6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption.
Starring: Michael Shannon, Imogen Poots, Justin Long, Rosanna Arquette, Michael NyqvistDrama | 100% |
Romance | 90% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, French
Blu-ray Disc
Single disc (1 BD)
UV digital copy
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 0.0 | |
Overall | 3.5 |
Michael Shannon is an intense actor, and he’s maintained a career interest in playing intimidating or fried men, using his natural way with darkness to create often memorable characters that have complete contempt for humanity in common. Perhaps one day Shannon will stun the world with his portrayal of the Easter Bunny, or perhaps he’ll star in a music bio-pic about Raffi, but for now, he’s trying to corner the market on hard men, and he’s doing a wonderful job. “Frank & Lola” isn’t a professional detour for Shannon, but it does manage to harness his gift for threatening behavior, with writer/director Matthew Ross (making his helming debut) capturing raw nerve work from the actor, allowing him to define the unsettling tone of this burning, disquieting drama.
The AVC encoded image (2.35:1 aspect ratio) presentation has the advantage of glowing Vegas and Parisian signage and locations, adding a fresh bit of bright, vivid color to the viewing experience, bringing active nightlife to HD without disruption. Hues are compelling, keeping primaries intact, best served with stylish costuming and varied interior decoration, and skintones are natural. "Frank & Lola" is a moody picture, and the HD-shot effort comes through with adequate clarity and some expected flatness, though delineation can be periodically problematic, teasing solidification with a few dimly lit encounters, losing textures on hair and costuming, and contests of intensity are missing some illumination. Detail is better with faces, capturing subtle reactions and textures, and locations maintain frame activity, making it relatively easy to study. Banding is periodically detected.
The 5.1 DTS-HD MA sound mix is largely driven by intimate encounters, putting emphasis on dialogue exchanges as the actors battle back and forth with hushed confessions and more heated articulations of frustration. Voices are crisp and clean throughout, and dramatic volatility never hits distortive extremes. Scoring cues are more about setting a noir-ish, jazzy mood, delivering comfortable, communicative instrumentation and excellent support, never threatening the performances. Low-end offers some intriguing rumble during Frank's bouts with rage, and a mid-movie nightclub excursion provides a rich thump to the listening experience. Surrounds are capable but not overtly active, pushing out urban exteriors and restaurant business, creating lightly immersive atmospherics with the sound of food prep and diner conversations.
There is no supplementary material on this disc.
"Frank & Lola" has a noir-ish sense of craftsmanship, and its way with psychosexual issues is intriguing, coloring this game of manipulation with salacious details. Power plays dominate the proceedings, and Shannon is especially sharp with this type of conflict, delivering a coiled performance that's coolly observational, making Frank's care for Lola waver between romantic protection and big game hunting, keeping tabs on the woman, testing her in small ways. Poots is a fine screen partner (though the British actress's stiff American accent continues to distract), but this is really the Shannon Show, and he's great, especially during moments with Nyqvist, who's nicely reptilian. Ross wisely keeps attention on his cast, allowing "Frank & Lola" to develop a sense of instability and increase its potential for violence without turning to predictable plotting just to lubricate suspense. It's not a major offering of uneasiness, but its toxic charms soon become riveting.
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