7.3 | / 10 |
| Users | 4.0 | |
| Reviewer | 4.5 | |
| Overall | 4.0 |
The sixth studio album by Genesis, and their last featuring Peter Gabriel. It is a concept album about a young Puerto Rican man named Rael, who goes on a bizarre adventure of self-discovery.
Starring: Peter Gabriel, Phil Collins| Music | Uncertain |
| Surreal | Uncertain |
| Other | Uncertain |
| Fantasy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: LPCM 2.0 (96kHz, 24-bit)
None
Blu-ray Disc
Five-disc set (1 BD, 4 CDs)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Enterprising internet sleuths might have a field day (comedic or otherwise) looking into the history of so-called rock operas, an idiom which most folks would probably say began in earnest with The Who: Tommy , but which at least some nooks and crannies of the world wide web have stuffed with (of course questionable) assertions claiming everyone from Frank Zappa to The Beatles may have beaten The Who to the punch, at least in terms of "concept albums" if not with regard to actual "operatic" formulations. That said, after both Tommy and then Jesus Christ Superstar (the link points to the film since an audio Blu-ray isn't out as of the writing of this review) became hits over the course of the late sixties morphing into the early seventies, suddenly seemingly everyone wanted in on the "rock opera" action. That of course included The Who themselves, who returned in 1973 with Quadrophenia, but there are some who also insist David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders from Mars should be included in any "rock opera" list (though others would probably argue this might be more of a "concept album"), which arrived in 1972, the year before Quadrophenia. 1974 had its own rock opera, but in the annals of this particular musical subgenre, The Lamb Lies Down on Broadway doesn't seem to be as generally well remembered as some of its "siblings".


The Blu-ray disc boots very briefly to the image seen in screenshot 1, but then moves on automatically to the track list seen in the subsequent screenshots. The disc defaults to the Atmos mix, but this is commendably a Rhino release where you can toggle between the codecs with the audio button on your remote, and the song does not start over. Screenshots 9 and 10 show how the font / color change if you scroll through tracks without officially selecting them.

The Lamb Lies Down on Broadway features Dolby Atmos and LPCM 2.0 options. The enclosed booklet and/or Rhino's website credit the Atmos mix to Bob Mackenzie, overseen by Peter Gabriel and Tony Banks, at Real World Studios. The studio album stereo mix (96/24) is credited to Miles Showell with assistance from Nick Davis at Abbey Road Studios (some "fine print" on the loose back sheet on the release says Showell's efforts are 2025 remasters). I frankly didn't spend a ton of time with the stereo version, but it offers secure fidelity and some nice two channel separation. The Atmos mix announces its immersive capabilities from the get go, with that kind of toy piano opening encircling the listener in an almost round robin way (i.e., you can hear the sound literally circling around you). There are a ton of standout moments sprinkled throughout the album in terms of really nice separation and discrete channelization. The weird calls ending "In the Cage" emanate from the rear speakers, and conversely some of the spacy synth noises in "The Waiting Room" waft in from the front and Atmos speakers. Quite often vocals tend to be splayed evenly between the front and rear channels. There's some peculiar if slight distortion in "The Grand Parade of Lifeless Packaging" from some of the vocals emanating from the right side.

I joked in our recent Van Halen: Balance Blu-ray
review of another Rhino outing that one of the salient questions collectors will need to address is whether they have appropriate shelf space for
these so-called "Super Deluxe" editions. This is another extravagantly packaged release from Rhino, with an outer slipbox measuring approximately
10" wide by 10 1/4" high by 3/4" deep. The slipbox encloses two gatefolds, the first of which holds the four CDs (see below for contents), and the
second of which holds the Blu-ray disc, along with a folded poster reproducing an archival album announcement, a reproduction of the original
program accompanying the tour performances, and a kind of cool little reproduction ticket stub that has a download code on the back allowing access
to three Headley Grange demo recordings. Also enclosed is a fantastic 60 page softcover book that has a ton of photos and other memorabilia, along
with a detailed history of the project by Alexis Petridis. Lyrics and production credits are also included.
The CD contents are as follows:
The Lamb Lies Down On Broadway
Remastered 2024 (from the original 1974 tapes)
CD 1

The Lamb Lies Down on Broadway may be a bit more of a historical curio than anything, but it has some gorgeously layered production finesse that really gets a chance to shine in the fantastic sounding Atmos version on the Blu-ray disc. As usual, Rhino has assembled an absolutely gobsmacking array of extra material on both CD and the non disc swag. Highly recommended.