6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Shot on one day by 25 different cameramen across the USA under the co-ordination of Arthur J. Bressan Jr. this film documents Gay Pride parades across the United States in the late '70s.
Director: Arthur J. Bressan Jr.| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.38:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 4.0 |
1977’s “Gay USA” is a documentary that initially presents itself as a study of Pride Parade activity across the country, with cameras visiting celebrations in San Francisco, Chicago, New York, Los Angeles, and San Diego. However, director Arthur J. Bressan Jr. (“Buddies”) has much more in mind for the picture, which seeks to appreciate the state of the LGBTQIA+ community during this moment in time, sending interviewers into the crowds to better understand personal stories and deep feelings. “Gay USA” is a remarkable document of a time and place, with a heartfelt approach to reinforcing the solidarity of Pride Parades and what they mean to individuals used to living in a state of fear and confusion brought on by community violence, hateful organizations, and power-hungry leaders.


The AVC encoded image (1.38:1 aspect ratio) presentation for "Gay USA" is the end result of a restoration, preserving the picture for future generations to see. Age is obvious, along with technical limitations of the time, but the viewing experience remains passably consistent as it explores activity in different cities with different equipment. It's a softer picture, but a general sense of frame information is preserved, including personal appearances of the interviewees. Street activity is adequately dimensional. Color cinematography varies, but hues are appreciable, exploring period clothing and parade costuming, along with signage. Grain is decently resolved. Source has some wear and tear, but no major elements of damage are encountered.

The 2.0 LPCM mix offers a basic understanding of the interviewees, who remain clearly understood despite competition from background commotion. Soundtrack selections aren't sharp, but they retain acoustic instrumentation and decent vocals.


"Gay USA" gets a little carried away with musical moods as Bressan Jr. repeatedly turns to songs to communicate Pride Parade atmosphere, but the images captured are fantastic, watching all kinds of participants join the event, including those involved in drag, which carries a divisive reaction from onlookers. "Gay USA" feels real and immediate, setting out to underline the importance of the experience during an era when attacks against the LGBTQIA+ community was ramping up in intensity. Bressan Jr. was looking to create a snapshot of 1977, inadvertently crafting a film that's just as relevant today.

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