| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
| Foreign | 100% |
| Drama | 2% |
| Film-Noir | 2% |
| Crime | Insignificant |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
Spanish: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 1.0 | |
| Overall | 3.5 |
In a typically informative supplement featuring Stephen Thrower which is included on this release, Thrower makes a perhaps cautionary statement warning those who may think they know the "story" of Jess Franco to think again, at least if they presume that some of his more lurid horror and sex suffused entries which appeared throughout the sixties and seventies in particular are the sum total of Franco's filmography. Thrower in fact makes a rather cogent case that Franco in his early years was at least a relatively more mainstream director, and the two films aggregated for this release help to support that thesis. Both of the offerings in this set have style to spare and also feature storylines that would have been completely at home in any of the hard boiled post-World War II noir productions that Columbia in particular could churn out, at least initially for the American market. The fact that, depending on whether various online sources and/or a statement on the very cover of this release are cited, either Death Whistles the Blues or Rififi in the City or possibly both together were enough to convince Orson Welles to hire Franco as his assistant on Chimes at Midnight may allude to the unabashed style of these offerings, and there is a certain florid Wellesian quality to the framings of both films, and Death Whistles the Blues in particular seems willfully evocative of one of Welles' better remembered efforts.


Video quality of each film is assessed in the above linked reviews.

Audio quality of each film is assessed in the above linked reviews.


I freely admit that I'm not always the biggest fan of some of the films that actually brought Jess Franco the most attention, but the two films in this set are really a rather pleasant surprise, with fun, twisty plots, good performances and some really bracing stylistic choices. Technical merits are generally solid, and the Stephen Thrower supplement very well done. Recommended.