6.9 | / 10 |
Users | 4.0 | |
Reviewer | 4.5 | |
Overall | 4.0 |
In their makeshift laboratory, the boys use an amazing discovery and their ingenuity to build their own spaceship and launch themselves on a fantastic interplanetary journey.
Starring: Ethan Hawke, River Phoenix, Bobby Fite, Bradley Gregg, Danny NucciSci-Fi | Insignificant |
Family | Insignificant |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
Wolfgang Petersen was originally tapped to direct Eric Luke's original screenplay, Explorers, for Paramount in 1985. But, according to film historian Jeff Bond in his copious liner notes to Intrada's soundtrack album release, Petersen wanted to film at the studios in Bavaria but Paramount preferred to keep the production in the US. So, Petersen opted to make Enemy Mine with Fox instead. Enter Joe Dante. Gremlins had been difficult to make for Dante primarily because the design and effects for the titular creatures were so involved. When Dante learned that Explorers revolved around three junior-high boys constructing a spaceship and traveling to another planet, he thought the scale of the production would be relatively simple and straightforward. What Dante didn't anticipate was Paramount imposing a firm summer release date to get Explorers into theaters. This necessitated the crew build the sets and Rob Bottin create the aliens in a span of three months. Several of the crew members who worked previously with Dante, including Bottin and cinematographer John Hora, were familiar with his creative preferences and what he wanted. Working at a breakneck pace and peak efficiency helped Dante and his crew get through the experience of making the film, although to this day the director still feels it's an unfinished work.
Ben Crandall (Ethan Hawke) is a bright and perky boy with dreams of one day making it into space. Ben has a dream where he's flying above a long circuit board. Upon awakening, Ben immediately draws a diagram of the circuit. He communicates via handheld transceiver with his aspiring scientist friend, Wolfgang Müller (River Phoenix), that the design features could potentially help in constructing a traveling vessel. Wolfgang has his own laboratory in the basement of his parents' house. He types into a keyboard connected to a 1984 Apple 11c and the program keys produce a roving spherical bubble. Wolfgang, Ben, and Ben's friend, Darren Woods (Jason Presson), further the experiment outside in the open hills. Ben types some keys in and sends Wolfgang off on a high-speed journey inside the bubble. Luckily, Wolfgang comes back and the boys decide they need something more solid and concrete for their voyage to outer-space. Darren's father has a job hauling old machines and spare parts to a junkyard where the boys poke around. They find an old Tilt-a-Whirl car that they convert into their spaceship, the Thunder Road (named after the Springsteen song). Will the trio be able to reach the alien planet and what will they find?
The explorers venture beyond Earth.
This two-disc Collector's Edition of Explorers courtesy of Shout Select includes the Home Video Cut (average video bitrate: 32500 kbps) and the Theatrical Cut (29300 kbps). Each cut is included on an MPEG-4 AVC-encoded BD-50. The film appears in its original theatrical exhibition ratio of 1.85:1. I would grade the TC a 4.0/5.0 and HVC a 4.5/5.0. The TC has several white speckles over the main titles and a couple other scenes. Beginning with the long shot of Wolfgang lugging his books to school (Screenshot #10), I started noticing improvements in color saturation, sharpness, clarity, and detail.
Freelance writer Adam Eisenberg wrote an excellent article on the photographic aspects of Explorers for the August 1985 issue of American Cinematographer. He quoted DP Hora as saying he used a blue gel over the fill lights for the nighttime exteriors. The film was photographed in Petaluma, California during the autumn months and Hora wanted a warm fall look. He put a 85-C filter on his camera to enhance the beatific shots of Ben and Darren strolling along the creek bed. The misty shafts of light illuminate them (frame grab #s 5 and 6).
Each cut receives a dozen scene selections.
Screenshots 1-10 = Shout Select 2021 Theatrical Cut
Screenshots 11-15, 17, 19, 21, 23, & 25 = Shout Select 2021 Home Video Cut
Screenshots 16, 18, 20, 22 & 24 = Paramount 2004 DVD
Shout Select supplies two lossless audio tracks apiece on the Theatrical Cut and Home Video Cut. TC: a DTS-HD Master Audio 5.1 Surround remix (2535 kbps, 24-bit) and a DTS-HD Master Audio 2.0 Stereo mix (1676 kbps, 24-bit). HVC: a DTS-HD Master Audio 5.1 Surround remix (2338 kbps, 24-bit) and a DTS-HD Master Audio 2.0 Stereo mix (1677 kbps, 24-bit). The remastered tracks sound very clear and clean to my ears. Spoken words are consistently well-delivered. There's excellent directional separation when Wolfang's little sphere starts whizzes around his lab and goes through paperback covers on the shelf. Other sound ambience and f/x (such as the barking of a dog and purring of Wolfgang's cat) make their presence known on the rears. Jerry Goldsmith's multilayered score is a treat to listen to on the 5.1 tracks. The warm French horns come alive on the surrounds.
Optional English SDH are available for each version of the film.
The R1 and R2 DVDs included two additional scenes that were in the TC. Shout has added all new extras to its package.
DISC ONE: Home Video Cut (1:46:30; 1080p; DTS-HD MA 5.1 & 2.0)
After nearly thirty-six years, Explorers has lost none of its charm, awe, and wonder. While it's true that we're unlikely to ever get a director's cut, it's an added bonus that we finally have the theatrical version available again. I'm also glad that Dante uncovered tapes containing several deleted scenes from the work print. (The excised scenes are given rich exposition in George Gipe's novelization of Luke's screenplay.) The new hour-long documentary is a tremendous compendium to the feature. The movie looks and sounds as good as it ever has. A VERY WARM RECOMMENDATION for this two-disc CE of Explorers.
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