6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A gambler kills the sheriff of a small village in an accident. But as nobody believes him, he is condemned to a long sentence in prison.
Starring: Joe Don Baker, Conny Van Dyke, Gabriel Dell (I), John Marley, Brock PetersCrime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 3.0 |
After 1973’s “Walking Tall,” actor Joe Don Baker became the king of the drive-ins, finding his natural way with intimidation a perfect fit with audiences looking for something more American in their big screen heroes. Reuniting with director Phil Karlson, Baker tries a similar approach for 1975’s “Framed,” which once again pits the beefy performer against the worst enemies Tennessee has to offer, taking control of a revenge story that tries to inflate itself up as some type of grand mystery, but it really exists as B-movie entertainment, sticking with a steady diet of chases and brawling to please viewers.
What's immediately striking about the AVC encoded image (1.78:1 aspect ratio) presentation for "Framed" is how bright it is. Not refreshed in full, but bright and clear, working with a tattered, aged source that maintains a steady rain of speckling throughout the viewing experience. Detail is comfortable but not remarkable, handling Baker's meaty features well, also providing a view of interiors and outdoor expanse. Texture is welcome with green felt on poker tables, and prison cells retain their filthy appearance. Colors are encouraged, with bold reds and blues, and greenery is preserved. Skintones are natural.
The 2.0 DTS-HD MA sound mix isn't especially problematic, but it's not inherently impressive or even professional at times, often recording voices in concrete rooms or keeping microphones far away from the actors. It's bizarre but that's low-budget filmmaking. When the production actually manages to capture a performance, the track reveals its age through sharp highs, but intelligibility isn't threatened, handling dialogue exchanges with decent volume and depth. Scoring delivers adequate instrumentation, supporting the action comfortably. Atmospherics sound very manufactured, but they are detected. Hiss is minimal.
"Framed" is based on a novel, and it would like to believe it's offering a twisty ride of double-crosses and shadowy scheming, but it's really a thick slice of junk food cinema, handling action requirements while keeping Baker punching, kicking, and yowling. It's an entertaining picture, but it's not especially strong from any type of dramatic standpoint, built as more of a blunt instrument than sophisticated thriller.
1952
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Special Edition
1973
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Warner Archive Collection
1951
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1952
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1947
Warner Archive Collection
1948
Warner Archive Collection
1952
Limited Edition Reissue
1974
1943
Warner Archive Collection
1939
1936