Drama | 73% |
Thriller | 54% |
Mystery | 14% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 5.1 (48kHz, 24-bit)
English: Dolby Digital 5.1 (640 kbps)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, French, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.5 |
You are sheep among wolves. Be wise as serpents, yet innocent as doves.
I found Gone Baby Gone to be a film that actually lived up to the tremendous hype and
Oscar buzz surrounding it. Simply put, there is an excellent picture to be seen here. The story is
absolutely first-rate, as is the acting and direction. And therein lies what may be the film's only
weakness. Perhaps the movie is just too darn gritty, scary, and real. Gone Baby Gone is
extremely
bleak, looking at the very worst face humanity as a whole can put forward, and the viewer is
repeatedly hit with the filth and sickness that unfortunately plagues the world, ranging from
excessive foul language to good people doing the unthinkable in the name of their own brand of
justice and righteousness. Despite being a fan of dark cinema, Gone Baby Gone is perhaps
the bleakest "serious" film I've seen. Its ending comes unexpectedly, and it tears the characters
and the viewer apart emotionally.
When your script calls for a young George Clooney, Casey Affleck is your man.
Disney's 1.85:1, 1080p transfer of Gone Baby Gone to Blu-ray disc can easily be labeled
as "top tier." The most evident aspect of the image is the generally fine, sometimes extreme
layer of grain that is present throughout the entirety of the film. Some scenes,
especially those taking place at night or in very dark locales, become saturated with high levels of
grain, but remembering that grain is inherent to film stock, it should not be considered a major
flaw.
I'll admit that when it gets excessive it's extremely noticeable, but this is such a strong and fine
transfer that even if this could be considered a "flaw," it' relatively minor in the grand scheme of
things.
Speaking of the quality of this transfer, Gone Baby Gone on Blu-ray may sport
the most natural and film-like presentation yet on Blu-ray. This title may be the closest to
a theater-quality projection I've ever seen on home video. I was grinning from ear to ear at the
beginning of the film, awestruck, and feeling like I had finally achieved the goal of seeing top-
notch
theatrical projection images at home. There is an absolutely incredible amount of depth, clarity,
and crispness to every frame. From distance shots of signs and buildings to close-ups of faces
and the patches on the police uniforms, everything is as clear and detailed as real life. A scene at
a
cemetery
offers especially stunning clarity.
The green of the foliage in natural lighting is captivating, and had I not known otherwise, I
might have been tricked into believing I was actually in attendance. Many scenes appear to be lit
with mostly natural light, and as such, we see a very realistic image whose
reproduction might only be matched only by pristine 35 mm prints theatrically, or with our own
eyes, seeing what is being captured on film in real life. Color reproduction is excellent, as are
flesh tones, both coming off as natural and vibrant. Black levels are also excellent. This is a
remarkable
transfer, and
the only issue some people might have with it is the sometimes excessive and seemingly uneven
distribution and amount of grain in any given scene. Otherwise, Disney has another first-rate
transfer here, and it proved to be one of the most satisfying visual feasts for the eyes yet on Blu-
ray.
Disney, a.k.a. "Old Reliable," provides us with yet another uncompressed PCM 5.1 soundtrack, satisfying the commitment to providing the best high definition content on the best high definition format currently available. Gone Baby Gone features a crisp, palatable soundtrack that is pleasing on the ears and easy on the speakers, but also is not afraid to jump out and slam the viewer in the chest during a few critical scenes throughout the movie. While the film is mostly dialogue-driven with good yet slightly underwhelming ambience and a never overbearing score, the really dynamic parts of the soundtrack come out of hiding in chapter ten in the form of a hail of gunfire, startling both me and my speakers. The shots ring loud, deep, and true, sounding nearly as good as the excellent reproduction of gunfire in 3:10 to Yuma. The scene is horrific both visually and mentally, and the authority and realism reproduced here is downright horrific, one mark of an excellent track. Deep bass is also evident here and there, especially in a few scenes employing hip-hop music, and the subwoofer rumbles with vigor. Dialogue reproduction is excellent. It's presented at an acceptable and expected volume in comparison to the rest of the track and is never muffled or drowned out when it shouldn't be. Surrounds are employed somewhere between sparingly and adequately, perhaps coming up a tad short in creating a wholly believable atmosphere, but for the most part, this is a top notch soundtrack.
Some movies don't necessarily lend themselves well to supplements, and I would argue that
Gone Baby Gone is one of them. As an extremely thought-provoking film, I feel it is best
left
to the viewer to piece together what they've just witnessed rather than be force-fed every detail
about the film in some jam-packed supplemental bazaar. Thankfully, these supplements don't
offer
an over-abundance of material, but what we do get is mostly informative for the interested
viewer.
First up is a commentary track with writer/director Ben Affleck and co-writer Aaron Stockard.
Affleck comes off as a little reserved but does present some thought-provoking details behind the
film, along with discussions about how he handled certain scenes, what motivations characters
would have on a scene-by scene basis, and how he approached the film's unexpected reveal at
the
end. There is also a lot of dry tech-talk moments as well as quite a bit of dead air. Nevertheless,
this one is worth a listen for those looking for a mix of behind-the scenes stories, technical
details, and personal stories behind the making of the movie.
Next up is Going Home: Behind the Scenes With Ben Affleck (1080i, 7:03). This feature
contains interviews with author Dennis Lehane, whose novel is the inspiration for this
film. He, Affleck, and some of the crew discuss working together to bring the film from the pages
of the novel to celluloid. Affleck also discusses his reason for staying behind the camera for this
project, and the cast explains why they enjoyed working with Affleck in his new role. Finally,
the cast and crew discuss the subtext of protecting the lives of children in society.
Capturing Authenticity: Casting 'Gone Baby Gone' (1080i, 8:57) is, obviously, a look at
the casting from the primaries to the extras and why each actor fits the role of each character so
well. Finally, six deleted scenes (480p, 17:05) with optional commentary by Ben Affleck and
Aaron Stockard conclude
the supplements.
One mark of an excellent film is the absolute believability of the story and the characters, regardless of locale, time, or subject. Gone Baby Gone excels as a character study, examining not only an individual but society as a whole and the motivations of both those with the best and worst of intentions. I'm reminded of the old Scottish poem by Robert Burns that was later the inspiration of the title of the famous John Steinbeck novel that says, "The best-laid plans of mice and men often go awry." I think that line captures the theme of this film perfectly, and once you've seen it, you'll understand. Disney has once again provided a Blu-ray of the utmost quality, delivering this important film with stellar, film-like quality and a soundtrack that isn't reference material, but handles everything thrown at it with both power and grace. While a bit on the short side, the supplements are nevertheless informative and entertaining. Gone Baby Gone comes highly recommended.
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