6.8 | / 10 |
| Users | 4.0 | |
| Reviewer | 4.5 | |
| Overall | 4.0 |
Experience the music, the magic and the majesty of the Montreux Jazz Festival in 3D.
Starring: Quincy Jones, Herbie Hancock, Elvis Costello, Sophie Hunger, Joe Bonamassa| Music | 100% |
| Documentary | 99% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
None
50GB Blu-ray Disc
Two-disc set (2 BDs)
Blu-ray 3D
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 3.5 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 4.5 |
Well, you can now add this to the list of things you thought you’d never see on Blu-ray: not one, but several, Montreux Jazz Festival performances in 3D! Eagle Rock Entertainment has been releasing a glut of Blu-rays exploiting the rather deep catalog of the Montreux Festival, offering a huge range of styles and genres, and almost always with stellar video and audio quality. This compilation offers another pretty stunning array of artists captured at ther 44th Festival from 2010. Anyone who has been a fan of the Montreux Jazz Festival, either in person or by dint of these often quite remarkable home video releases, knows that the label “jazz” is only partially correct. Festival founder Claude Nobs, who shepherded the Festival from a kind of garden party beginning to its huge international reputation, was nothing if not a man of varied tastes. Nobs sadly passed away earlier this year, and it will be interesting to see how the Festival proceeds without his inspired leadership. But this two disc release more than adequately proves just how eclectic Nobs’ tastes were. Yes, there’s jazz here, as is to be expected, but there’s so much more.


Experience Montreux is presented on Blu-ray courtesy of Eagle Vision (an imprint of Eagle Rock Entertainment)
with AVC (2D) and MVC (3D) encoded 1080p transfers in 1.78:1. The 2D presentation has some typical bugaboos that
seem to haunt these live performance videos, as exemplified by the opening light display before Massive Attack takes the
stage on Disc One. A huge blue flare lights everything up, which devolves into rampant posterizing, which is followed by
obvious banding and, just for good measure, a little macroblocking. Quite a bit of the all the performances have a slightly
hazy quality, something that is perhaps attributable, at least in part, to the massive amounts of dry ice smoke being
pumped onto the stage. Things improve under more normal lighting conditions, and close-ups fare really well a lot of the
time. Contrast is very consistent, and there's actually above average shadow detail most of the time, even on darkened
stages. Colors are very accurate looking and nicely saturated, though they tend to appear a bit weird under some of the
lighting schemes.
Color me at least a little surprised by how good the 3D presentation on Experience Montreux is. Right off the
bat, with a lovely view of a Montreux seascape with a couple of bushes in the foreground, we're given an immediate
sense of depth and scale, something that continues with a number of other scenic shots, many of which utilize framing
device like views through windows or grill work to establish depth of field. The concert footage tends to be a little more
hit or miss, though it's largely hit. The shots from in back of the audience have decent spatial immersion, but some of the
lateral shots (typically 3/4 shots taken from the wings or close to the stage's lip) tend not to pop quite as well. Perhaps
a bit strangely, shots taken at a 90 degree angle to the stage offer exceptional depth of field and dimensionality. Both
the interstitial interview segments as well as some framing devices (for example, shots of instruments before Mumford &
Sons take the stage) look spectacular.

Experience Montreux features two boisterous mixes, a lossless DTS-HD Master Audio 5.1 surround offering and an uncompressed LPCM 2.0 stereo fold down. The 5.1 mix is exceptional, especially on the first disc, where the variety of styles is more than easily handled, with exceptional clarity and excellent spatial separation. I was just a tad less happy with the 5.1 mix on the Jones/Hancock disc, only because these guys tend to feature heavy bass work, which to my ears at least was a little overpowering in the 5.1 mix. Those who really like a lot of punch in the low end will probably love the Jones/Hancock disc and the 5.1 mix for that very reason. Fidelity is superb and dynamic range is very wide.

No supplements are offered on either Blu-ray disc in this set.

If you've been holding off buying any of these Montreux Festival Blu-rays, there's no better time to jump in with both feet (much like some of the swimmers shown in one of the "travelogue" scenes that make this set so gorgeous to watch). This is a fantastic sampler that proves just how varied the Montreux Festival has become over the years. Admittedly, not everything will probably appeal to everyone on both of these discs, but there should be more than enough to capture any individual's fancy to make this a must have. Adding to the excellence of the music (as if that weren't enough) are the incredible shots of the scenery and some really interesting albeit brief interview segments. Though the basic video here has the same issues that plague many live performance outings, the 3D rendering is really quite outstanding, all things considered. Even if you don't have a 3D setup in your home theater, this release definitely comes Highly recommended.
(Still not reliable for this title)

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