7.8 | / 10 |
Users | 5.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Paula's aunt Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt finds the body. Police fail to find the killer and Paula is sent away to school. Ten years later, Paula returns to London with her new husband. They take up residence in her aunt's house, which she has inherited. However, he has a secret which he will do anything to protect.
Starring: Charles Boyer (I), Ingrid Bergman, Joseph Cotten, Dame May Whitty, Angela LansburyFilm-Noir | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Mystery | Insignificant |
Horror | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English: DTS 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Director George Cukor’s Gaslight is the second adaptation of Patrick Hamilton’s play of the same name, not that Metro-Goldwyn-Mayer wanted 1944 audiences to know anything about the first one. Thorold Dickinson’s excellent 1940 British adaptation was swept under the rug by MGM after they snapped up the remake rights, which included a strict clause that all existing prints be destroyed, as well as its original camera negative. Although new prints were thankfully made in secret (and MGM obviously loosened its stance in later decades), this brazen level of manipulation and control ends up mirroring the film itself: if left unchecked, powerful figures are capable of monstrous bullying tactics.
MGM's remake enjoyed a much higher budget than the 1940 original, with most of it spent on production design and big-name actors. Boyer, best known for the title role in Julien Duvivier's Pépé le Moko (also a remake), brought a great deal of star power...along with a contract clause that included top billing. Ingrid Bergman, who won an Oscar for her performance and was only two years removed from Casablanca, was so eager for the role that she agreed to this clause (much to the disapproval of David O. Selznick, who loaned her to MGM while still under contract). Supporting roles are filled out by Joseph Cotten (whose five-decade filmography includes Citizen Kane, The Third Man, and Heaven's Gate), Dame May Whitty (The Lady Vanishes), and newcomer Angela Lansbury, who celebrated her 18th birthday during filming. Yet like both earlier iterations, the real draw of Gaslight is its chillingly effective way of exploring the depths of domestic abuse in one of its most inhuman forms: convincing a victim that everything is their fault.
Originally released on DVD by Warner Bros. back in 2004 as a double-feature disc with Dickinson's 1940 adaptation, George Cukor's Gaslight is once again given center stage in Warner Archive Collection's new Blu-ray. Their striking new restoration easily outpaces WB's earlier disc although the 1940 film, included as a bonus feature, has unfortunately not been restored as well. (More on that later.) For now, let's appreciate what we get here: a near-complete upgrade of an already great package, and one that easily stands alongside Warner Archive's best discs released this year.
NOTE: Screenshots #21-25 are from Thorold Dickinson’s 1940 adaptation of "Gaslight".
Sourced from Warner Archive Collection's recent 4K scan of a second-generation safety fine-grain master positive (corrected from an earlier statement misidentifying the source elements), Gaslight looks uniformly stunning on this new Blu-ray edition. Aside from an extremely hazy opening sequence, subsequent levels of fine detail and texture remain consistent during the remainder of the film. Of course the daytime outdoor scenes and well-lit interiors are going to look great, but even a few nighttime London shots -- shrouded in dense fog and shadows only illuminated by gaslight -- hold their own as well, boasting a strong and satisfying grain structure that gives everything a distinctly film-like appearance. Black levels remain relatively consistent with very little flickering, while contrast levels and whites hold up without falling victim to crush or blooming. The film also enjoys a very healthy bit rate and displays no obvious signs of compression artifacts, aliasing, banding, edge enhancement, or other notable defects. As usual, this is an outstanding visual presentation that should absolutely thrill long-time fans and first-timers alike.
Likewise, the DTS-HD 2.0 Master Audio (Mono) mix does a fine job of preserving the film's one-channel roots from start to finish. Dialogue is extremely clean and crisp with no discernible audio sync issues or other defects, contributing to a robust overall listening experience that sounds about as good as its source material will allow. Although very heavy on atmospheric visuals, Gaslight doesn't typically employ a steady amount of Bronisław Kaper's original score to maintain its tension -- but when it kicks in, it maintains a relatively strong dynamic range that isn't hampered by a thin high end. Like its video presentation, this lossless track makes Gaslight sound a good bit younger than it really is.
Optional English (SDH) subtitles are included during the main feature(s) only. Unfortunately, they're bright yellow and formatted in ALL CAPS -- except when a character is whispering. (Which technically makes sense, but...)
Warner Archive Collection's Blu-ray edition of Gaslight is packaged in a standard keepcase. All of the on-disc bonus features have all been ported over from WB's excellent 2004 DVD along with a "new" 1946 radio broadcast.
George Cukor's adaptation of Gaslight, like earlier versions and its source material, remains (regrettably) relevant in recent years. It's a chilling but necessary exploration of slow and steady domestic abuse that almost -- almost -- makes the viewer question their own sanity in the process. Whether you prefer this version or Thorold Dickinson's 1940 British film adaptation, both are included on Warner Archive Collection's excellent new Blu-ray. Although the latter's lack of restoration keeps this from being a perfect package, the main feature's terrific A/V specs and well-rounded extras make Gaslight an absolute no-brainer for established fans and curious newcomers alike. Very highly recommended!
Limited Edition to 3000
1949
1944
Warner Archive Collection
1953
Limited Edition to 3000 - SOLD OUT
1950
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1967
Warner Archive Collection
1951
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Warner Archive Collection
1947
1993
Fox Studio Classics
1944
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1945
Limited Edition to 3000
1954
Warner Archive Collection
1946