7.5 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.8 |
A tale which follows an FBI investigation in present day Texas. Fenton Meiks, a young man, approaches the lead FBI investigator, claiming he knows the identity of a serial killer who calls himself "God's Hands." The FBI agent is curious, but unimpressed until Fenton reveals that the killer is his younger brother Adam. Fenton recounts in a series of flashbacks, how he and his brother grew up in a very loving family, raised by their widowed father. All that changed, the day his father awoke, believing he had been visited by an angel and given a mission to destroy "demons" - seemingly normal looking people, who walked this earth as pure evil. Fenton's father, and then his brother Adam, swore to carry out this 'divine' mission. Fenton refused to participate in the killings. Out of loyalty however, he refused to go to the police, until now. The FBI agent follows Fenton to the family's rose garden only to be surprised that neither evil nor innocence are what they seem.
Starring: Bill Paxton, Matthew McConaughey, Powers Boothe, Matt O'Leary, Jeremy SumpterHorror | 100% |
Psychological thriller | 21% |
Mystery | 4% |
Thriller | 3% |
Sci-Fi | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
English, English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 3.5 |
There's a fine line between intelligent horror and gimmick-laced drivel. One offers complex human beings forced to endure terrifying ordeals and creatures that defy common logic, the other offers caricatures bent on surviving a series of seemingly random encounters with unadulterated evil. One revels in psychological complexity and thematic ambiguity, the other celebrates the visceral and the vile. One allows viewers to relate to its protagonists and recoil from its frights, the other invites viewers to detach from its victims and embrace their fates. One examines the intricacies of morality and madness, the other is content with fountains of blood and gruesome gore. And it's in each of these areas that director Bill Paxton and screenwriter Brent Hanley's Frailty proves itself to be a smarter, scarier, more satisfying dose of horror than Hollywood often hands filmfans.
In 'Frailty,' being asked to follow in your father's footsteps takes on new meaning...
Sadly, Frailty's high definition debut is marred by a wildly inconsistent 1080p/AVC-encoded transfer that suffers from a number of issues. While Bill Butler's photography is cloaked with an intentionally dreamy haze, an overzealous application of noise reduction reduces clarity even further. It's curious: some shots, particularly in the third act, feature a fine veneer of grain and more revealing textures, others offer little more than smeared skin, waxy faces, and indistinct fine details. Don't get me wrong, it all looks dramatically better than its 2002 DVD counterpart -- colors are bolder and more stable, fleshtones are more lifelike, blacks are deeper, and edge definition is more impressive -- but its lesser qualities continually hinder the impact of the upgrade. It doesn't help that faint artifacts dot the proceedings, crush crops up on occasion, ringing is a constant problem, and a few nighttime shots are assaulted by source noise. Severe aliasing also appears at inopportune times, generally whenever a foreground object is framed by Paxton's sunlit summer skies. In these instances, everything from faces to cars, roofs to an iron gateway exhibit somewhat harsh, digitized edges. Granted, it isn't a frequent eyesore, but it's there nonetheless. All things considered, Frailty's transfer is decent, and certainly a step up from the standard DVD, but it leaves a lot to be desired.
Lionsgate's DTS-HD Master Audio 7.1 surround track is more impressive, but only by a small margin. Though it isn't limited by any outright technical issues, it doesn't pack the sonic punch listeners might expect from such a beefy mix. Anytime the Meiks ax is about to fall, Brian Tyler's musical score and the film's genre ambience surge, calling upon raw LFE power and rear speaker chaos to make every hunt and kill a disturbing aural experience. However, most scenes are supported only by the filmmakers' minimalistic sound design, resulting in an exceedingly quiet, front-heavy soundfield that isn't nearly as immersive as I hoped it would be. Acoustics are solid but not entirely convincing, dynamics are a tad spotty, and directionality is hit or miss. Thankfully, dialogue remains intelligible and nicely prioritized throughout, and pans are smooth. Effects are also quite crisp and clean, granting subtle elements -- the shuffling of a bound victim, the scattering of soft earth -- adequate presence in the mix. Ultimately, I doubt anyone will be blown away by Frailty's DTS-HD MA track, but it does add some welcome value to the release.
The Blu-ray edition of Frailty arrives with the same generous supplemental package that first appeared on Lionsgate's 2002 DVD. But, aside from the content's standard definition video presentation, that it isn't a bad thing at all. With three audio commentaries and several quality features, it's a strong addition to this release.
Frailty is an excellent genre pic, one that's already been deemed a classic in many circles. Both its performances and story are up to snuff, and Paxton proves himself to be a sure-handed filmmaker. Unfortunately, Lionsgate's Blu-ray release doesn't fare as well. Its video transfer is hindered by a number of issues, its DTS-HD Master Audio 7.1 surround track is a tad underwhelming, and its supplemental package, while strong in its own right, has merely been ported from Lionsgate's 2002 DVD. The Blu-ray edition is certainly worth the bargain bin pricepoint it's been assigned and will hopefully make its way into many a collection, regardless of the disc's shortcomings.
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