5.8 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Eve is a robot, modelled on "her" creator. Eve's armoury includes a nuclear bomb, which for unexplained reasons is on-board during Eve's testing. When things go wrong during the tests, Eve is lost in the big city. Enter the rescue team, which includes the real (human) Eve. They must find and disarm her before...
Starring: Gregory Hines, Renee Soutendijk, Kurt Fuller, John M. Jackson, Nelson MashitaThriller | 100% |
Sci-Fi | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 2.5 |
By the time the seventies rolled around, once storied Metro-Goldwyin-Mayer was but a mere shadow of its former glory days self. MGM never really seemed to be able to adapt to changing tastes the way that some of the other majors at least made an effort to, and exacerbating that problem was the fact that the studio had never made the same inroads into television production that, say, Universal or Warner Brothers had. And so when Westworld became a rather sizable hit for MGM in 1973, it may have inspired a certain amount of interest by the bean counters who regularly fill the executive ranks in studios, even to this day. The Michael Crichton film of course posited a bunch of “rogue robots” who take over an amusement park dedicated to recreating the old Wild West for high paying vacationing customers (Crichton revisited this same general premise years later in Jurassic Park, with rogue dinosaurs taking the place of Yul Brynner). Whether or not the unexpected box office bonanza Westworld reaped for the then rapidly declining MGM planted a seed somewhere that took close to two decades to actually bloom may be debatable, but there are nonetheless certain similarities between Michael Crichton’s first directorial effort and the 1991 thriller Eve of Destruction, a film which once again posits a rogue robot, but ups the ante by making her a doppelganger for the scientist who created her and which adds to the threat level by making the robot a weapon armed with a nuclear device. The film obviously plays upon the title of the famous chart topping song sung by Barry McGuire in 1965, but that playfulness also points up one of the most serious flaws in the film: it is relentlessly derivative, mixing a bunch of frequently seen action-thriller tropes into one less than satisfying stew. The film has a few moments of tension to its credit, especially in its closing act, but this is more often than not cut and paste filmmaking at its most formulaic.
Eve of Destruction is presented on Blu-ray courtesy of Scream Factory, an imprint of Shout! Factory, with an AVC encoded 1080p transfer in 1.85:1. This is a solid if unspectacular looking transfer that benefits from nicely saturated color and some actually above average fine detail (the little nubby patterns on Eve's bright red jacket are especially notable). While colors seems generally accurate, flesh tones are a bit on the ruddy pink side of things at times. But the overall image here is often on the soft side, even in midrange and close-ups. Contrast and black levels are both fine if never fantastic, and there does not appear to have been any digital tweaking done at all on this release, which means there is both minimal damage in evidence as well as an intact layer of grain.
Eve of Destruction features a surprisingly forceful DTS-HD Master Audio 2.0 mix that benefits from some very lively sound effects as well as Philippe Sarde's score. Dialogue is very cleanly presented and the mix is well prioritized, even in its noisier sequences (the mix here is fairly over the top quite a bit of the time). Fidelity is excellent and dynamic range is very wide.
Gregory Hines and Renée Soutendijk give Eve of Destruction a certain watchability that its otherwise rote presentation doesn't really offer. The film is fairly formulaic, but it does have a few nice set pieces, and it's fun to see a female android destroying things right and left, rather than the more typical muscled male variety. This is yet another rather odd entry in the ever growing Scream Factory enterprise, and while the film is at best a cult item, for those who do love it, the good news is the video is decent and the audio is quite good.
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