Four Flies on Grey Velvet Blu-ray Movie

Rating summary

Movie		3.0
Video		4.0
Audio		4.0
Extras		3.0
Overall		3.5

Four Flies on Grey Velvet Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov February 7, 2012

Dario Argento's "4 mosche di velluto grigio" a.k.a "Four Flies on Grey Velvet" (1971) arrives on Blu-ray courtesy of British distributors Shameless Entertainment. The supplemental features on the disc include original trailers; photo gallery; alternate opening and closing credits; and video interview with assistant director Luigi Cozzi. In English and Italian, with optional English and English SDH subtitles for the main feature. Region-Free.

Mimsy Farmer and Michael Brandon

Roberto (Michael Brandon, Jennifer on My Mind), a rock musician, accidentally kills a stalker who has driven him crazy. He returns home to his beautiful wife Nina (Mimsy Farmer, Devil's Angels) but does not tell her what has happened. Soon after, someone enters their house and tries to kill him. The experience turns his world upside down and he begins having terrible nightmares.

Eventually, Roberto approaches an extravagant homosexual detective (Jean-Pierre Marielle, Coup de Torchon), who enthusiastically agrees to help him find out who might be interested in having him suffer -- or see him dead. The detective begins looking for answers and soon discovers important information that could explain recent events. But Roberto's enemy immediately recognizes the threat.

Meanwhile, some of Roberto’s friends die and his nightmares become unbearable. After a serious argument, Nina also leaves him. Alone and enormously frustrated, Roberto then barricades in his house and begins waiting for the killer to reveal himself.

Most Dario Argento fans have a great deal of respect for Four Flies on Grey Velvet, but this is not one of the Italian director’s better films. While stylish and deeply atmospheric, Four Flies on Grey Velvet is surprisingly chaotic, to the point of often being seriously annoying.

The narrative imitates an intense dream that gradually evolves into a nightmare and then collapses. For a while, portions of it make sense and look appealing. Roberto’s own nightmares, for instance, imply that there might be events from his past that could be linked to the dilemmas he faces in the present. When the detective appears, it also seems like some of these events will be put into play to make sense of the chaos. But as the dream becomes more and more intense, it becomes obvious that its climax would be underwhelming. And this is precisely how Four Flies on Grey Velvet ends, opting for the easiest and most banal resolution, rather than surprising with a special development.

What Four Flies on Grey Velvet does well is creating and for a while maintaining that spooky atmosphere Argento’s best films are known for. The many dark shadows and random noises, in particular, are very effective. However, once it becomes clear that the chaos will not produce an original reset, even the spooky atmosphere gradually becomes annoying.

The cast is good. Brandon’s struggle to keep his sanity, which is essentially the foundation of the narrative, never appears unnatural. One of the reasons why is because he often remains silent and lets his eyes convey to the viewer how he feels. Lengthy statements would have seriously affected the integrity of his character. Farmer, who looks stunningly beautiful without trying, is also convincing. However, Farmer is even better in Barbet Schroeder’s More, a similarly fluid film about two young people who meet in Paris and later become heroin addicts on the beautiful island of Ibiza. As usual, Marielle is excellent. The great Italian actor Bud Spencer has a small but easily forgettable cameo.

Four Flies on Grey Velvet was lensed by the great cinematographer Franco Di Giacomo, who worked with such prominent Italian directors as Marco Bellocchio (In the Name of the Father), Damiano Damiani (The Most Beautiful Wife), Bernardo Bertolucci (The Spider’s Stratagem), and the Taviani brothers (The Night of the Shooting Stars). Ennio Morricone created its soundtrack.

Four Flies on Grey Velvet Blu-ray Movie, Video Quality 

Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Dario Argento's Four Flies on Grey Velvet arrives on Blu-ray courtesy of British distributors Shameless Entertainment.

I own quite a few of the distributor's DVD releases - The Frightened Woman, Footprints, The Designated Victim, Oasis of Fear, and the complete Baba Yaga, among others - but this is the first of their Blu-ray releases to reach my desk. Generally speaking, I like a lot what they have done with Dario Argento's film.

Though not flawless (I will explain why later on), the high-definition transfer is very strong. Detail is very good throughout the entire film, contrast levels stable, and clarity dramatically improved. However, the best news is that the high-definition transfer is free of the heavy scanner noise that we have seen sneak in on a couple of Blu-ray releases of cult Italian films produced by companies such as Blue Underground and Arrow Films. Unsurprisingly, the basic film qualities we expect to see when a catalog title transitions to Blu-ray have been retained here - good edge definition, pleasing depth, light grain, and image fluidity. The film's color-scheme is also convincing. During the daylight sequences, in particular, there are wonderful soft but natural yellows, blues, greens, browns, and grays. Lastly, there are no traces of overzealous sharpening and denoising. Truly, the basics here are solid.

There is, however, a small issue that I would like to quickly address. Around the nine-minute mark, shadow definition collapses and produces a short flicker-like effect that is very similar to the side effect color crushing introduces. I have included two screencaptures, #6 and 7, and on the second one it should be extremely easy to see the described above effect on Roberto's face. As the camera zooms in, colors (blacks and browns) and definition collapse, and Roberto's face becomes unrecognizable. This strange anomaly, however, lasts only a couple of seconds, and as far as I am concerned it is extremely easy to tolerate.

Shameless Screen Entertainment have also included a couple of very short extra scenes that make their release of Four Flies on Grey Velvet arguably the most complete version of the film ever assembled. Please keep in mind that the footage is from non-HD sources, and therefore its quality varies (please see screencapture #16). For the record, the original version of the film runs at approximately 1.42.23, while the version of the film with the extra footage runs at approximately 1.43.19.

All in all, despite the anomaly described above, this is a very pleasing presentation of Dario Argento's cult film, which should appeal to people who understand how older films must look when they transition to Blu-ray.

(Note:This is a Region-Free Blu-ray disc. Therefore, you will be able to play it on your player regardless of your geographical location. For the record, there is no problematic PAL or 1080/50i content preceding the disc's main menu).

Four Flies on Grey Velvet Blu-ray Movie, Audio Quality 

There are four audio tracks on this Blu-ray disc: English DTS-HD Master Audio 2.0, English Dolby Digital 2.0, Italian DTS-HD Master Audio 2.0, and Italian Dolby Digital 2.0. For the record, Shameless Screen Entertainment have included optional English and English SDH subtitles for the main feature. When turned on, they appear inside the image frame.

The English DTS-HD Master Audio 2.0 is very strong. In fact, its dynamic amplitude is amongst the best I've heard on a Blu-ray release of a film from the '70s. During the short rehearsal sessions, for instance, the music has excellent depth and energy. There is no background hiss to report in this review, either. This being said, there are a few dynamic fluctuations that should have been addressed. The most problematic ones are at the end of the film, during the crash scene. For a short period of time, the sound gets surprisingly loud; there are high-frequency distortions and even a couple of dangerous sound spikes as well. Interestingly enough, the distortions are not present on the Italian DTS-HD Master Audio 2.0 track. It is also worth mentioning that there are a few small portions of Italian dialog throughout the film where in addition to the volume fluctuations, there are tiny pops and cracks. Despite the issue described above, however, the audio treatment also represents a major upgrade in quality.

Four Flies on Grey Velvet Blu-ray Movie, Special Features and Extras 

• English Trailer - original English-language trailer for Four Flies on Grey Velvet. In English, not subtitled. (1 min, 1080p).

• Italian Trailer - original Italian-language trailer for Four Flies on Grey Velvet. Music only, not subtitled. (3 min, 1080p).

• Photo Gallery - a collection of stills from the film and the production process. (6 min, 1080p).

• Alternate Credits - alternate opening and closing credits. Music only. (5 min, 1080p).

• The Art of Murder - in this archival program, writer and assistant director Luigi Cozzi discusses the early stages of his career in the Italian film industry, his passion for cinema, involvement with Four Flies on Grey Velvet, and Dario Argento's legacy. There are short comments by Italian director Sergio Martino as well. In Italian, with English subtitles. (42 min).

Four Flies on Grey Velvet Blu-ray Movie, Overall Score and Recommendation 

Dario Argento's Four Flies on Grey Velvet has quite the reputation, at least some of which has to do with the fact that the film was so difficult to see for a number of years. To be honest, my interest in it has always had everything to do with Mimsy Farmer, whose European films I have been trying to collect since the VHS days. It is not a bad film, but it is certainly not the lost masterpiece some of the Italian director's fans have described. Despite the few issues addressed in our review, Shameless Entertainment's presentation of the film is pleasing. RECOMMENDED.