5.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A teenager (Adam Arkin) becomes a werewolf after a family vacation in Transylvania.
Starring: Adam Arkin, Roz Kelly, Ed McMahon, Joanne Nail, Bill KirchenbauerHorror | 100% |
Comedy | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 3.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Building his reputation with action and horror offerings such as “Black Caesar” and “It’s Alive,” writer/director Larry Cohen goes the comedic route for 1981’s “Full Moon High.” Instead of making scary stuff, he lampoons scary stuff in the picture, which enjoys playing with the conventions of drive-in cinema, mixing satire of teen-centric movies with an overview of changing moral attitudes in America. It’s a noticeable change of pace for Cohen, and while he’s attentive to the creature feature aspects of the effort, he neglects to serve up appealing funny business. “Full Moon High” has a lot of energy and interest in satisfying viewers with rat-tat-tat joke timing, but Cohen’s scattergun approach grows exhausting in a hurry, especially when the production doesn’t take time to refine the gags. Cohen elects the “throw at wall, see what sticks” approach, and the delivery doesn’t entirely work for this endeavor, which is meant to represent a lighter side to the helmer’s cinematic interests, but often falls flat on its face.
After missing out on a DVD release, "Full Moon High" makes the leap to Blu-ray with an AVC encoded image (1.85:1 aspect ratio) presentation that should really please fans of the feature. Details reaches as far as the original cinematography allows, delivering a fulfilling look at creature creations and character concern, offering compelling facial particulars, with clarity on special make-up achievements. Costuming is also appealing, with fibrous qualities on the range of period outfits, while Tony's school jacket retains a nice satin shine. Locations and sets are also dimensional. Primaries are secure, with strong colors on costumes, offering bursts of yellow and blue. Greenery is also intact, along with set decorations. Skintones are natural. Delineation is acceptable. Grain is fine and filmic. Source is in satisfactory condition, with some mild speckling detected.
The 2.0 DTS-HD MA sound mix showcases more age-related issues, finding dialogue periodically buried under music and sound effects. A few passages are difficult to hear, but the majority of performance choices are adequately intelligible, just slightly muddy. Soundtrack selections and scoring also lack crisp definition, but moods are easily decoded, with comedic emphasis a priority. Sound effects are blunt but recognizable, and group activity is more chaotic than precise. Hiss is detected throughout the listening event.
"Full Moon High" grows even more frantic in the last act, with Dr. Brand (Alan Arkin, Adam's real-life father) joining the hunt for Tony, adding more extreme personality to an already deflated endeavor. While it's nice to see the older Arkin here, showcasing his skills with timing and presence, the whirlwind nature of the finale tends to mute whatever appeal the seasoned performer brings to the movie. There are famous faces and charming actors spread around the picture (including Demond Wilson, Bill Kirchenbauer, Jim J. Bullock, and Pat Morita), but there's not enough funny business to go around, leaving long stretches of deadly gags and dim one-liners. Cohen isn't confident with "Full Moon High," struggling to make the sections of this tribute cohesive, but it doesn't work, keeping the film flavorless and perhaps too casual for its own good. The combination of frights and foolishness has certainly worked for other productions, but here, it's mostly a drag.
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