8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
At his secluded chateau in the French countryside, a brilliant, obsessive doctor attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price.
Starring: Pierre Brasseur, Alida Valli, Juliette Mayniel, Edith Scob, François GuérinForeign | 100% |
Drama | 61% |
Horror | 48% |
Psychological thriller | 21% |
Mystery | 13% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM 2.0 (48kHz, 24-bit)
BDInfo
English
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region B (locked)
Movie | 5.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.5 | |
Overall | 4.5 |
Georges Franju's "Les yeux sans visage" a.k.a. "Eyes Without a Face" (1960) arrives on Blu-ray courtesy of the British Film Institute. The supplemental features on the disc include Pierre-Henri Gibert's documentary "Georges Franju's Evil Flowers"; the short films "Monsieur et Madame Curie" and "La Première Nuit"; video interview with actress Edith Scob; and audio commentary by Tim Lucas. The release also arrives with a 32-page illustrated booklet with writings on the film and technical credits. In French, with optional English subtitles for the main feature. Region-B "locked".
Let's begin
Presented in an aspect ratio of 1.66:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Georges Franju's Eyes Without a Face arrives on Blu-ray courtesy of the British Film Institute.
Please note that the screencaptures included with our review appear in the following order:
1. Screencaptures #1-19: Eyes Without a Face.
2. Screencaptures #21-24: Monsieur et Madame Curie.
3. Screencaptures #25-28: La Première Nuit.
Eyes Without a Face: The release has been sourced from the same master which French label Gaumont prepared and used in 2010 (see here) and Criterion accessed in 2013 (see here). This is certainly very good news as Eyes Without a Face looks quite beautiful in high-definition. Indeed, the improvements in terms of depth and clarity are substantial. The darker/nighttime footage, in particular, now boasts vastly superior shadow definition that translates into much better balanced visuals (see screencapture #5). There are some traces of careful grain management, but grain is retained and well resolved. Overall image stability is very good. My one and only criticism is that the contrast levels are set a bit too high during a couple of outdoor sequences, but the same effect is also present on the Criterion release (see the upper end of screencapture #9). All in all, this is a lovely presentation of Eyes Without a Face that makes it possible to experience the film in an entirely new way.
Monsieur et Madame Curie (1956): The short film looks a bit rough -- there are multiple scratches and damage marks as well as some general stability issues -- but detail and depth are actually very nice. Contrast and sharpness levels are stable. Grain is retained and visible throughout the entire film. In French, with optional English subtitles. (00.14.10/1080p/Dolby Digital 2.0).
La Première Nuit (1958): This short film looks simply stunning in high-definition. In 2014, it was remastered from the original 35mm negative with the support of CNC. The Eclair Group restored the picture, while L.E. Diapason restored the sound. In French, with optional English subtitles. (00.19.38/1080p/Dolby Digital 2.0).
Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content.
There is only one standard audio track on this Blu-ray release: French LPCM 2.0. Optional English subtitles are provided for the main feature.
The audio was fully remastered during the restoration process and balance, clarity, and separation are very good. The improvements are especially obvious in sequences where Maurice Jarre's atmospheric score has a prominent role. The dialog is stable, clean, and very easy to follow.
This recent release of Georges Franju's classic Eyes Without a Face is sourced from the same restoration which Gaumont and Criterion worked with when they prepared their local releases of the film a few years ago. However, the BFI has included Pierre-Henri Gibert's excellent documentary Georges Franju's Evil Flowers from Gaumont's release and added two of the director's early short films, one of which has been recently restored. I really like these supplemental features. The documentary has excellent information about Franju and his legacy, while La Première Nuit is quite brilliant. Wonderful release. VERY HIGHLY RECOMMENDED.
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