6.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Horror | 100% |
Erotic | 97% |
Foreign | 66% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: DTS-HD Master Audio 2.0
French: Dolby Digital 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
1976’s “Furies Sexuelles” is not a movie for a casual evening of adult entertainment. Director Alain Payet attempts to bring darkness to the picture, which concerns the psychological and physical destruction of a woman turning to prostitution to solve her financial problems, getting in too deep with distorted male sexuality and all the violence it contains. Payet endeavors to make a film that follows certain adult cinema demands, but he’s also interested in creating a rough ride of kink play and disturbing behavior, offering more of a dramatic feature than one focused solely on titillation.
The AVC encoded image (1.67:1 aspect ratio) presentation is sourced from a new 2K scan of the 35mm negative, delivering a full refreshing for "Furies Sexuelles," giving the endeavor a second life in HD. Detail is excellent with the often grungy visuals, picking up on body particulars and period costuming. Room decoration is open for inspection, and street tours are dimensional. Color emerges with authority, embracing the hot reds of the disco scene, and clothing also carries potent hues. Delineation is satisfactory. Grain is fine and film-like. Some speckling and scratches are detected, along with a few damaged frames.
The 2.0 DTS-HD sound mix delivers a basic listening experience for "Furies Sexuelles," which is primarily focused on dubbed dialogue exchanges. Performances are appreciable and comfortable, with some shrill highs found during moments of screamed distress. Music is simple, supporting with a mild disco beat.
"Furies Sexuelles" is interesting in its extremity, created during a period of time when adult directors were hunting to make films with gritty characters and challenging content, and Payet ends up with more of a drama than a series of cheap thrills. The helmer isn't great about pace, often photographing actors sitting and staring, and the aggression of the material is disturbing, making the feature strictly for connoisseurs of adult cinema, especially French endeavors and their roller coaster rides of content and tone.
(Still not reliable for this title)
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