8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
At his secluded chateau in the French countryside, a brilliant, obsessive doctor attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price.
Starring: Pierre Brasseur, Alida Valli, Juliette Mayniel, Edith Scob, François Guérin| Foreign | Uncertain |
| Drama | Uncertain |
| Horror | Uncertain |
| Psychological thriller | Uncertain |
| Mystery | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
| Movie | 5.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.5 |
Georges Franju's "Eyes Without a Face" (1960) arrives on 4K Blu-ray courtesy of Criterion. The supplemental features on the release include archival program with actress Edith Scob; excerpt from an episode of the French television show Cine-parade; the documentary "Blood of the Beasts" (1949); original trailers; and more. In French, with optional English subtitles for the main feature. Region-Free.


Criterion's release of Eyes Without a Face is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. However, the Blu-ray is Region-A "locked".
Please note that some of the screencaptures included with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.
Screencaptures #1-17 are taken from Blu-ray.
Screencaptures #20-40 are taken from the 4K Blu-ray.
The following text appears inside the booklet provided with this release:
"Undertaken by Le chat qui fume for Gaumont, this new 4K restoration was created from the 35mm original camera negative. The monaural soundtrack was remastered from the 35mm original soundtrack negative."
In America, Eyes Without a Face made its high-definition debut with this Blu-ray release in 2013. It is the only other release of the film that I have in my library. The combo pack offers a native 4K presentation of the 4K restoration mentioned above, which is not graded with Dolby Vision or HDR.
The overall quality of the native 4K presentation is very good. On my system, delineation, clarity, and depth looked great, often even outstanding. There are some areas with small yet noticeable density fluctuations, but these are inherited limitations that were visible on the previous 1080p presentation as well. There are no traces of any problematic digital corrections. Image stability is very good. So, does the native 4K presentation bring any meaningful upgrades in quality? On my system, the higher resolution certainly helps various close-ups look a little bit better. However, the same close-ups already look wonderful in 1080p, so the size of your screen will again determine what type of upgrade you see there. The bigger your screen is, the more convincing this upgrade will appear to you. On the native 4K presentation, the grayscale looks slightly more convincing now. I was a bit surprised by this development, so I compared several areas to be absolutely certain that what I was seeing was a consistent improvement. It is, and blacks and grays appear better balanced virtually everywhere. However, I must mention that in some darker material, select blacks almost begin to crush. Nevertheless, I prefer how the grayscale is set on the native 4K presentation because it helps the entire film acquire a slightly lusher appearance. If there are any other upgrades, they were certainly not prominent enough on my system. The native 4K presentation is very healthy.

There is only one standard audio track on this release: French LPCM 1.0. Optional English subtitles are provided for the main feature.
If there is anything different on the French LPCM 1.0 track that the native 4K presentation of Eyes Without a Face uses, I missed it. All exchanges are clear and easy to follow. Maurice Jarre's atmospheric soundtrack sounds wonderful, too. The range of nuanced dynamics is somewhat limited, but this is an inherited limitation. I did not encounter any distracting age-related anomalies.

4K BLU-RAY DISC

The list of famous directors who have copied something from Eyes Without a Face is pretty long. John Frankenheimer did when he made Seconds. Pedro Almodóvar did when he made The Skin I Live In. Leos Carax did and even invited Edith Scob to work with him in Holy Motors. There are many reasons why Eyes Without a Face has been such an influential film, but the biggest is that it enters a place where the horror it sells becomes authentic. This is not as simple as it sounds because in this place only the truly great films survive the scrutiny of the rational mind. HIGHLY RECOMMENDED.

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