6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Businessman Peter nurses fantasies of killing his wife, Katarina, until a prostitute becomes his surrogate prey. In the aftermath of the crime, Peter and Katarina’s psychiatrist and others attempt to explain its roots.
Starring: Robert Atzorn, Christine Buchegger, Martin Benrath, Rita Russek, Lola MüthelForeign | 100% |
Drama | 82% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
German: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 0.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of Criterion's Ingmar Bergman's Cinema set.
It understandably may be well nigh impossible to choose an "all time greatest filmmaker" of the 20th century, if for no other reason than that personal
tastes differ, but I can't
imagine any "devoted cineaste" not having Ingmar Bergman at least near the top of their own aggregation. Criterion
has been feting
some iconic creative forces with expansive box set compendia of films, including Essential Fellini and
The Complete Films of Agnès Varda, but in terms of overall offerings and packaging extras, Ingmar Bergman's Cinema may
itself be sitting atop a list of finest Blu-ray collection offerings. Some of the films in this impressive collection have in fact had prior releases by
Criterion, as should probably be expected, but there are a fair number making their Blu-ray debuts. As tends to be the case with Criterion releases,
technical merits are also generally excellent, and the supplements can be very appealing.
From the Life of the Marionettes is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.66:1. Criterion's kind of overwhelming insert book offers nice summations of each film's transfer attributes, and the relevant data points for this film are as follows:
Picture element: 35 mm original camera negativeAdditionally, a brief text card at the beginning of this presentation offers a bit of additional information in that the digital restoration was accomplished in 2017. From the Life of the Marionettes lacks some of the florid stylistic touches that adorn other, more celebrated, Bergman efforts, though some of Bergman's mise en scène is of course always interesting, and there are a few isolated moments that definitely recall some of Bergman's downright legendary efforts (see screenshot 5, which to my eyes looks like it could have been used in at least one of the montages in Persona). As can be seen in some of the screenshots I've uploaded to accompany this review, the film has a surplus of facial close-ups where the characters come pretty close to directly addressing the camera, even if it's contextually implied they're speaking to another character out of frame. That choice results in some excellent fine detail levels on facial features and even whatever clothing makes it into the shot (and without joking too much, there's at least a hint of nudity in the film). The relatively brief color bookending sequences offer nice densities and appealingly natural hues, while the lush black and white imagery offers secure contrast, good black levels and nicely modulated gray scale. I would argue that clarity and sharpness are somewhat more apparent in the monochrome sequences than in the color, for whatever reason. Grain resolves naturally throughout.
Scanner: Scanity
Transfer resolution: 2K
Sound element: 35 mm optical track
Picture and sound restoration: Swedish Film Institute
From the Life of the Marionettes features an LPCM Mono track in the original German. This is a pretty relentlessly talky affair, though the film does venture around at least a little bit, getting outside for at least one semi-climactic moment. Ambient environmental effects aren't particularly numerous, but resonate realistically, and all dialogue is rendered cleanly and clearly throughout.
Bergman's efforts often flirted with psychoanalytical concepts, and indeed his imagery often seemed to be culled from either Jungian or Freudian ideas, but From the Life of the Marionettes may take it all too literally for its own good. My hunch is more jaded types may find the purported "analysis" offered here to be seriously questionable, but the film has its own weird, almost hypnotic, power. Technical merits are solid, though this is one of the films in Ingmar Bergman's Cinema not be granted any supplemental material. With caveats noted, Recommended.
(Still not reliable for this title)
En passion
1969
Riten / The Ritual
1969
Efter repetitionen
1984
Tystnaden
1963
Hamnstad
1948
Såsom i en spegel
1961
Till glädje
1950
Skammen
1968
Törst
1949
Skepp till Indialand / A Ship Bound for India
1947
Kvinnodröm
1955
Nära livet
1958
Kvinnors väntan / Secrets of Women
1952
Kris
1946
2003
Gycklarnas afton
1953
Nattvardsgästerna
1963
Vargtimmen
1968
Scener ur ett äktenskap
1973
Djävulens öga
1960