6.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Dusty Cole leaves her boyfriend and becomes a prostitute. Among her customers are Jimmie, an abusive man who beats her, and Bob, who promises to help her find a better kind of life.
Starring: Laura Cannon, Neil Flanagan, Harry Reems, Paul Matthews (V), Earle EdgertonErotic | 100% |
Drama | 23% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1, 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (96kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region free
Movie | 2.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 4.0 |
1973’s “Fleshpot on 42nd Street” offers a sympathetic view of an unsympathetic character, asking audiences to go on a journey with an unpleasant woman as she experiences struggle for some level of normalcy and safety. In other hands, perhaps the movie could do something with the basic set- up of a lost soul trying to survive in the big city, but “Fleshpot on 42nd Street” is an Andy Milligan picture, with the prolific helmer (of such films as “Bloodthirsty Butchers,” “Torture Dungeon,” and “The Man with Two Heads”) mostly interested in creating an awful environment for awful people, trying to touch bottom when it comes to depicting human behavior while still tending to hardcore material, some of it violent in nature.
To bring "Fleshpot on 42nd Street" to Blu-ray, Vinegar Syndrome offers two aspect ratios to enjoy. There's the film's original 1.33:1 framing and a slightly zoomed 1.85:1 viewing experience, which isn't the recommended choice. The "16mm camera reversal" source offered here pushes the grungy feature about as far as it can go, with wear and tear running throughout the run time, most notably with consistent judder issues. Scratches, speckling, splices, and damaged frames are viewed throughout as well. While roughness is encountered, Vinegar Syndrome manage to find life for the dead-eyed picture, delivering appealing detail with grimy NYC interiors and dimensional distances for street travel, permitting viewers to really study city activity and signage. Facial particulars are also open for inspection, with reasonable skin surfaces. Color is secure, delivering a full sense of advertising hues and urban pallor. Interiors enjoy some varied paint jobs, and costuming registers with a bit more emphasis. Skintones are natural. Delineation is acceptable, never losing frame information. Grain is thicker but filmic.
For its restoration, "Fleshpot on 42nd Street" was presented without a final mix, requiring Vinegar Syndrome to reconstruct the 1.0 DTS-HD MA track using a variety of sources. Changes in volume and clarity are encountered (along with a few shrill highs), but the work presented here is impressive, managing to revive the sonic range of the feature. Dialogue exchanges are clear, with irritability and aggression registering without too many problems. The movie's jazzy score is sharp, offering strong instrumentation to help track the strange mood of the effort. It's an unusual listening event, but a source puzzle that supports the limited creative goals of the endeavor.
"Fleshpot on 42nd Street" isn't a powerful drama, though it touches on violence and the frustrations of Cherry Lane, who's forced to navigate irritable tricks, eventually resenting Dusty for her dreams of suburban safety. Milligan even makes an attempt at tragedy during the final act, but this isn't an effort built for profound feelings and shocking turns of fate. It's a fairly muted pass at adult filmmaking, and a movie that's much more interesting surveying the hard streets of New York City than it is detailing sexual interests and kinks. "Fleshpot on 42nd Street" is sleazy, but not overtly so, and while it's staged like a snuff film, Milligan doesn't take the extra step. In many ways, he's trying to push the picture into more humane territory, but Dusty isn't a character that triggers much interest, remaining a bad apple without redeeming qualities. The feature eventually strives to make her more than an exploitative focal point, but the transformation is unconvincing.
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