| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
See individual titles for their synopses.
| Horror | 100% |
| Mystery | 12% |
| Drama | 2% |
| Sci-Fi | Insignificant |
| Comedy | Insignificant |
| Fantasy | Insignificant |
| Romance | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM Mono
English SDH
Blu-ray Disc
Six-disc set (3 BDs, 3 DVDs)
DVD copy
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Note: The scores above are averages for the three films in this set. For individual scores, please see the reviews linked below.
Mention the name George A. Romero to just about anyone, and if they recognize it, chances are they’ll be prone to think largely of films like Night of the Living Dead, or indeed prone to think only of that
film. The legendary 1968 zombie film was such a watershed moment in the history of horror that it perhaps unavoidably branded Romero and his
coterie of Pittsburgh collaborators in ways that any creative artist would probably try to break free from, if only to clearly establish that they were
not
a “One-Trick Pony” (so to speak). There’s an obvious “and now for
something completely different” streak running through the three films that Arrow has assembled in its cheekily titled Between Night and
Dawn set. This trio of films consists of the trifecta Romero and his repertory company (both in front of and behind the camera) produced in
the
wake of Night of the Living Dead. Of the three, the first film to come out after Night of the Living Dead, There’s Always
Vanilla, is perhaps the “most” completely different, due at least in part to the fact that Romero didn’t write it (and, notably, considered the
finished film something of a disaster). Season of the Witch and (especially) The Crazies arguably have more in common with
what’s
traditionally thought of as Romero canon, with plot lines that at least touch on science fiction or otherworldly phenomena, and with both
addressing a
frequent subtext of Romero’s works, the dialectic between an anachronistic individualist and those heeding to societal norms.


Video quality of each release is assessed in the above linked reviews.

Audio quality of each release is assessed in the above linked reviews.

Supplements included on each disc are detailed in the above linked reviews. Note that some of the supplements on any given disc are not necessarily tied only to that particular film and may be more general in nature. Each of the releases comes in its own keepcase with collectible insert covers, and as is typical with Arrow releases, the entire package is housed in a nicely designed sturdy chipboard box which also holds a nicely appointed insert booklet.

While you'd be hard pressed to call any of these three films lost masterpieces, they all have a certain curiosity factor, though parts of There's Always Vanilla play a bit like an amateur audition tape (which the film kinda sorta was), and parts of Season of the Witch are almost weirdly surreal and even campy. The Crazies is an interesting case of Romero kind of playing at the "edges" of some zombie-esque ideas without ever totally going there. There's Always Vanilla has problematic video, but the two other releases look largely great. All three have adequate if uninspiring audio, and as usual with Arrow releases, the supplementary package is quite enjoyable. For Romero completists if for no one else, Between Night and Dawn comes Recommended.