| Users | 4.5 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
See individual titles for their synopses.
| Foreign | 100% |
| Drama | 19% |
| Romance | 6% |
| Adventure | Insignificant |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
German: LPCM 2.0 Mono
English
Blu-ray Disc
Two-disc set (2 BDs)
Region free
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 3.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
Orientalism has become an increasingly disparaged term, not the least due to Edward Said’s late seventies opus bearing that name which made the perhaps obvious point that many artists who engage in so-called “ faux Eastern” approaches tend to be looking down on their subject. It wasn’t always so, of course, and Orientalism in music especially has tended toward loving homages, introducing orchestral colors, scales and harmonies which serve as the classical counterpart to the “exotica” craze of the late fifties in more popular music. But as commentator David Kalat freely “confesses” early in his commentaries on these releases, the “Orientalism” on display in Fritz Lang’s Indian Epic may strike some as decidedly more problematic. As Kalat gets into, not only is there the sight of caucasian actors portraying Indian folks, they often are adorned with the ironically termed “Egyptian” makeup that browns their skin. The whole depiction of Indian culture in both of the films comprising the Indian Epic is often whimsical at best, and downright historically inaccurate at worst. And while there’s a kinda sorta “fairy tale” ambience to much of the story, that still can’t probably completely excuse some of the ethnically charged subtext of the film, which includes some interesting if largely unexplored hints that a temple dancer named Seetha (Debra Paget, here dubbed into German by a very smoky voiced actress) may be a so- called “half breed”, with only one Indian parent.


Video quality of each film is assessed in the above linked reviews.

Audio quality of each film is assessed in the above linked reviews.

Supplementary material on each disc in this set is detailed in the above linked reviews.

As David Kalat also freely admits in his appealing commentaries, neither of these films is probably going to ever make it toward the top of all time greatest Fritz Lang outings, but they're both enjoyable in their own kind of weird way, even if some (notably native Indians) may find certain aspects politically incorrect. Video is largely solid, but audio encounters a few hurdles along the way, and the supplements are very enjoyable, for those considering a purchase.