8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame.
Starring: Leslie Cheung, Fengyi Zhang, Gong Li, Qi Lü (I), Da YingForeign | 100% |
Drama | 61% |
Romance | 18% |
Music | 6% |
Period | 6% |
War | 5% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Mandarin: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
Movie | 5.0 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 3.5 |
Winner of the Palme d'Or Award at the Cannes Film Festival, Chen Kaige's "Farewell My Concubine" (1993) arrives on 4K Blu-ray courtesy of Criterion. The supplemental features on the release include archival program with the director and Charlie Rose; new program with author and professor Michael Berry and film producer Janet Yang; archival program on the making of the film; and more. In Mandarin, with optional English subtitles. Region-Free.
Criterion's release of Farewell My Concubine is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. However, the Blu-ray is Region-A "locked".
The following text appears inside the leaflet that is provided with this release:
"Undertaken by Tomson Films at Hiventy in France, this new 4K restoration was created from the 35mm original camera negative, with a 35mm release print used for color reference. The 5.1 surround soundtrack was remastered at Hiventy.
Mastering supervisor: Rodolphe Bertrand/Hiventy, TransPerfect Media, France.
Colorist: Pauline Bassenne/Hiventy, TrancePerfect Media, France."
Please note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.
Screencaptures #1-31 are from the Blu-ray.
Screencaptures #35-40 are from 4K Blu-ray.
The release introduces an exclusive new 4K restoration which was completed to commemorate the 30th anniversary of Farewell My Concubine. In native 4K, the 4K makeover cannot be viewed with Dolby Vision or HDR grades.
I like this film a lot and have two other Blu-ray releases of it in my library. The first is this release from Korean label Art Vision. The second is this release from the British Film Institute. Both are sourced from unconvincing masters with various limitations.
Earlier tonight, I viewed the 4K makeover in native 4K, and I must say that I have mixed feelings about it. It gives the entire film a predictably healthy and very stable appearance. However, in many areas it also alters the original color temperature of the visuals, creating new dynamic contrasts and tonal shifts that can look very awkward. Some of the updated visuals also reveal clarity and sharpness fluctuations. Because the film's period appearance evolves as it moves through different historic events, the nature of these evolve too. However, it is very easy to see that the entire film is given a warm(er) grade, emphasizing creamy yellow(ish) and turquoise(ish) and impacting a wide range of primaries and nuances. For example, the two primaries that are frequently affected the most are red and blue. As a result, many of the red communist flags for instance frequently begin to look dark orange, while blue backgrounds shift toward turquoise. This causes many sequences to produce very contemporary visuals, like the ones seen here, here, here, and here. The dramatic shifts from primary red to dark orange can be particularly distracting because a substantial portion of the film focuses on the disastrous effects of Mao Zedong's Cultural Revolution, where the color red has a special presence. A direct comparison with the previous releases reveals substantial improvements in terms of grain exposure, delineation, and depth, but this is not an impressive accomplishment because these releases were average at best. Image stability is excellent. The entire film looks immaculate as well.
I tested numerous areas from the 1080p presentaion. Because the original cinematography is quite diverse and the alterations I mentioned above are all over the film, it is extremely difficult to highlight major improvements in terms of delineation, clarity, and depth. Select close-ups for instance can look marginally better in native 4K, but there is a lot of visual material that looks practically identical. I think that even on a very large screen the 1080p presentation looks extremely similar to the native 4K presentation.
There is only one standard audio track on this release: Mandarin DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature.
The two older Blu-ray releases of Farewell My Concubine have only 2.0 tracks, so I was eager to view the film with a 5.1 track. In areas with dialog, the 2.0 and 5.1 tracks perform equally well. However, a lot of the mass footage in the second half of the film where the communists take over definitely sounds better on the 5.1 track. The English translation is excellent.
4K BLU-RAY DISC
Because there has not been a proper release of the original, much longer version of Chen Kaige's Farewell My Concubine in America, this upcoming combo pack is easy to recommend. However, the new 4K restoration that was prepared for its 30th anniversary should have been a lot more convincing. Farewell My Concubine should have a dazzling period appearance, but right now certain parts of it have an unmistakable contemporary appearance. In addition to the combo pack, there is a standard Blu-ray release that streets on the same date. RECOMMENDED.
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