5.6 | / 10 |
Users | 4.2 | |
Reviewer | 2.5 | |
Overall | 3.0 |
Set in the near future, a time when mind-control technology has taken society by storm. Humans control other humans in a mass-scale, multiplayer online game. Reclusive billionaire Ken Castle has created the controversial form of entertainment, "Slayers," a hugely popular game that allows millions to act out their innermost desires and fantasies -- online -- in front of a global audience. Gaming has evolved into a terrifying new dimension- mind control-manipulation-people playing people. At the center is Kable, the superstar and cult hero of "Slayers," the savage, ultra-violent first person shooter game. Kable is controlled by Simon, a young gamer with rock star status who continues to defy all odds by guiding Kable to victory each week. Taken from his family, imprisoned and forced to fight against his will, the modern day gladiator must survive long enough to escape the game to free his family, regain his identity and to save mankind from Castle's ruthless technology.
Starring: Gerard Butler, Amber Valletta, Michael C. Hall, Kyra Sedgwick, Aaron YooAction | 100% |
Thriller | 66% |
Sci-Fi | 42% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 1.73:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 7.1
Spanish: Dolby Digital 2.0
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
UV digital copy
Blu-ray 3D
Region A (locked)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 2.0 | |
Overall | 2.5 |
The worlds of film and videogames seem more inextricably linked than ever, what with cross platform releases that typically sees videogames based on films but which of course has included films based on videogames. Even auxiliary aspects like the technology used to either view films and/or play videogames has become homogenized, for at least some Blu-ray aficionados prefer Sony’s PlayStation 3 (soon to be 4) as their “all in one” system to handle both types of entertainment (this is not—repeat not—a “paid advertisement” or endorsement, simply a statement of fact). There have been a glut of high profile films that have either outright exploited the world of videogames (Tron, Tron: Legacy 3D) or at the very least alluded to a videogame ethos in either plot or references to an all encompassing alternate reality (The Matrix and its sequels), so that’s perhaps one reason why Gamer might seem a bit old hat. But there are probably even other reasons involved for the déjà vu feeling hovering around large swaths of the film. Gamer takes “a little this-a, a little that-a” approach in terms of borrowing any number of elements from previous properties, including films as disparate as The Running Man to Battle Royale to Death Race to The Condemned, not to mention a processed green screen look that often plays like a souped up, contemporary version of 300 (not so coincidentally starring Gerard Butler, also the hero in Gamer). This isn’t to say there isn’t entertainment value to be had in Gamer, for there certainly is, but it’s an ersatz sort of engagement that may leave some yearning for the originals rather than this often faded copy.
Gamer 3D is presented on Blu-ray courtesy of Lionsgate Films with both MVC (3D) and AVC (2D) encoded 1080p
transfers in 1.73:1. I'm a bit at a loss as to how to properly explain the odd 1.73:1 aspect ratio, not just because both
transfers display in 1.78:1 (something that readily happens due to overscan) but also because the first Blu-ray release of Gamer featured a
1.85:1 aspect ratio. This may have something to do with the side by side 2D/3D presentations, but I've personally never
seen anything quite like this before. (Our screencapture process takes an absolute 1:1 screenshot which reproduces
actual aspect ratio, irrespective of how it's ultimately displayed.) All of this said, the 2D presentation retains a nicely
sharp and well defined look that offers excellent fine object detail even within an aggressively color graded environment
and with contrast tweaked just as aggressively. This digitally shot feature offers the clean, relatively textureless,
appearance that is a hallmark of the Red One camera, but offsetting that aspect are some vividly saturated colors and
commendable amounts of shadow detail. Some of the contrast has been pushed to the point where the entire image is
kind of fuzzily soft due to glowing whites, but generally speaking this is a stellar video presentation.
Things don't fare quite as well with the repurposed 3D conversion. While there's decent enough depth offered
throughout this post conversion, what really hobbles the dimensionality is co-director Neveldine/Taylor's penchant for
insanely quick cutting and rapid camera movements, many with the ever popular "jiggly cam" look, all of which deprives
the image of depth if for no other reason than shots aren't held long enough to really establish things properly. The best
scenes here are the brighter lit sequences, notably the Society segments, where foreground objects are clearly
separated from the background elements. The dark sequences, which unfortunately include most of the battle scenes,
tend to suffer, as there simply isn't enough light to generate a sense of dimensionality.
Gamer 3D's lossless DTS-HD Master Audio 7.1 is everything that the film itself isn't: involving, immersive, bombastic and totally satisfying. While a lot of this track is excessively busy, with whiz bang foley effects careening through the surrounds to really astounding levels at times, nothing ever sounds crowded and prioritization is very smartly handled. Perhaps surprisingly, some of the most effective surround activity comes in some of the more relatively quiet sequences, including some of Kable's scenes in his jail cell, where the oppressive muffled sounds of the prison poke through the side and rear channels. LFE is really impressive throughout this feature, most obviously in the really floorboard shaking battle scenes where nonstop barrages of gunfire and explosions almost punch at the listener with air pressure changing force. Dialogue is very cleanly presented and is quite directional some of the time. Dynamic range is extremely wide throughout the film.
THe first release of Gamer came jam packed with supplements, only one of which has been ported over to this release:
Gamer 3D is all style and no substance, and unfortunately that style is so discombobulating so much of the time that it's frequently more annoying than anything. The film has the kernel of a good idea, albeit one that's been done to death already, but with nonstop quick cutting, ridiculous dialogue and absolutely no character development whatsoever, there's not a lot here other than sound and fury signifying nothing, or next to nothing. The post conversion 3D is okay, but certainly not spectacular enough to warrant double dipping on an already questionable title.
Director's Cut
2009
2008
2007
2009
1987
2010
PG-13 Theatrical Cut
2006
2009
2011
2005
2003
1080i
2003
2013
1988
2008
Unrated Edition
2012
2002
2011
2010
2016