5.2 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
After witnessing a miracle, a young Latina woman experiences strange things as a police detective searches for the truth behind his partner's death.
Starring: Ana de Armas, Keanu Reeves, Christopher McDonald, Big Daddy Kane, Venus ArielThriller | 100% |
Crime | 61% |
Drama | 32% |
Mystery | 23% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
UV digital copy
Slipcover in original pressing
Region A (C untested)
Movie | 1.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 1.5 |
Note: A couple of salient plot points are unavoidable in discussing Exposed. Those who are sensitive to potential spoilers
are encouraged to skip down to the technical portion of the review, below.
As sometimes happens in the reviewing game, either due to the sheer numbers of “product” being released, or to some other vagaries of
chance and/or fate, a film can seem weirdly similar in one way or another to some other outing only recently reviewed. That turned out to be
the case with Exposed, a pretty lackluster supposed mystery thriller with Keanu Reeves doing the hangdog detective bit trying to
figure who murdered his former partner. But the “real” subtext of Exposed turns out to involve a pretty young woman named Isabel
(Ana De Armas), a seemingly rational Latina who is suddenly troubled by some alarming visions, often featuring bizarre albino (or albino-
esque) figures who almost seem like the yōkai of Japanese folklore. When the plot mechanics finally reveal a hidden world of
childhood sexual abuse, I couldn’t help but think of my recently reviewed The Witch Who Came from the Sea, a patently odd and often quite hallucinatory enterprise that
features a (maybe somewhat older) woman who is similarly traumatized by some long ago actions by her father. The Witch Who Came
from the Sea deals overtly with its heroine’s mental state, detailing right off the bat what is eventually shown to be a psyche so
roiling that reality and fantasy frequently intertwine. Exposed is considerably more discursive in getting around to this more or less
same revelation, but in this case the misdirection is so inartfully handled that it ends up being less intriguing than simply outright confusing.
Exposed is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1. The IMDb lists this as a digital shoot with Arri Alexa cameras, and it has the sleek, smooth appearance which is a hallmark of this format. Much of the film offers excellent levels of detail, and some of the spookier elements with the white faced spectral entities look wonderfully outré, certainly one of the film's more striking visual conceits. Much of the film takes place in dimly lit interior environments, or actually during nighttime, and there's some typical digital "murk" in these scenes where shadow detail may leave a little bit to be desired at times. Many of the scenes involving Isabel have been graded toward a kind of sickly yellow color, and detail levels are a bit less fulsome in these moments as well. Generally speaking, though, the imagery is precise and sharp, with no stability issues and no compression anomalies to confront.
Exposed's lossless DTS-HD Master Audio 5.1 track gets a fitful workout now and again in various moments throughout the film, with some good floorboard rattling lower frequencies in the first club scene, and some excellent immersion in some claustrophobic environments later, like the subway platform that turns out to be a central location for what's "really" going on. The urban environment also provides opportunities for realistic sounding ambient environmental effects. Dialogue is cleanly presented and is always well prioritized on this problem free track.
- Keanu Reeves (1080i; 8:05)
- Mira Sorvino (1080p; 6:16)
- Ana De Armas (1080i; 3:30)
- Chris McDonald (1080i; 4:01)
- Michael Rispoli (1080p; 3:29)
- BigDaddy Kane (1080i; 3:57)
Exposed could have used some help somewhere along the way, for it's largely a shambles, though there are some intriguing elements still struggling to get through the morass here. Technical merits are generally strong for those considering a purchase.
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