6.6 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Exorcism stars Jess Franco's wife and muse, the incomparable Lina Romay, as a performance artist who stages faux satanic rituals for the gratification of the Parisian elite. When a defrocked priest with a penchant for S&M (Franco) witness one of these erotic spectacles—and mistakes it for an actual black mass—the moral crusader launches a one-man inquisition upon the sexually liberated women of Paris.
Starring: Jesús Franco, Lina Romay (II), Pamela Stanford, Guy Delorme, Richard BigotiniHorror | 100% |
Erotic | 48% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.68:1
Original aspect ratio: 1.66:1
English: LPCM 2.0
None
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 2.5 |
Ah, Jesús "Jess" Franco, the trashiest of the Euro-trash directors, the seamy eye behind nearly 200 limp and sordid films, most of them some combination of lazy horror and flesh-baring softcore sleaze. He might have a cult following, but he's gained it only by being prolific—prolifically bad. His breakthrough, if you can call it that, was 1961's The Awful Dr. Orloff, a gothic chiller in the Hammer Film Productions mold and Spain's first bonafide horror movie. Increasingly, though, he moved away from this relative reputability—coinciding with his move to the more sexually liberal France in 1970—and started churning out slow-paced, low-to-no-budget grindhouse snoozers effluent with writhing naked ladies, S&M imagery, psuedo-poetical dialogue, and a withering aptitude for good filmmaking technique. Don't get me wrong, I understand all of the reasons why some people "like" Franco's films—the ironic, so-bad-it's-passably-entertaining enjoyment, the kitsch factor, the copious nudity, maybe even the fact that Quentin Tarantino is a noted admirer—but I don't think any fan can claim with a straight face that Jess Franco is a competent director, let alone a good one. Then again, I suppose "good" here is entirely beside the point.
You can't Torquemada anything!
I'll say this up front: this is by far the best Exorcism has ever looked on home video. And now for the caveat: that isn't saying much. This was probably a grubby-looking film from the moment it came out of the camera, and the print that Kino Lorber and Redemption have used for this new 1080p/AVC-encoded transfer is rife with age and projection-related damage. There are white specks and scratches galore, along with long greenish vertical gouges during some scenes and brightness fluctuations in others. None of the this has been digitally cleaned up, so you can basically say the film is presented "as is." On the plus side, this means no digital manipulations—no edge enhancement or grain-erasing noise reduction. The 35mm grain structure is intact, and if nothing else, the image does have a naturally filmic quality. Of course, the picture is inherently constrained by Franco's blatant disregard for accurate focusing, so you can expect far more softness than sharpness, and not much fine detail. Color is pleasing, though, with good density and balanced saturation. If shadow detail is occasionally crushed in darker interior scenes, it probably has to do with the original exposure and not the work of the Blu-ray's colorist. I didn't spot any overt compression issues or encode glitches.
The only audio track included here is an uncompressed Linear PCM 2.0 mix of the film's English dub, and yes, the dubbing is pretty bad. But this is presumably all Kino and Redemption had to work with—their Female Vampire release has English and French tracks, so I don't know why they wouldn't do the same here if they had access to a French mix—and besides, it's listenable enough. Voices do peak harshly at times, but everything is at least understandable. Anyway, you don't watch a Jess Franco film for the sparkling dialogue. The track shows its age with some light hissing and mild pops and crackles, but nothing too distracting. Audio-wise, the best part of the film is its eerie score, which blends guitar and string and some kind of droning organ. Do note that there are no subtitle options included here, which is a bummer for those who might need or want them.
To each his own. Jess Franco definitely has his fans—who will probably want to snap up this Blu-ray release of Exorcism immediately—and even if I don't agree with them, I can at least see why the prolific underground director's films have a camp/cult allure. Some folks just get off—literally or figuratively—on low-budget 1970s sleaze. Fair enough. Franco isn't for everyone though, obviously, so if you're new to the director's body of naked-body- centric work, I'd advise checking out a few clips or trailers on YouTube first instead of rushing into a blind buy. For cheapo nudie-horror buffs only.
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