6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A friendship between two men, both named Gerry, is tested to its very limit when they become lost in the desert with neither food nor water.
Starring: Casey Affleck, Matt DamonDrama | 100% |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.27:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 3.0 | |
Overall | 3.0 |
After experiencing success with “Good Will Hunting” and “Finding Forrester,” director Gus Van Sant decided to cleanse his filmmaking system with 2003’s “Gerry,” a deliberate attempt from the helmer to get back to his experimental roots. Taking inspiration from the work of Euro talent such as Bela Tarr, Van Sant delivers a purely observational viewing experience with “Gerry,” which consists of lengthy takes and limited dialogue, examining the gradual deterioration of two men (Casey Affleck and Matt Damon) lost in the desert, left with nothing to do but walk as they search hopelessly for a rescue. It’s as spare as it gets, which is exactly what Van Sant wants for this initial installment of his “Death Trilogy.”
There's no fresh scan for the Blu-ray debut of "Gerry," which arrives with an aged AVC encoded image (2.37:1 aspect ratio) presentation. It's a softer viewing experience, but detail isn't destroyed, finding some of the locations appreciable, textured with rocks and salt, while distances are acceptable, with mild dimension. Facial features lack sharpness, but wear and tear is noticeable, picking up on burned skin and lips, along with soiled clothing. Colors are muted, with brighter blue skies and white salt flats becoming highlights, and skintones remain in the realm of natural. Delineation suffers at times, losing some detail with evening scenes. Filtering is present, with brief bouts of haloing detectable. Source is in acceptable shape.
Audio choices are bizarre for "Gerry," which defaults to a 5.1 DTS-HD MA sound mix that isn't commanding, coming through with muddiness and a lack of expanse. Switch over to the 2.0 DTS-HD MA track, and everything brightens up considerably, offering a proper sense of cinematic sound, including a direct understanding of dialogue exchanges. Sound effects deliver a crisp overview of banging rocks and shuffling feet, along with howling winds, providing compelling atmospherics. Scoring selections are supportive, offering clean instrumentation.
"Gerry" has little dialogue and scoring only appears as bookends on the picture. It's largely silent, with Van Sant stewing in the sounds of movement. The helmer would go on to experiment with this type of vision again in "Elephant" and "Paranoid Park," but "Gerry" is his only successful foray into cinematic delay, helped along by star power (Affleck and Damon are quite good here) and an initial concentration on an end game for what little here passes for story, lacking the maddening navel-gazing that diminished subsequent efforts/rehashes. Obviously, the movie is a specialized viewing experience for specific mood of filmmaking adventure, and here, taking his first stab at it, Van Sant achieves his creative goals, challenging himself and the audience.
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