6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
Director: Werner HerzogDrama | 100% |
Horror | 19% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
German: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Note: This title is currently available as part of Herzog: The Collection.
Has there ever been a more fascinating figure in film than Werner Herzog? This much debated individual, one who elicits
both hyperbolic accolades and equally exaggerated derision, has been a seeming force of nature in film for decades,
helping to define the New German Cinema (a somewhat later analog to the French New Wave). Herzog’s filmography is
rather breathtakingly diverse, traversing both traditional fiction, quasi-biographies, and a large number of
documentaries.
Through it all, Herzog himself has become the subject of considerable controversy, at times seeming to be as
obsessively
motivated as some of his film subjects. The auteur’s off kilter blend of nihilism and often black humor has given
him and his films a decidedly unique place in contemporary media, to the point that a supposed note Herzog jotted off to his
cleaning lady became an internet sensation (it’s actually a brilliantly written parody by Dale Shaw). Shout! Factory, a
label
which repeatedly stubbed its corporate toe on its last big deluxe boxed set built around the talents of one person (Bruce Lee: The Legacy
Collection, the only time in my reviewing career I have had to start over from scratch due to a complete recall
and reissue) may seem to be throwing caution to the wind by upping the ante with this release. Here there are no
fewer than 16 films by Herzog, housed in a handsome hardback booklike case that also features a wealth of text and
information about each of the films. Fifteen of the films are new to Blu-ray (Shout's horror imprint Scream Factory
released Herzog's Nosferatu the
Vampyre as a standalone a few months ago), and the offerings here cover both iconic films in Herzog's
oeuvre as well as some oddities. The extremely handsome packaging offers a 7.5" x 7.5" x 1.5" hardback book
exterior casing which houses heavy cardstock pocket holders that contain the discs. Also included are The Werner
Herzog Condition by Stephen J. Smith, an appreciation of the director's work with essays about each of the films.
The films get even more text in write-ups by Chris Wahl and Brad Prager. Each of the pocket holder pages details the
film (or in some cases, films) on each disc, with audio options and special features listed.
Even Dwarfs Started Small features an AVC encoded 1080p transfer in 1.33:1. Shot in black and white by Thomas Mauch, the film offers some high contrast elements which transition well into high definition for the most part. Some of the interior sequences with the hostage tied in the chair suffer from blown out highlights, but this is the exception rather than the rule. There are also two odd anomalies in these sequences at around 21:49 and 56:16 where the image goes rather wonky, looking almost as if it had been shot through a scrim. This may be due to composite source elements, though this doesn't really look exactly like a traditionally blown up 16mm image; it's oddly soft and fuzzy with a gauzy overlay. It's frankly been so long since I've seen this film theatrically that I can't definitively state whether these are inherent to the film or transfer specific. Otherwise, though, the elements are in very good shape aside from some very minimal damage that crops up on the right side of the frame, especially in the opening scenes. Grain structure is intact and organic looking.
Even Dwarfs Started Small's lossless DTS-HD Master Audio 2.0 mono track suffers from some low level buzz running through most of it that becomes quite apparent in the quieter moments of the film or if volume is pushed. The typically odd soundtrack music has variable fidelity, with the bizarre ethnic tune sung by the little girl sounding a little brittle (some of which can be attributed to the actual singing), while the gorgeous African choral music sounds relatively full bodied. Dialogue is clear but slightly boxy sounding in this listenable but slightly problematic track.
Is Even Dwarfs Started Small an "exploitation" picture? Herzog of course vehemently denies that, but it's easy to see why little people (and others) got so up in arms when the film was released. The film has some narrative issues, but serves as a potent reminder of what a singular filmmaker Werner Herzog was from almost the first moment he burst upon the international scene. Recommended.
(Still not reliable for this title)
Wo die grünen Ameisen träumen
1984
1997
Ballade vom kleinen Soldaten
1984
Lektionen in Finsternis
1992
Mein liebster Feind - Klaus Kinski
1999
1977
Herz aus Glas
1976
1979
1971
Jeder für sich und Gott gegen alle
1974
1987
Land des Schweigens und der Dunkelheit
1971
1982
Aguirre, der Zorn Gottes
1972
Nosferatu: Phantom der Nacht
1979
2018
1989
Tras el cristal
1986
2009
괴물 / Gwoemul
2006