7.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
When a bold young squire slips the enchanted sword, Excalibur, from the stone where it was embedded, the golden age of chivalry and the Knights of the Round Table are born. But the magical kingdom of Camelot harbours evil ambition and Merlin's necromancy in this classic tale of King Arthur's legend.
Starring: Nigel Terry, Nicol Williamson, Nicholas Clay, Helen Mirren, Cherie Lunghi| Drama | Uncertain |
| Adventure | Uncertain |
| Fantasy | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 0.0 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 4.0 |
Fans of J.R.R. Tolkien are probably aware that before Peter Jackson's now venerable The Lord of the Rings: The Motion Picture Trilogy, there was a heavily redacted animated The Lord of the Rings directed by Ralph Bakshi. What may not be widely known, however, is that Bakshi's version arose from the veritable ashes of previously proposed live action version which had been under development at United Artists with John Boorman as the guiding light. Boorman's original concept for a Lord of the Rings film ultimately fell sway to both internal strife at the studio along with budgetary concerns (among others), but United Artists tried to salvage things somewhat by moving on to the Bakshi adaptation, though there was reportedly some pretty bad blood between the two "B" directors in terms of the perceived "handover". If Bakshi got The Lord of the Rings as his "leftovers", something maybe a bit similar might be stated about Boorman and Excalibur, since at least some of Boorman's thinking about and approach toward adapting the epic Tolkien tomes were ported over to his reworking of the Arthurian legend(s). As usual, Arrow is providing a new release with a 4K restoration, two bonus discs, and their typical assortment of swag and handsome packaging.


Note: While this is a standalone 4K release without a 1080 disc with the main feature (the 1080 discs are bonus items), I am offering
screenshots from Arrow's standalone 1080 release of
Excalibur as I think it actually provides a better representation
of
the look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity downscaled to 1080 and in SDR.
(Additional 1080 screenshots are uploaded to the review of the 1080 edition.) Because this release does not include a 1080 disc, the 2K video score
above has been intentionally left blank.
Excalibur is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 1.67:1. Arrow's insert booklet
contains the following information on the presentation:
Excalibur has been exclusively restored by Arrow Films and is presented in its original aspect ratio of 1.66:1 with restored original mono and 5.1 audio mixes. The film is presented in 4K resolution in HDR10 and Dolby Vision.This is an impressive 4K upgrade from a number of standpoints, but I'll start with what is often a bugaboo for me personally, the tightness of grain resolution in 4K and HDR. As fans of this film no doubt know, large swaths of Boorman's vision are liberally adorned with mists, fogs and vaporized breath from both humans and horses, and all of those stylistic choices along with what are frequently rather dim lighting conditions probably provided some compression challenges, but on the whole I was really positively struck by the look of the grain field throughout this presentation (of course I have a few quibbles, which will be discussed in a moment). The HDR and Dolby Vision grades add really gorgeous luster, though highlights can be rather subtle, as in the rather slight uptick in rosy pink in some of the backgrounds in the opening vignette. Greens are especially vibrant throughout, including some of the special effects work surrounding Excalibur itself. Blacks are also impressively deep, something that aids many of the framings that tend to feature close-ups of faces surrounded by imposing shadows. In terms of absolute consistency, grain resolution probably admittedly falls a bit shy, as there are noticeable spikes at times that seem divorced from lighting conditions, at least on occasion, and maybe ironically at least some of the spikes are not related in any way to the aforementioned mists, fogs and vapors. For instance fairly early on the first forest scene with Merlin and the Lady of the Lake can be a bit fuzzy in midrange shots, with some noticeably discolored grain, and several of the subsequent forest scenes have grain thick enough to almost cause waves flowing over the tree tops. Interestingly, though, some forest scenes, like the one with Merlin and Arthur at slightly past the half hour mark, can show a much more tightly resolved grain field even if lighting conditions are really pretty similar to a lot of the other forest material. Somewhat discolored clumpy grain can show up intermittently, as in the early interior scene with the dancing and festivities, where HDR's emphasis on the orange adjacent grading may only exacerbate the thickness of the grain. Old school composited effects are probably not "helped" by the increased resolution and dynamic range of this format.The original 35mm camera negative was canned in 4K 16 bit at Warner Bros. Motion Picture Imaging. The film was restored in 4K and color graded at Silver Salt. The mono mix was restored by Žorsteinn Gislason. The 5.1 mix was restored by Deluxe Audio, London. The 5.1 audio mix was newly created using the original mono mix audio elements.
As part of the restoration process Warner Bros. researched what audio materials they had archived and identified a set of original LCRS audio elements that were created during post production. However, these elements proved to be unusable. Further research showed that these were unfinished mixes that were abandoned prior to completion due to time constraints. This was also confirmed by director John Boorman.
All materials sourced for this new restoration were made available by Warner Bros.
Additional 35mm prints were accessed from Warner Bros. and the BFI for reference.QC reveiw was completed by Pixelogic.

The theatrical cut of Excalibur offers DTS-HD Master Audio Mono and DTS-HD Master Audio 5.1 options. I have to say the mono track is really more than serviceable for this film, perhaps surprisingly given its epic scale and its use of both (maybe slightly questionable in the case of Wagner, less so in terms of Orff) source cues and original underscore and a glut of sound effects. The 5.1 mix just can't quite escape its "roots", so to speak, and a lot of the ostensible surround track is still pretty front and center heavy, though there are certainly signs of things opening up in the outdoor material in particular. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Disc One (4K UHD)
- Teaser Trailer (HD; 1:48)
- Theatrical Trailer (HD; 2:28)
- Black & White Stills (HD)
- Colour Stills (HD)
- Posters (HD)
- Original Production Notes (HD)
- Draft Screenplay (HD)
This version of Excalibur was created for television to make the sex and violence more "PG friendly" and recue the overall runtime to 120 minutes. While it does not feature any deleted or alternate scenes, it does include unique voiceover from Merlin in some scenes. Never available before on home video, this presentation is reconstructed from the new restoration based on a standard definition reference tape held in the Warner Bros. archives, with one shot unique to this version upscaled from tape. While we have preserved the original theatrical aspect ratio here, on broadcast the film was "panned and scanned" to fit the standard 4:3 TV screens of the period.This features LPCM Mono audio.

It might be jokingly offered that the sheer length of Boorman's epic may make this the "once and forever king" as opposed to T.H. White's formulation, but despite its excesses and issues, the film is often absolutely gorgeous to simply watch and listen to. Technical merits are solid and as usual Arrow has aggregated both impressive on disc supplements and a wealth of enjoyable swag, all in handsome packaging. Recommended.

Theatrical 4K | TV version BD only | Limited Edition | UK Import
1981

Love Hurts Slipcover
1981

Limited Edition
1981

1981