5.8 | / 10 |
| Users | 4.5 | |
| Reviewer | 2.0 | |
| Overall | 3.0 |
An Air Marshal transporting a fugitive across the Alaskan wilderness via a small plane finds herself trapped when she suspects their pilot is not who he says he is.
Starring: Mark Wahlberg, Michelle Dockery, Topher Grace, Leah Remini, Monib Abhat| Thriller | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 1.0 | |
| Overall | 2.0 |
Mel Gibson's personal peccadilloes have often seemed to keep him in the headlines at least as much as any of his relatively recent film industry work, but even given those distractions it may be a bit of a surprise to survey Gibson's kind of curiously variant directing career. While perhaps not as well remembered as some of his later work, The Man Without a Face, Gibson's first foray into feature directing, was rather well received at the time. Its fame and fortune were rather radically eclipsed just a couple of years later, though, when Gibson brought Braveheart to the screen, winning him a couple of Oscars in the process. That was followed by the arguably even more epochal The Passion of the Christ, a film which rather radically divided audiences at the time of its release and which continues to provoke some controversy in at least some circles to this day. Next came Apocalypto, a production which seemed to almost jokingly imply Gibson wanted to alienate his audience with shocking violence combined with dead languages, a la his immediately prior outing, though his sensational arrest almost put the kibosh on the release. That may be seen now in hindsight as to where the "cracks" starting showing in terms of those searching for some kind of insight into Gibson's evidently fraught persona, though at least those less disposed toward some of the, well, bad news of physical torture Gibson emphasized in his telling of the Jesus story might feel that things were already starting to fray for Gibson back then. But here's the kind of interesting thing (and/or things, as the case may be): does anyone really remember Get the Gringo, which came out in 2012, whatever pleasures it may have offered? My hunch is relatively few really do. But many do remember Hacksaw Ridge, a kind of semi-triumphant "comeback" in a way for Gibson, who in his guise as an actor had often been consigned to near straight to video fare in less than challenging roles. One might assume that someone with Gibson's (apparent? intermittent?) show business savvy might have immediately traded on the success of Hacksaw Ridge for another A list directing assignment, but instead his filmography is filled with more, well, filler in terms of negligible acting assignments. And in terms of directorial credits for Gibson, Flight Risk arrives nearly a decade after Hackshaw Ridge, and may be fated to inevitably fall into Get the Gringo status in terms of memorability.


Flight Risk is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. As of the writing of this review, the IMDb has a rather interesting array of cameras listed, including the DJ Ronin 4D and various Sony models, but no DI resolution listed. That said, source capture resolutions of well over 4K and frankly just the look of this presentation leads me to believe this had a 4K DI (as always with my reviews, if anyone has authoritative and verifiable information to the contrary, private message me and I'll happily update things). I will recommend for those interested with 4K setups to opt for either the wide or SteelBook 4K UHD releases from Lionsgate of this title, as both detail levels and palette see some improvements in that version, though that said, this is a hugely appealing 1080 presentation on its own merits. Due no doubt to the cramped quarters in the plane, Gibson often frames things utilizing extreme close-ups filling much of the frame, and fine detail on things like facial features is excellent. I'd probably argue that some of the less effective (and admittedly completely minor) green screening in the backgrounds during the "flight" sequences actually may look better in this 1080 presentation than in the increased resolution the 4K UHD disc offers. The actual location aerial photography is more often than not stunning. The palette is nicely suffused, with a tendency toward cool tones for much of the running time.

Flight Risk features a nicely expressive Dolby Atmos track, though kind of ironically the confined space of being inside an airplane may actually limit showy overhead effects. That said, the Atmos speakers are rather consistently alive, at least in interstitial outdoor moments, but also in some of the repeatedly calamitous interactions during the flight. Otherwise, though, surround activity is really rather nicely handled considering the confines of most of the story, and there are some fun directional effects engaging the side and rear channels as mayhem breaks out. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.


Flight Risk has some occasional passing thrilling scenery, but everything on board the plane is increasingly ridiculous. Technical merits are first rate for anyone who may be considering making a purchase.

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