7.7 | / 10 |
Users | 4.8 | |
Reviewer | 4.0 | |
Overall | 4.1 |
A hitman finds that the assassin's life has slowly lost its allure. Complicating his life is his beautiful contact who pines after him with fetishistic ardor, although the two have never met in their nearly three-year partnership. In another part of the city, Ho, a mute, boyish ex-convict, makes a living by sneaking into and running businesses after hours. Still living with his father who runs the Chungking Mansions hotel, the restless Ho falls for Cherry, a woman getting over her breakup with the offscreen Johnny.
Starring: Michelle Reis, Takeshi Kaneshiro, Karen Mok, Charlie Yeung, Leon LaiForeign | 100% |
Drama | 85% |
Romance | 26% |
Crime | 6% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.79:1
Original aspect ratio: 1.85:1
Cantonese: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 4.0 |
Originally envisioned as the third part of director Wong Kar-Wai’s Chungking Express—a film that tells two parallel stories of urban ennui and heartbreak—Fallen Angels is a companion piece and pseudo-sequel that builds upon the themes of its predecessor, giving us an intoxicating view of pre-millennial, pre-British handover Hong Kong, as seen through the eyes of four disparate souls, all stuck in the existential doldrums of big city loneliness. Each film can stand quite assuredly on its own, but seeing Chungking Express first truly does enrich the experience of watching and mentally engaging in Fallen Angels—which almost requires active participation—as both films bleed together with recurring visual motifs, reused locations, and repeated narrative touchstones. Ultimately, I think Chungking Express is the better film—it’s less sprawling and more emotionally direct—but together they form a cohesive, poetic, and exuberant whole that isn’t to be missed by fans of Asian art-house cinema.
"I'm feeling such warmth this very moment."
Highly stylized and shot with compulsive spontaneity at night—relying heavily on natural or single-source lighting—Fallen Angels expands on many of the visual ideas that Wong Kar- Wai and cinematographer Chris Doyle experimented with in Chungking Express. The stutter and blur of dropped frames once again makes an appearance, slow-motion foregrounds are contrasted against the prodigious buzz of background activity, and strong chiaroscuro shadows drape Hong Kong's seediest recesses, while neon lights bathe wet asphalt with glitters of color. And it all looks beautifully intoxicating in motion, a quality that the screenshots in this review can only approximate. Kino International's 1080p/AVC-encoded transfer is every bit as true-to-source as Criterion's treatment of Chungking Express, and if you've ever owned a DVD copy of the film, you'll notice an immediate and substantial improvement. Newcomers shouldn't expect a razor sharp or crystal clean image—from the moment it entered Doyle's camera, the picture has always been gritty and slightly soft—but the increased resolution allows for plenty of previously unforeseen detail. Color has also been nicely balanced out, repairing the often harsh oversaturation of previous releases. Cast in fluorescent greens and vibrant neons, the film's palette portrays Hong Kong as simultaneously sickly and full of life, and skin tones follow suite. The source print is in terrific condition, compression-related quirks are largely absent, and the film's chunky grain structure—a natural byproduct of shooting at night on high-speed film— has been untouched by DNR or other heavy filtering. I simply can't imagine Fallen Angels looking much better than it does here.
Fallen Angels' impressionistic audio experience is nearly as stylized as its visuals, and with that taken into account, this disc's Cantonese DTS-HD Master Audio 5.1 surround track is a blissful head-trip, floating on lush trip-hop-ish music with deep throbs of bass and an almost metallic sounding snare drum. As in Chungking Express, Wong Kar-Wai's use of music in Fallen Angels is the glue that holds the film's thematic resonance together, and this track handles it brilliantly, blasting the big mid-90s beats and Cantonese pop numbers with power and detail. The other elements of the sound design are just as effective, but not always as consistent. The rear speakers occasionally burst to life with immersive ambience, like pouring rain, or shudder with the cross channel whizzes and pops of gunfire, but then you'll have chaotic scenes that seem like they could have a lot of audio activity, where the sound is actually quite restrained. It all comes down to intent, though, and in these quieter moments you get the feeling that your attention is purposefully being directed elsewhere. There is one moment in an ice cream truck when the characters' voices sound conspicuously hollow, but other than that, dialogue is clear and perfectly balanced. For us non-Cantonese-speaking viewers, the optional English subtitles are presented in clean white lettering that's easy to read.
Featurettes
The disc includes a trio of mostly substance-less featurettes. There's not much here to satiate
hardcore Wong Kar-Wai followers, but the 15-or-so minutes of extra content is not without its
charms. In Only
You (1080i, 7:47), director Wong Kar-Wai briefly discusses the relationship between
Chungking Express and Fallen Angels, followed by a montage of deleted scenes.
Whom You Miss (1080i, 3:54) is a profile of Chan Man-Lei, the real-life manager of the
Chungking Mansions Hotel, who was asked by Wong Kar Wai to act in Fallen Angels.
Lastly, in A Beautiful Evening (1080i, 3:50), Wong Kar-Wai gives some insight into the
shooting process—especially regarding the use of the fisheye lenses—and talks about how
Fallen Angels gave his crew the confidence to shoot anywhere, under any conditions. Do
note that while the image is technically in 1080i, this is just upscaled, windowboxed
video.
Interview with D.P. Chris Doyle (1080i, 7:15)
Longtime Wong Kar-Wai cinematographer and Australian ex-pat Chris Doyle—who always gives a
nutty, typically alcohol-assisted interview—discusses color theory, his role as DP as it relates to
the actors, and Fallen Angels' unique visual style.
Stills Gallery (1080p)
A user-directed gallery with 32 stills.
Happy Together Trailer (1080p, 1:31)
Fallen Angels Trailer (1080p, 2:43)
Though not as narratively concise or emotionally affecting as Chungking Express, Fallen Angels is an engrossing follow-up that explores similar ideas and is filmed with Wong Kar-Wai's characteristically breakneck brilliance. You really can't have one without the other, and thankfully, both films have received excellent high definition home video treatments, with Criterion releasing Chungking Express in late 2008, and Kino International equaling the big C's efforts with a beautiful new transfer of Fallen Angels. Highly Recommended!
春光乍洩 / Chun gwong cha sit
1997
阿飛正傳 / Ah fei zing zyun
1990
Wong gok ka moon
1988
2004
重慶森林 / Chung Hing sam lam
1994
花樣年華 / Faa yeung nin wa
2000
東邪西毒 / Dung che sai duk / Ashes of Time Redux
1994
一一
2000
牯嶺街少年殺人事件
1991
1965
La baie des anges
1963
Kris
1946
Luci del varietà
1950
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1951
Trois couleurs: Rouge
1994
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1953
歩いても 歩いても / Aruitemo aruitemo
2008
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1980