7.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
A starship crew in the 23rd century goes to investigate the silence of a distant planet's colony, only to find just two survivors, a powerful robot, and the deadly secret of a lost civilization.
Starring: Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens, Jack Kelly| Sci-Fi | Uncertain |
| Drama | Uncertain |
| Romance | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.55:1
Original aspect ratio: 2.55:1
English: LPCM Mono (48kHz, 24-bit)
English: DTS-HD Master Audio 3.0 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 5.0 |
A once mighty studio with one of the most venerable reputations and names (as in plural) in the entire annals of film was suffering severe financial straits, with its very future in doubt, leading to arguably desperate corporate maneuvering involving funding a science fiction spectacular in an attempt to get ticket buying keisters into theater seats. Wait — are we talking Metro Goldwyn Mayer and Forbidden Planet or Metro Goldwyn Mayer and 2001: A Space Odyssey? It's one of the odd but interesting vagaries of fate that MGM found itself on a veritable financial cliff more than once and opted for a somewhat unusual "escape route" to outer space to try to improve the studio balance sheet. MGM was probably more unstable, at least from a purely financial standpoint, in the mid fifties when Forbidden Planet went into production, still reeling from audience attrition due to that still relatively newfangled television thingamajig as well as the decline in popularity in genres like musicals, but in a very real way the chance the studio took on Forbidden Planet may have been even bigger than the one it took on Kubrick's eventual masterpiece, despite the fact that 2001: A Space Odyssey was massively more expensive and complex than this sci-fi reworking of Shakespeare's The Tempest. If 2001: A Space Odyssey managed to rake in barrels full of box office dough even despite some initially withering reviews, helping to save (?) the studio, Forbidden Planet barely managed to break even in its original theatrical run, this despite a relatively small budget. That said, Forbidden Planet and 2001: A Space Odyssey certainly remain as two totemic achievements in the science fiction realm by a studio not overly known for special effects wizardry and "otherworldly" plot machinations.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from Arrow's standalone 1080 release as I think
it actually provides a better representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by
necessity downscaled to 1080 and in SDR. Because this release does not include a 1080 disc of the main feature (the 1080 disc is bonus items,
including a nice looking HD version of The Invisible Boy), the 2K video score above has been intentionally left blank.
Forbidden Planet is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 2.55:1. Arrow's insert
booklet provides the following information on the presentation:
Forbidden Planet has been exclusively restored by Arrow Films and is presented in its original aspect ratio of 2.55:1 with restored original mono, original Perspecta stereo, and DTS HD-MA 5.1. In the UHD presentation, the film is presented in 4K resolution in HDR10 and Dolby Vision.Marty was pretty impressed by the video quality of the by now "ancient" original 1080 presentation by Warner Brothers, though a 4.5 score in 2010 might not warrant the same high score these days, especially given the fact that the old disc was incorrectly framed at 2.41:1 (I'm not sure why Marty's review doesn't have screenshots, it may be related to the big site crash we experienced several years ago). That peculiarity has been rectified here, but the magicians at Silver Salt* have once again utilized their considerable expertise to burnish the look of the film to the point that it may in fact look better now than it would have back in the day courtesy of multiple prints that were struck. While detail levels see considerable improvement throughout with regard to practical sets and costumes (perhaps slightly detrimentally at times, in that the studio set "outdoor" moments are obviously artificial), once again it may be the blandishments offered by the HDR / Dolby Vision grades that attract the most immediate notice. The bright yellows of the credits pop with new luster, to cite a relatively minor adjustment, but the entire palette has a new energy and vivacity when stacked up against the old 1080 presentation, though I'm going to be a bit of a curmudgeon and say the Eastmancolor utilized for the production simply can't replicate the splendor of "classic" Technicolor. That means that suffusion may seem a bit wan at times, especially with regard to things like flesh tones, but having seen this film both theatrically (in rereleases, not to state the obvious) and in several previous home video offerings, this seems to be an inherent issue of the Eastmancolor process. Some of the effects sequences, as in the big showdown with the so- called Id Monster, still have considerable energy in the red to purple ends of the spectrum.
The original 35mm camera negative was scanned in 4K 16 bit at Warner Bros. Motion Picture Imaging. The film was restored in 4K and color graded at Silver Salt.
The original Perspecta and mono soundtracks were restored by Endpoint Audio from the original sound elements sourced from Warner Bros.
All materials sourced for this new master were made available by Warner Bros. QC review was completed by Pixelogic.

Forbidden Planet offers three audio options, LPCM Mono, DTS-HD Master Audio 3.0 (reproducing Perspecta Stereo), and DTS-HD Master Audio 5.1. The three codecs may provide a bit of "toggling fun" for audiophiles in terms of hearing the increasing opening up of the soundstage going from mono to 3.0 to 5.1. The most noticeable stereo or surround imaging probably comes courtesy of both the intriguing electronic music score and the often inventive sound effects that accompany many scenes. Perhaps a little surprisingly (at least to this audiophile), the DTS-HD Master Audio 3.0 track may actually provide a more substantial midrange and low end than the DTS-HD Master Audio 5.1 track, at least with regard to some of the scoring. Dialogue (and voiceover, as in the opening narration) can sound just at rifle boxy on all three tracks, but all spoken material is delivered without any issues. Optional English subtitles are available.

Disc One
- Episode 27 (HD; 2:16)
- Episode 28 (HD; 3:58)
- Forbidden Planet (HD; 3:41)
- The Invisible Boy (HD; 2:32)
- Original Screenplay (HD)
- Posters and Lobby Cards (HD)
- Black & White Promo Stills (HD)
- Colour Promo Stills (HD)

Forbidden Planet will probably seen inescapably "quaint" to younger audiences, but it's still an unexpectedly smart and savvy update of a venerable Shakespeare tale, and it certainly has a number of memorable characters, notably the inimitable Robby the Robot. Technical merits are solid and as usual Arrow has aggregated some very appealing supplements. Highly recommended.

+ The Invisible Boy | Limited Edition
1956

Includes "The Invisible Boy" on SD
1956

San Diego Comic-Con 2013 Exclusive
1951

1955

2013

Uncut Version
1976

2008

1959

1969

1956

2011

1977

Fox Studio Classics
1966

1961

2017

1972

40th Anniversary Edition
1977

Limited Edition to 3000
1957

1951

Warner Archive Collection
1971

2021

Limited Edition
2018