7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Head Games is the third studio album by the British-American rock band Foreigner, released on 11 September 1979 by Atlantic Records. Recorded at Atlantic Studios in New York, with additional recording and whole mixing taking place at Cherokee Studios in Los Angeles, it was the only Foreigner album co-produced by Roy Thomas Baker, best known for working on Queen's classic albums. It marked the first appearance of new bass guitarist Rick Wills (formerly of Jokers Wild, Roxy Music and Small Faces) who replaced Ed Gagliardi (who was fired from the band), and was the last album with founding members Ian McDonald and Al Greenwood, who would leave the band after the following tour. Head Games is also the last Foreigner album to feature a lead vocal by guitarist Mick Jones ("The Modern Day").
Starring: Lou Gramm| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (96kHz, 24-bit)
None
Blu-ray Disc
Four-disc set (1 BD, 3 CDs)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 4.0 |
In the "confusing if you don't pay enough attention" department, Foreigner's album 4 was their only release to reach Number 1 on the Billboard album charts in the U.S., and if Head Games "only" made it to Number 5 on that vaunted list on this side of the pond, the really interesting trivia bit (at least for other chart hounds like yours truly) is that evidently Head Games didn't chart at all in the United Kingdom (or at least high enough to make a major chart). It may be salient to note that unlike their previous two albums, they weren't able to crack the Top 10 on the singles list with their releases off of Head Games, though the album is still probably well remembered for Top 20 charters like the title track and Dirty White Boy. Much like Rhino's release of 4 (linked to above), this is packaged in a DigiBook with several CDs and other swag. The album has received both Atmos and stereo remixes, and includes a bonus track featuring Peter Frampton.


There's no real video content here other than a static menu. As with many Rhino releases, the color and look of the font changes as either individual tracks are selected or are scrolled through. I've provided several examples of some of the differences. Changing audio codecs can be achieved by either navigating through the track list to get to the links at the bottom of the page, or by toggling using the Audio button on the remote.

Foreigner: Head Games features Dolby Atmos and DTS-HD Master Audio 2.0 mixes. The 2026 remix edition was produced by band member Jeff Pilson, with the Atmos mixes credited to Wyn Davis and David Carey at The Rock Room. The Atmos mix can tend to feature riff driven material like Dirty White Boy with rhythm guitars assaulting the listener from the front and rear speakers, but with Lou Gramm's voice nicely wafting above the maelstrom, albeit slightly weighted toward the front. There are some really appealing moments of clear separation, as with the almost dueling guitar opening of Women. Head Games also utilizes some nice directionality with its almost Yes adjacent synth filagrees in the intro and solo positioned rearward, with a lot of the pulsing rhythm instruments erupting from the front. Peter Frampton's solo on Trouble is also positioned forward. That "pulsing" description certainly applies to a lot of the tunes on this album, and there's a nice low end on the Atmos track that offers great support for drums and bass. All of the foregoing said, though, this is another Atmos mix that may offer more of a "Surround Wall of Sound" ambience than showier panning or even discrete channelization approaches.

CD 1: Head Games 2026 Stereo Remix

Head Games is never less than enjoyable, but it also may not have some of the consistency of 4. The musical allure on this album may frankly be due more to Gramm's distinctive voice and some arrangement flourishes rather than any actually outstanding songcraft in and of itself. Fans of the band are nonetheless sure to be enticed by the audio extras on the CDs, and the Blu-ray sounds great. Recommended.