Rating summary
| Movie |  | 4.5 |
| Video |  | 5.0 |
| Audio |  | 4.0 |
| Extras |  | 1.5 |
| Overall |  | 4.5 |
George Gently, Series 7 Blu-ray Movie Review
Do the Right Thing
Reviewed by Michael Reuben September 29, 2015
Warning: This review assumes that the reader is familiar with all previous seasons of George
Gently. If you are new to the series, proceed at your own risk. The review of Series 1 contains a
spoiler-free introduction to this British police series.
Chief Inspector George Gently (Martin Shaw) routinely counsels his junior officers not to get
angry, and generally he practices the same virtue. But one of Gently's defining qualities has
always been an inner core of moral certitude that made him a frequent annoyance to his
colleagues (especially the corrupt ones) and a scourge to criminals. Gently escaped anger by
repurposing it as fuel for his sense of righteousness, and he did the same with other negative
emotions. In the early series of George Gently, the Chief Inspector bore his grief over his wife's
murder by rediscovering his passion for law enforcement in his new home in Durham. Time and
new relationships, first with Sergeant John Bacchus (Lee Inglesby) and now with WPC Rachel
Coles (Lisa McGrillis), have taken some of the edge off Gently's passion.
In the seventh and latest series of George Gently, series creator Peter Flannery has given Gently's
mean streak a rude awakening by confronting the Chief Inspector with his own mortality, and not
at the hands of some criminal adversary, as in Series 5. In Gently's first scene of this series, he
experiences symptoms of a mystery illness, for which the diagnosis and prognosis are gradually
revealed throughout the episodes. Gently puts on a good front at work, but the very effort betrays
just how badly shaken he is by this development. The reminder that his time is limited reawakens
a boldness reminiscent of Gently's bulldog style when he first arrived from London.
Series 7.1: "Gently with the Women" (Apr. 29, 2015)
Rachel Coles's disgust at the dismissive manner in which Bacchus and two other officers take a
rape complaint from a prostitute named Tina (Emily Woof) prompts Gently to review how his
department handles rape cases. The Chief Inspector is shocked to learn that most such complaints
never lead to charges; fewer still result in convictions. "How did I not know about this?" he asks
with genuine bewilderment. Out of respect for her boss, Coles gives him an opportunity to
withdraw the question before providing the obvious answer: "Because you never asked."
Gently's concerns acquire new urgency when the body of an unidentified victim is found near the
river, the victim of a brutal rape-murder. The investigation may or may not relate to a recent
crackdown on prostitution in the area, which resulted in an uncomfortable encounter between
Bacchus and an officer from a neighboring station named Walter Nunn (Derek Riddell), whose
name appears on far too many rape cases where the victim was pressured to retract her complaint.
It now seems that one or more of the withdrawn rape complaints may have been the work of a
sexual predator, whose physical abuse has escalated to homicide. Finding the perpetrator means
reopening old cases, a prospect strenuously opposed by Inspector Nunn.
Complicating matters at work is a personal situation for Bacchus, whose life continues to
exemplify the song about looking for love in all the wrong places. After asking "Where is my
sergeant?" one time too many, Gently applies his detective skills to answering the question. As a
result, the two colleagues become adversaries in a way that we haven't seen since the early days
of the series.
Series 7.2: "Breathe in the Air" (May 6, 2015)
The investigation of "Breathe in the Air" provides an unexpected trip into the past for WPC
Rachel Coles, when the victim turns out to have recently moved to Easterhope, a formerly
thriving manufacturing district that is now largely derelict after a Swiss conglomerate, Silvexpo, acquired and closed the local factory.
Coles has vivid memories of playing there with her childhood friend, Esther Carlin,
who died tragically at the age of 15. During the investigation, Coles reconnects with Esther's
parents, Norman and Bridget Carlin (Nicholas Woodeson and Lesley Nicol), who are delighted to
see their daughter's playmate all grown up. Coles is sad to discover, however, that Norman is
seriously ill and hasn't long to live.
The victim in the investigation is a physician, Valerie Cullen (Deirdre Mullins), whose body is
found in the woods, an apparent suicide from an injection of barbiturates. Bacchus initially
considers the case open-and-shut, but Gently is troubled by inconsistencies such as the massive
(and recent) bruise on Valerie Cullen's face. The initial interview with Dr. Cullen's co-practitioner, Dr. Plant (Jonathan Cullen; the actor's last name is
a coincidence), is less than
satisfying, and the notification of her estranged husband, Andrew Cullen (Jason Done), raises even more
questions, especially when he insists that the attractive blonde with whom he is having lunch is
purely a business colleague, when she obviously is something more. She will shortly be
identified as Anna Zweig (Susy Kane), a senior executive of Silvexpo. Andrew Cullen just happens to be a Health and Safety Inspector for
the British government whose responsibilities included the now-defunct factory owned by Silvexpo. Shortly,
however, he will be accepting a new position in the private sector.
The further Gently and his colleagues dig into Dr. Cullen's life, the deeper the mystery. Why did
someone with an aristocratic background and first-class medical credentials choose to practice
among the poor? Why did she move to Easterhope? Why was she talking to so many Easterhope
residents, and what happened to her notes from those conversations? Confirming that the
detectives are onto something meaningful, a cadre of expensive lawyers arrives in Gently's
station house making threats, and his superior, Commander Davenport (Mark Aiken), orders the
Chief Inspector to close the investigation. But for reasons known only to himself, Gently is in
something of a reckless mood, and he can't resist taking one more tilt at the corporate windmills.
Series 7.3: "Gently Among Friends (May 13, 2015)
The "friends" of the title are three men who grew up together: Scott Parker (Nicholas Sidi), Petey
McGath (Anthony Flanagan) and Michael Woodruff (Adrian Bower). Now Petey runs a
successful America-themed restaurant with his wife, Anita (Emma Cunniffe). Michael has
become a powerful union leader, currently engaged in a wildcat strike that has left garbage piled
all over the streets of Newcastle. Scott was a visionary city planner, whose dream of redesigning
Newcastle depended on city permits that were denied. At a fortieth birthday party for Petey, Scott
can barely contain his bitterness as he toasts his old friend.
The next morning, Scott's body is found in a pile of garbage beneath a nearby bridge, presumably
a suicide. However, the post mortem indicates that he died before he fell, suggesting that
someone has tried to cover up a murder. As Gently, Bacchus and Coles attempt to establish a
time line for Scott's movements during and after Petey's birthday party, they enter a thicket of
evasions, half-truths and guilty secrets. Much evidence points to Scott's financial desperation,
including a pawn ticket issued by the memorably eccentric Geoffrey (Jim Moir), and a substantial
outstanding debt to loan sharks that Scott's wife, Jo (Louise Brealey), is being forced to pay in
particularly unsavory circumstances. Bacchus goes undercover to deter the loan sharks, but the
ruse does not help answer the question of who killed Scott.
More than anything, "Gently Among Friends" is about how longstanding relationships change as
circumstances evolve, so that even those who are closest to us may no longer be the people we
thought we knew. It's a subject very much on Bacchus' mind as his boss continues to insist that
his health is perfectly fine, when Bacchus can clearly see that it is not.
Series 7.4: "Son of a Gun" (May 20, 2015)
On December 24, 1969, the men and women of Gently's station are toasting the forthcoming
Yule, but elsewhere in Durham someone's idea of comfort and joy is to rob the Tyne & Wear
Bank at gunpoint. Instead of the usual pistols, the four masked bandits brandish Sten submachine
guns, a military-grade firearm previously unseen in British crime. When one of the bandits drops
his Sten gun while fleeing, a security guard who served in the Army grabs the weapon and fires
wildly at the getaway car, transforming a peaceful city street into a war zone. It's an escalation of
gunfire that Gently, who served with British forces fighting the Nazis in Africa and Italy, never
expected to encounter at home.
The investigation leads to a skinhead gang headed by a charismatic leader named Jonjo Burdon
(Jody Latham). The members commit crimes as much for the adrenaline rush as for profit, and
their loyalty to Jonjo is absolute, but the guru himself has larger goals and an accountant's eye for
profit. (Asked about his drug dealing business, he describes it as "just my paper route".) Unable
to develop any solid evidence against Jonjo, Gently agrees to let Rachel Coles go undercover as a
party girl seeking a good time at the villain's club, in the hope that he'll hit on her and boast of
his accomplishments. Coles understands how dangerous the assignment is, but her greatest fear is
what her mother will think when Rachel comes home sporting the bobbed haircut required to
give her the right look to blend in at a skinhead club.
The robbery investigation acquires a personal dimension for Gently when he discovers that he
knows one of the witnesses at the scene, teenaged Kit McDonald (Patrick McNamee), the son of
a former police colleague who died in the line of duty. Gently is happy to see the young man but
feels guilty that he hasn't made more effort to look in on him and his mother, Edith (Elizabeth
Carling). The detective also suspects that Kit may know more about events than he is telling the
police.
By the time those responsible for the bank job are brought to justice, several continuing plots of
Series 7 have been wound up. They include Bacchus' messy love life, the question of Gently's
long-term health, and Coles's future with the Durham police.
George Gently, Series 7 Blu-ray Movie, Video Quality 

All four episodes of Series 7 were shot on the Arri Alexa by James Aspinall, a veteran of
numerous British TV series, including Foyle's War
and Call the Midwife.
Unlike Series 5 and 6,
where Acorn Media compressed two 90-minute episodes (approximately) on each of two BD-25s, Series 7 arrives on two 1080p, AVC-encoded BD-
50s, with a correspondingly higher bitrate
(around 25 Mbps per episode). While a higher bitrate doesn't automatically equate to a superior
picture, the fact is that these are the best-looking episodes of George Gently since Acorn's first
releases, which were 1080i but were also issued on BD-50s. Digitally acquired material can
withstand a high degree of compression and still look good, but it looks even better with less
aggressive compression.
Sharpness and detail are exceptional throughout, even in darkened interiors and nighttime
sequences. The many shadings of gray and brown that characterize the urban landscapes of these
episodes are rendered with subtlety, as are the vivid flashes of color that contrast with it, notably
the green of the surrounding countryside, the bright blue of Gently's car (which is instantly
recognizable) and the rich reds that characterize a number of residential interiors, as well as the
brothel in "Gently with the Women". Blacks are deep, and whites (which are plentiful in both the
morgue and the hospital where Gently gets his medical evaluation) are never overassertive. A
few flashback sequences in "Breathe in the Air" have been desaturated and re-tinted to create the
sensation of a childhood memory, but otherwise the palette is realistic.
George Gently, Series 7 Blu-ray Movie, Audio Quality 

George Gently's soundtrack continues to be stereo, encoded in lossless DTS-HD MA 2.0, and
dialogue and sound effects remain clear and effective. Overall, though, the audio impact of Series
7 is markedly different from that of previous series, and the difference is attributable to the score
composed by Mark Russell, who also scored the last two episodes of Series 6. Series 7 abandons
the urgent introductory theme originally composed by John E. Keane (and used consistently since
then) in favor of a reflective, almost mournful tone consistent with the series' darker themes of
age and physical infirmity. Russell's compositions during the episodes favor the same style (with
an occasional quickening for scenes of high drama such as the bank heists in "Son of a Gun").
The effect is to intensify George Gently's elements of personal drama, a focus that is clearly
intended by the scripts. Between the lossless treatment and the stereo separation, the score
becomes an integral part of the story, and one of the most effective uses of music since George
Gently premiered.
George Gently, Series 7 Blu-ray Movie, Special Features and Extras 

- Bonus Interviews (disc 2) (1080p; 1.78:1)
- Martin Shaw (2:45): Interviewed on location during the shooting of "Son of a
Gun", Shaw discusses his character, the characters of his co-stars and shooting in
Durham.
- Jim Moir (stage name Vic Reeves) (2:33): Moir talks about playing the pawnshop
owner in "Gently Among Friends" and about watching the moon landing when he
was a boy (an event included in "Breathe in the Air").
- Lesley Nicol (2:47): On location, Nicol describes playing Bridget Carlin in
"Breathe in the Air". Warning: Spoilers!
- Bonus Trailers: At startup, disc 1 plays trailers for Acorn Media, The Great Train
Robbery and The Mystery of
Lord Lucan, which can be skipped with the chapter forward
button and are not otherwise available when the disc loads.
George Gently, Series 7 Blu-ray Movie, Overall Score and Recommendation 

As of this writing, the BBC has not decided whether to order another series of George Gently. If
the show were to conclude with Series 7, creator Flannery and his writing team have left no
major loose ends. More than any previous group of episodes, however, Series 7 explored a
complex dynamic of interlocking skills, weaknesses and mutual support among a tightly knit
team of friends and colleagues that would not have been possible without the introduction of the
fresh perspective brought by Rachel Coles. Unexpected developments have forced both Gently
and Bacchus to re-examine themselves and each other, and the outcome of that process would be
well worth exploring. Here's hoping the BBC lets creator Flannery do so. Meanwhile, the Blu-ray set of Series 7 comes highly recommended.