Flight Risk 4K Blu-ray Movie

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Flight Risk 4K Blu-ray Movie United States

4K Ultra HD + Blu-ray + Digital Copy
Lionsgate Films | 2025 | 91 min | Rated R | Apr 01, 2025

Flight Risk 4K (Blu-ray Movie)

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List price: $23.99
Amazon: $23.99
Third party: $23.99
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Movie rating

5.7
 / 10

Blu-ray rating

Users3.5 of 53.5
Reviewer2.0 of 52.0
Overall3.0 of 53.0

Overview

Flight Risk 4K (2025)

An Air Marshal transporting a fugitive across the Alaskan wilderness via a small plane finds herself trapped when she suspects their pilot is not who he says he is.

Starring: Mark Wahlberg, Michelle Dockery, Topher Grace, Leah Remini, Monib Abhat
Director: Mel Gibson

ThrillerUncertain
CrimeUncertain
ActionUncertain

Specifications

  • Video

    Video codec: HEVC / H.265
    Video resolution: 4K (2160p)
    Aspect ratio: 2.39:1
    Original aspect ratio: 2.39:1

  • Audio

    English: Dolby Atmos
    English: Dolby TrueHD 7.1 (48kHz, 24-bit)
    French: Dolby Digital 5.1
    Spanish: Dolby Digital 5.1

  • Subtitles

    English SDH, French, Spanish

  • Discs

    Blu-ray Disc
    Two-disc set (2 BDs)
    Digital copy
    4K Ultra HD

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie2.0 of 52.0
Video5.0 of 55.0
Audio4.5 of 54.5
Extras1.0 of 51.0
Overall2.0 of 52.0

Flight Risk 4K Blu-ray Movie Review

Reviewed by Jeffrey Kauffman April 4, 2025

Note: For those interested, Lionsgate has partnered with Amazon for an exclusive SteelBook release.

Mel Gibson's personal peccadilloes have often seemed to keep him in the headlines at least as much as any of his relatively recent film industry work, but even given those distractions it may be a bit of a surprise to survey Gibson's kind of curiously variant directing career. While perhaps not as well remembered as some of his later work, The Man Without a Face, Gibson's first foray into feature directing, was rather well received at the time. Its fame and fortune were rather radically eclipsed just a couple of years later, though, when Gibson brought Braveheart to the screen, winning him a couple of Oscars in the process. That was followed by the arguably even more epochal The Passion of the Christ, a film which rather radically divided audiences at the time of its release and which continues to provoke some controversy in at least some circles to this day. Next came Apocalypto, a production which seemed to almost jokingly imply Gibson wanted to alienate his audience with shocking violence combined with dead languages, a la his immediately prior outing, though his sensational arrest almost put the kibosh on the release. That may be seen now in hindsight as to where the "cracks" starting showing in terms of those searching for some kind of insight into Gibson's evidently fraught persona, though at least those less disposed toward some of the, well, bad news of physical torture Gibson emphasized in his telling of the Jesus story might feel that things were already starting to fray for Gibson back then. But here's the kind of interesting thing (and/or things, as the case may be): does anyone really remember Get the Gringo, which came out in 2012, whatever pleasures it may have offered? My hunch is relatively few really do. But many do remember Hacksaw Ridge, a kind of semi-triumphant "comeback" in a way for Gibson, who in his guise as an actor had often been consigned to near straight to video fare in less than challenging roles. One might assume that someone with Gibson's (apparent? intermittent?) show business savvy might have immediately traded on the success of Hacksaw Ridge for another A list directing assignment, but instead his filmography is filled with more, well, filler in terms of negligible acting assignments. And in terms of directorial credits for Gibson, Flight Risk arrives nearly a decade after Hackshaw Ridge, and may be fated to inevitably fall into Get the Gringo status in terms of memorability.


Some may feel like granting Gibson a bit of slack, at least insofar as he's helming a feature with a so-called "three hander" cast (for the most part) and a very claustrophobic, small and enclosed setting (again for the most part), the last of which may remind some at least a bit of similar efforts like Alfred Hitchcock's Lifeboat. Unfortunately, there's nothing even approaching the surprising subtlety of the Steinbeck adjacent screenplay, and in fact it's that former aspect, namely a principal cast of three, that may, well, sink this airborne "thriller".

In other words, start to analyze a property knowing that it involves a U.S. Marshal named Madolyn Harris (Michelle Dockery, a long way from Downton Abbey) tasked with transporting a potential organized crime informant named Winston (Topher Grace) back to civilization after he's found hiding out in the wilds of Alaska. The only way to get there is by chartering a small airplane piloted by Daryl Booth (Mark Wahlberg). So you have approximately an hour and a half to fill, how are you going to do it? Will the plane crash and the survivors have to battle their way through isolated mountains? Well, some may jokingly suggest that since the trailer doesn't feature any footage like that, and it most certainly would have had the plot taken that turn, that must not happen. So what else is there? Well, obviously there's going to have be some mischief in the sky, and it really doesn't take a rocket scientist and/or small aircraft mechanic to figure out what ensues. Either the prisoner is going to make some desperate attempt to take control, or someone else has nefarious motives.

What is ultimately kind of hilarious in this regard is once the "reveal" appears (rather surprisingly early, all things considered), some may end up recalling the inimitable John Cameron Swayze touting the benefits of Timex watches by saying they "take a licking and keep on ticking" when considering just how many improbable resurrections the villain ends up having. Things get even sillier once the plane unsurprisingly manages to make it back to safety and what might be termed "red shirt" nemeses enter the fray. And in fact it's that "unsurprisingly" bit that permeates this effort virtually from the get go. The also maybe slightly hilarious thing is you can almost imagine this being one of those endless straight to video-esque features with Gibson (or, alternatively, Bruce Willis back in the day) playing the bad guy.


Flight Risk 4K Blu-ray Movie, Video Quality  5.0 of 5

Note: Screenshots are sourced from the 1080 disc in this package.

Flight Risk is presented in 4K UHD courtesy of Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 2.39:1. As of the writing of this review, the IMDb has a rather interesting array of cameras listed, including the DJ Ronin 4D and various Sony models, but no DI resolution listed. That said, source capture resolutions of well over 4K and frankly just the look of this presentation leads me to believe this had a 4K DI (as always with my reviews, if anyone has authoritative and verifiable information to the contrary, private message me and I'll happily update things). Detail levels are impressive throughout the presentation, and while Gibson repeatedly uses extreme close-ups throughout (no doubt influenced by the supposedly cramped confines of the airplane), it may be the aerial outdoor vignettes where this 4K format may show the most appreciable uptick in fine detail. Some of the wide vistas in the film are already magnificent in the 1080 version, but they're frankly kind of breathtaking here in terms of both depth of field and also little detail levels evident in everything from cloud formations to mountainsides. Things are probably a bit less detailed in terms of some of the obviously green screened backgrounds, and while never totally cartoonish, the increased resolution of this format probably only highlights a certain artificiality in backgrounds through the plane windows. HDR adds some interesting highlights to the palette on both the warm and cool ends of the spectrum. In the former category, some of the early (and relatively brief) moments with Winston in his cabin have more of an orange tint, but a lot of the subsequent material is decidedly cooler looking than even in the icy 1080 presentation.


Flight Risk 4K Blu-ray Movie, Audio Quality  4.5 of 5

Flight Risk features a nicely expressive Dolby Atmos track, though kind of ironically the confined space of being inside an airplane may actually limit showy overhead effects. That said, the Atmos speakers are rather consistently alive, at least in interstitial outdoor moments, but also in some of the repeatedly calamitous interactions during the flight. Otherwise, though, surround activity is really rather nicely handled considering the confines of most of the story, and there are some fun directional effects engaging the side and rear channels as mayhem breaks out. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.


Flight Risk 4K Blu-ray Movie, Special Features and Extras  1.0 of 5

Both the 4K and 1080 discs sport the same slate of supplements:

  • Risk Management: Making Flight Risk (HD; 8:10) is a standard issue EPK.

  • Theatrical Trailer (HD; 1:19)
A digital copy is also included.


Flight Risk 4K Blu-ray Movie, Overall Score and Recommendation  2.0 of 5

Flight Risk has some occasional passing thrilling scenery, but everything on board the plane is increasingly ridiculous. Technical merits are first rate for anyone who may be considering making a purchase.


Other editions

Flight Risk: Other Editions