5.6 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Bounty hunters from the future raid the present to provide new bodies for the super rich. Auto racer Alex Furlong is snatched by time travel, a split second before a fatal explosion, by Vasendak's 21st-century team of techies, who plan to sell his healthy body to an ailing rich man at McCandless Corporation, for a mind transfer. He escapes, but has no rights in this nightmare future of violence and sleaze. The story concerns his survival, and his attempt to revive his relationship with his fiancée Julie, now 15 years older and an executive at McCandless.
Starring: Emilio Estevez, Mick Jagger, Rene Russo, Anthony Hopkins, Jonathan BanksThriller | Insignificant |
Sci-Fi | Insignificant |
Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.37:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, French
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 2.5 |
Freejack isn't exactly high concept Sci-Fi, though it certainly could have been. The film dabbles around the periphery of narrative intrigue and flirts with ideas that might have elevated the film onto a higher plane of thought-provoking existence, but Director Geoff Murphy's (Young Guns II, Under Siege 2: Dark Territory) film refuses to explore its own potential, favoring to instead introduce a concept and play around it where all of the shoot-outs and car chases take place instead. The film was reportedly besieged by creative differences with various parties involved in the production laying blame on one another. The end product reflects that disunion, yielding a perfectly watchable but otherwise forgettable Sci-Fi influenced Action film that barely embraces its concept and struggles to build a purpose and maintain interest beyond its movement from one checkpoint action scene to the next, as the main character shoots and drives his way towards the people responsible for his predicament.
Freejack is the least attractive of the November 2018 Sony MOD release wave which includes the aforementioned Young Guns II as
well as Dick, Maniac, The Last Supper, and Robin and Marian, though at least some of the disappointments can be
attributed and traced back to the film's inherently bleak and dull locations and photography. But technical problems do show up and begin to mount as
the film
progresses. There is some macroblcoking evident in the first panning shot through Alex's bedroom immediately after the opening titles, an issue that
remains plainly visible in spots throughout. The presentation is fairly flat in general, lacking the firm, filmic qualities of the best Sony Blu-ray catalogue
releases. Grain is a little sloppy and snowy. Black levels are uneven (solidly deep at times, pale at others) and prone to the worst of the macroblocking
and home to horizontal lines running across the screen, at least in some shots. There are some pops and speckles throughout, severe in a few shots,
such as one around the 31-minute mark.
Details are fair. The 1080p resolution allows for firm, but not substantial, facial and clothing definition. At its best in well-lit and stable scenes without
any visual effects to get in the way, such as around the 22-minute mark, details can, and do, impress with complex lines, pores, and scars clearly
visible on characters while indoor locales find enough core textural characteristics to please. Likewise, daytime exteriors reveal the grime and filth and
wear around the city quite
well. The movie's inherent flatness doesn't help it, but the 1080p resolution does. Colors are fairly flat and often inherently drab. Never does the
palette really explode, even back in 1991 on the race track where more diversified colors abound. Clothes lack punch and environments are dull. The
movie just doesn't concern itself with significant color punch, favoring that bleak dystopian styling that leaves even sunlit scenes a little flat. Flesh
tones
are nicely saturated, at least, revealing a healthy complexion for most every actor in most any lighting condition.
Freejack features a DTS-HD Master Audio 5.1 lossless soundtrack. The opening title music to lead off the film offers gentle surround wrap and fair front end spread, though the predominant elements emanate primarily from a front-center location. Expansion towards the sides and into the rears increasers as various vehicles enter the frame and maneuver through, each with a fairly substantial weight and sense of movement. Public address delivery at the race track during qualifiers is nicely immersive and detailed. The first action scene in chapter two delivers some intense sound movement. Bass is a little lacking, the presentation wanting for more fullness and depth, but the sheer volume of moving sound through the stage helps make up for the relative lack of power and precision. The same can be said of every action scene throughout, whether a motorcycle chase in chapter four or various shootouts and other chases along the way. There is some dense street-level din in chapter three when Alex finds himself fully immersed in the his new world. Dialogue never causes any problems, delivering with healthy detail and natural positioning in the front-center portion of the soundstage.
Freejack's Blu-ray release contains only the film's theatrical trailer (1080p, 1:35). No DVD or digital copies are included. The release does not ship with a slipcover.
Freejack delivers modest entertainment value but ultimately disappoints as a disposable Action film that's built around an interesting premise
that is quickly discarded in favor of dull action, the premise serving only as a starting line, to use some race terminology, rather than a focal point. It's
a shame
because a more carefully manicured script might have yielded something a little more rewarding rather than the end product, which is watchable but
hardly noteworthy. A year later, Demolition Man would release, a superior "man (or men, this movie's
case) form the past arrives in the future" film with a lighter tone, a greater wit, a more purposeful story, and superior technical execution. It might
make for a
satisfying second end of a double feature with Freejack. Sony's Blu-ray release of Freejack contains no extras beyond a trailer. Video
is up and down and audio is aggressive but lacks finesse. Worth a look.
Director Geoff Murphy sadly passed away at the age of 80 the day before this review's publication.
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