6.9 | / 10 |
Users | 3.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Recovering from a recent nervous breakdown, a young woman (Judy Geeson of TO SIR, WITH LOVE) moves with her new husband (Ralph Bates of DR. JEKYLL AND SISTER HYDE) to a rural boarding school where she meets the academy’s peculiar headmaster (the legendary Peter Cushing) and his lusty wife (Joan Collins). But when the unstable newlywed is repeatedly stalked and assaulted by a mysterious one-armed man, her terror escalates to a frenzy of madness and murder …or does it? If she can survive one night of unbearable fear, then the morning promises an even more shocking surprise… Also known as DYNASTY OF FEAR, this little-seen 1972 chiller was produced, directed and co-written by veteran Hammer master Jimmy Sangster (HORROR OF FRANKENSTEIN, LUST FOR A VAMPIRE) and delivers a wild ride full of twists, jolts and a deliciously nasty surprise ending in the classic DIABOLIQUE tradition.
Starring: Judy Geeson, Joan Collins, Ralph Bates, Peter Cushing, James CossinsMystery | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1, 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 3.0 |
The North American Blu-ray of Jimmy Sangster's FEAR IN THE NIGHT (1972) remains in print courtesy of Scream Factory. The disc presents viewing options in two aspect ratios. The bonus features include two audio commentaries, an older Blu-ray featurette, an archival interview, still gallery, and a trailer. Region "A" locked.
The opening scene of Fear in the Night is characterized by still and empty spaces. A play field for sports has no participants to be found. We hear sounds from a boys' choir singing a hymn but the corridors and classrooms inside the school are vacant. Is anyone there? The scene shifts to a London flat where Peggy Heller (Judy Geeson), a newlywed, is speaking to Robert Heller (Ralph Bates), her husband, about a trip they'll be taking the following day. Very shortly thereafter, Peggy is blindsided by a figure cloaked in black, who attempts to strangle her. She grabs and detaches a prosthetic arm the intruder is wearing. Peggy passes out, and when she awakens, her attacker is gone. She's laying down and surrounded by her landlady, Mrs. Beamish (Gillian Lind), and a doctor (James Cossins). She wants them to call the police but they dissuade her from doing so. Peggy suffered a nervous breakdown six months earlier and her doctor thinks she's experiencing delusions.
Robert seems to sense that a change of scene will be good for his wife. He wants Peggy to move with him to a boys' boarding school in the south of London where he works as an associate headmaster to headmaster, Michael Carmichael (Peter Cushing). Robert tells her that the school is on a term break so that's why there are no students roaming the campus. But why is there a term break in the autumn? Once in the school, Peggy is startled by Michael, who sneaks up on her abruptly. She asks the headmaster to fix her head scarf, which he obliges. But is Michael up to something sinister? When Peggy gets back to her new home, she's attacked once again by possibly the same perpetrator. When she goes out to get fresh air, she tends to a rabbit but is shocked by the sound of a shotgun, which pierces the small animal. The hunter is the headmaster's younger wife, Molly Carmichael (Joan Collins). Molly is very sexy, but also snide and spiteful. Peggy's troubles continue when someone trespasses into her living quarters. Is she merely imagining these things or are they real?
Robert and Peggy.
Fear in the Night was originally processed in a three-strip, dye-transfer in Technicolor. The transfer Scream Factory presents here is likely struck from the same 2K-scanned master that Studio Canal used for its Blu-ray editions in Germany and the UK. The film is presented in its original exhibition ratio of 1.85:1 (average bitrate: 32.0 Mbps) along with an option to view it in 1.66:1 (average bitrate: 24.0 Mbps). I have assembled a comparison of ten identical captures apiece in the Screenshots tab. The 1.66 often adds information to the image at the bottom of the frame while the 1.85:1 sometimes adds info to the left side. Overall, I prefer the framing on the 1.66 for granting a little more headroom. I also generally perceive more picture info all the way around in that AR.
The print is in very good shape. Grain is omnipresent and nicely balanced across the frame. Textures are abundant and generally pleasing. Colors look natural.
Screenshot #s 1-10, 12, 14, 16, 18, 20, 22, 24, 26, 28, & 30 = 1.85:1 Version
Screenshot #s 11, 13, 15, 17, 19, 21, 23, 25, 27, & 29 = 1.66:1 Version
A dozen scene selections accompany the 94-minute feature.
Scream has supplied a DTS-HD Master Audio Dual Mono mix (1565 kbps, 24-bit), which is the sole audio track for both versions. The track sounds authentic to the original recording. It's also a clean mix. There are no audible pops or scratches. Dropouts are nonexistent. Dialogue is clear and understandable. There's an effective use of strings and the snare drum by composer John McCabe.
The optional English SDH deliver a complete and accurate transcription of the dialogue.
Fear in the Night (1972) arrived about a decade too late. Hammer produced several chilling Gothic thrillers in the Sixties, which are superior to this Sangster film. The script hamstrings the actors and their performances. Scream Factory's video and audio transfers are each very good. The boutique label has added an excellent commentary track by film historian Troy Howarth to complement vintage extras, which are ported over from prior DVD and BD editions. Fear in the Night is one of the weakest Hammer movies I have seen. RECOMMENDED only to Hammer completists.
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