Glass Blu-ray Movie

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Glass Blu-ray Movie United States

Blu-ray + DVD + Digital Copy
Universal Studios | 2019 | 129 min | Rated PG-13 | Apr 16, 2019

Glass (Blu-ray Movie)

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List price: $14.98
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Movie rating

6.6
 / 10

Blu-ray rating

Users4.5 of 54.5
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Glass (2019)

Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

Starring: James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Sarah Paulson
Director: M. Night Shyamalan

Sci-Fi100%
Comic book94%
Thriller21%
DramaInsignificant

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 2.39:1
    Original aspect ratio: 2.39:1

  • Audio

    English: Dolby Atmos
    English: Dolby TrueHD 7.1 (48kHz, 24-bit)
    Spanish: Dolby Digital 5.1 (640 kbps)
    French: Dolby Digital 5.1 (640 kbps)

  • Subtitles

    English SDH, French, Spanish

  • Discs

    Blu-ray Disc
    Two-disc set (1 BD, 1 DVD)
    Digital copy
    DVD copy

  • Packaging

    Slipcover in original pressing

  • Playback

    Region free 

Review

Rating summary

Movie4.0 of 54.0
Video5.0 of 55.0
Audio5.0 of 55.0
Extras2.5 of 52.5
Overall4.0 of 54.0

Glass Blu-ray Movie Review

Reviewed by Martin Liebman April 6, 2019

While Marvel and DC are battling it out for box office returns, littering the movie landscape with, now, nearly countless Superhero films that all basically play to the same beat in increasingly grim and trope-filled narratives with an ever-expanding character count of decades-old names and faces, M. Night Shyamalan has taken his time to craft his own, much more grounded, and in many ways more engaging and intimate "Superhero" and "Super villain" stories. Unbreakable introduced audiences to David Dunn (Bruce Willis) and Mr. Glass (Samuel L. Jackson), physical opposites that were seemingly born for conflict with one another. Shyamalan's Split revealed that film's antagonist, a man suffering from a unique twist on multiple personality disorder known as "The Horde" (James McAvoy), to be part of the Dunn/Glass world. The director brings their stories together in Glass, a film that is far less concerned with action and instead built on characterization and both introducing and dissecting the worlds of comic book heroes and villains in a believably approachable and innately human way. Though it is not his best film, Glass is a fitting continuation of the saga with an end that both closes one chapter of the story and opens a world of possibilities for future films.


"The Horde" -- the violent abductor with severe multiple personality disorder who targets teenage girls -- has struck again. He has kidnapped four cheerleaders, holding them in an abandoned Philadelphia warehouse. David Dunn, the "unbreakable" man known to the public as the mysterious hooded hero "Overseer," tracks him and the girls down, rescues the victims, and finds himself in a violent confrontation with The Horde's most dangerous form, the vascular, muscular creature known as "The Beast." The two of them are eventually taken into custody and hospitalized under the care of Dr. Ellie Staple (Sarah Paulson) who believes the men are suffering from an ailment that leads them to believe they are something they are not. Also in her care is Dunn's arch nemesis, the fragile but extraordinarily intelligent Mr. Glass. Staple is hellbent on proving her theory correct and is prepared to go to extraordinary lengths to ensure none of the men leave the hospital the same.

Glass is not a film focused on action but rather one focused on character depth. It's not a film about maneuverings but rather about manipulations. Shyamalan's script thrives on opening characters, revealing truths, with slowly developing and gradually revealed turns and twists. The story centers on the three main characters -- Dunn, Glass, and The Horde -- but it is in many ways the story of the supposed support players, prominently Dr. Staple but also Joseph (Spencer Treat Clark), Casey (Anya Taylor-Joy), and Mrs. Price (Charlayne Woodard). Shyamalan does not make it their movie through sleight-of-hand but it's clear by the time the second act begins, with the collected characters under Staple's care at the hospital, that the story is not going to evolve down a more traditional genre avenue. The film does build towards a climactic showdown with the three of them in the middle of it, but even within it the physical confrontations are less dynamic and dramatic than the character details and reveals. Shyamalan has built the movie with purpose that is revealed in the end, which may not be a traditional "twist" as the term applies to the filmmaker's movies. It's instead a gradual reveal through and beyond the film's unexpected climax that rewrites the characters, their purpose, and the state of the world Shyamalan has constructed around them.

Shyamalan builds and executes the film with a slow but sure hand. There are lengthy stretches featuring Dunn and Glass doing little more than sitting still while Staple speaks to them, diagnoses them, and lays out a "treatment" plan for their mental blocks and fantasies, as she believes them to be. There's more interaction with The Horde, unavoidable with the multiple personalities surfacing in response to any given situation or stimulus, but that allows the series' anchors -- Dunn and Glass -- to reveal their place and purpose in the film with added mystery as they are slowly folded into a much larger narrative. Staple is the film's most interesting character. As the film explores the parallels and demarcations between fictional and "real" heroes and villains and various comic book tropes are introduced and often slyly rather an overtly folded into the story, it becomes clear that there's something to Staple's work beyond "treating" the men's supposed aliments. Shaymalan builds the film, much as he always does, with the greater purposes and truths masked and slowly peeled away at opportune times. Staple indeed becomes something more than just a stand-in, and a second watch proves much more rewarding than the first, allowing viewers to piece together the story as Shyamalan introduces hints rather than wait for the reveals, to understand where the characters and the story are going with the foresight to better appreciate the artistry in the writer/director's purposes for it all.


Glass Blu-ray Movie, Video Quality  5.0 of 5

Glass' 1080p Blu-ray presentation leaves nothing to be desired. The digitally photographed image, which was shot at 3.4K, offers a meticulously clean viewing experience where even low-light noise is kept to a bare minimum. The image offers resoundingly complex textures, showcasing every facial hair, skin pore, clothing detail, and environmental tidbit with remarkable clarity. The image misses absolutely nothing, never struggles to reveal crystal-clear human and world details with the most complexity and clarity this format can muster. Colors are likewise similarly impressive. The palette is of narrative importance throughout the film, and the image reveals terrific depth and saturation to every shade, whether more robust colors or neutral accents and environments. Whether large swaths of pink seen at the hospital during one scene or Mr. Glass' purple accented costume, there's no mistaking the depth and accuracy inherent to every shot, scene, and sequence. Black levels are terrific and skin tones appear spot-on. No encode artifacts of note are readily apparent. Blu-ray doesn't get much better.


Glass Blu-ray Movie, Audio Quality  5.0 of 5

Glass shatters through speakers with a terrific Dolby Atmos soundtrack. While the track isn't one of those sorts to feature wall-to-wall mayhem, it folds in both high yield effects with subtle atmospherics and dialogue remarkably well. Every occurrence of soundtrack stretch and engagement are top-notch. Thunder cracks behind, and overhead, in chapter three. There's a natural, well defined bustle in a school cafeteria in chapter five. A "growling"-type sound effects plays at the 59-minute mark when Jospeh is searching the web. The effect seems to move through portions of the stage with ferocious depth. Listeners will enjoy terrific low end response to various slams and punches into a myriad of surfaces during the climax. Bass is powerfully engaged in support of music and sound effects alike to the tune of some of the most well pronounced examples one will find while also maintaining balance and integrity with other elements. Music flows freely along the front and engages the rears in balance, while dialogue is clear, well prioritized, and center focused with a few good examples off reverberation as the situation allows.


Glass Blu-ray Movie, Special Features and Extras  2.5 of 5

Glass contains deleted scenes, an alternate opening, and a dozen featurettes, most of which are of the typically short, sub 3-minute variety common in Universal releases. A DVD copy of the film and a Movies Anywhere digital copy code are included with purchase. This release ships with an embossed slipcover.

  • Alternate Opening (1080p, 2:57 with intro, 2:13 without intro): With optional M. Night Shyamalan introduction.
  • Deleted Scenes (1080p, 24:53 total runtime with intros, 13:36 without intros): Included are David Alone at Bar, Patricia Talks to Cheerleaders, David Encounters Pierce, Casey in Art Class, Dr. Staple Explains Machine, Mrs. Price in Waiting Room, Mrs. Price Talks to Elijah, Dr. Staple Drinks Tea, Pierce Checks Elijah's Room, Mrs. Price Tells Elijah About Surgery, David Submits to Dr. Staple, and Patients Worship The Beast. With optional M. Night Shyamalan introductions.
  • The Collection of Main Characters (1080p, 8:43 total runtime): Brief character portraits that also explore the qualities the actors bring to the roles. Included are David Dunn, Elijah Price, Kevin Wendell Crumb, and The Rest of the Family.
  • A Conversation with James McAvoy and M. Night Shyamalan (1080p, 5:10): The actor and writer/director cover a few basics, including the film's genre, the film's tone, character evolutions, transitioning from Split to Glass, and more.
  • Brining the Team Back Together (1080p, 2:54): A quick, sincere exploration of the camaraderie and longstanding relationships on Shyamalan sets.
  • David Dunn vs. The Beast (1080p, 2:11): A short look at making some of the action highlights from the climax while on a budget.
  • Glass Decoded (1080p, 2:52): Shyamalan discusses props that return to this film. It also explores the series' and this film's color palette.
  • Breaking Glass: The Stunts (1080p, 1:28): As the title suggests, this brief extra explores one of the film's stunts in a most broad perspective.
  • Connecting the Glass Universe (1080p, 2:54): How the films tie together, narratively and tonally alike.
  • M. Night Shyamalan: Behind the Lens (1080p, 2:46): Cast and crew talk up Shyamalan's direction.
  • The Sound of Glass (1080p, 1:50): Talking with Composer West Dylan Thordson.
  • Enhancing the Spectacle (1080p, 2:53): Looking at a few of the film's key digital effects.
  • Raven Hill Memorial (1080p, 2:16): Shooting at a real, albeit abandoned, mental hospital in Allentown, Pennsylvania.
  • Night Vision (1080p, 1:56): A look at how Shyamalan sees and builds a film from the beginning.


Glass Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

Glass both brings Shyamalan's Unbreakable trilogy to a close while also igniting a new spark with an opportunity for the filmmaker to play into a whole new wide world, should he so choose. This film builds and plays internally much more than it does externally, and it's a welcome escape from so many of the more superficial (yet often still very good) superhero movies which are so dominant across today's cinema. Shyamalan certainly seems to be back in a groove. He's too talented to miss too often, and here's hoping there much more good Shyamalan in store in the future. Universal's Blu-ray release of Glass delivers reference quality video and audio as well as a voluminous collection of short extras. Highly recommended.