6.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Follows Max Brandel, who blows up his successful career and marriage to become a somewhat less successful stand-up comic.
Starring: Bobby Cannavale, Robert De Niro, Rose Byrne, Vera Farmiga, Whoopi Goldberg| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 3.5 |
“Ezra” is the fifth directorial outing for actor Tony Goldwyn, but his first helming job in 14 years (his last was 2010’s “Conviction”). It’s been an erratic career behind-the-camera for Goldwyn, who favors character-based dramas, gifting him room to explore situations of emotional stress and confrontation, and there’s always space for actors, with one of their own calling the shots, making time to massage performances. “Ezra” checks all the boxes on a Goldwyn film, and it remains another frustrating misfire for him. It’s a study of a father going to extremes to deal with his career and his autistic son, with screenwriter Tony Spiridakis using his own parental experiences to inform the turbulent feelings in the work. The picture means well enough, but it doesn’t connect as an examination of relationships, and the writing has a very blunt take on the main character’s sense of authority when handling extremely sensitive family issues.


The AVC encoded image (2.00:1 aspect ratio) presentation for "Ezra" largely focuses on the actors, and detail is appreciable during the viewing experience. Skin particulars are preserved, along with fibrous costuming. Living spaces, business, and comedy clubs retain decorative additions, and exteriors deliver depth, helping to communicate the remoteness of some locations. Color is sharp, moving from cooler hues during city activity to country living, which delivers distinct greenery. Primaries are crisp, exploring stage lighting and style choices. Skin tones are natural. Delineation is satisfactory, working with deeper stage lighting. Very mild banding is periodic.

The 5.1 DTS-HD MA offers interesting fullness at times, with Max's club act providing an echoed sound to sell his theatrical displays. Surrounds also work with musical moods, supplying some expanse to scoring cues, which retain sharp instrumentation. Soundtrack selections are defined, with clear vocals. Dialogue exchanges are sharp, handling the sometimes chaotic performance choices in the feature and angry engagement. Softer emotionality is also maintained. Atmospherics are limited, with some community and customer bustle present. Low-end isn't challenged during the dramatic film.


Technically, Max kidnaps Ezra in the story, but Spiridakis doesn't have the energy to get his hands dirty with such a reality. Instead, "Ezra" comes close to celebrating Max as a heroic figure, willing to defy others to do what's right for his son, though he doesn't really know how to do anything besides be a companion, comment on his love of movie quotes, and deal inappropriately with the child, including late night visits to comedy clubs. There are mother issues in play, along with Stan's emotional blockage, but the writing doesn't dig deep enough to achieve a substantial psychological portrait of the man. Cannavale also delivers a strangely abrasive performance, making one wonder what Jenna even saw in Max to begin with. There should be a lot more grit to "Ezra" if the true intent is to position Max as a real liberator, but Goldwyn wants something a little less demanding, looking to acting and the behavioral unrest of autism to support an unsatisfying film.
(Still not reliable for this title)

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