6.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Jack McCann is a wealthy gold prospector who surveys the world from his luxurious Caribbean island home, "Eureka." Determined to guard his fortune from business competitors, and engaged in a devouring relationship with his daughter, he struggles to find a meaning in his life beyond the accumulation of material wealth.
Starring: Gene Hackman, Theresa Russell, Rutger Hauer, Jane Lapotaire, Mickey RourkeDrama | 100% |
Psychological thriller | 8% |
Period | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
Music: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.0 |
One of the more amusing moments in Jane Fonda’s enjoyable commentary on the recent Twilight Time release of Julia is what sounds like her almost appalled reaction when she discloses that Nicolas Roeg was originally assigned to direct that film. “Can you imagine?” she more or less asks, in a sort of shocked tone that seems to suggest that Roeg’s penchant for the outré may not have been the best fit for the supposed memoirs of Lillian Hellman. Roeg’s filmography is distinctive, to say the least, featuring a patently odd grabbag of releases which includes Performance, Walkabout, Don't Look Now and The Man Who Fell to Earth. Roeg’s often disjunctive style has tended to alienate him from some audience members (and considering Fonda’s commentary, perhaps some actors as well), and that tendency may also tend to accrue with regard to Eureka, a typically weird Roeg offering that manages to combine near The Revenant-esque scenes of Man vs. Nature with a spooky supernatural ambience that takes a page out of films like The Gift . Add in other elements that are at least tangentially connected to such disparate offerings as The Believers to any given murder mystery and there is at least some indication of what a casserole of odd ingredients Eureka can be at times. These seemingly weird aspects are only half of the story (in more ways than one, actually), as Eureka’s sometimes diffuse screenplay covers the exploits of a prospector named Jack McCann (Gene Hackman) who hits it big, only to find out that sometimes when dreams come true, nightmares strangely tend to follow.
Eureka is presented on Blu-ray with an AVC encoded 1080p transfer in 1.84:1. While the aspect ratio on this release is just a tad less wide (1.84 vs. 1.85) than the British release reviewed by Svet Atanasov, this offering has many of the same pluses and minuses that Svet detailed. Culled from the MGM catalog (by way of United Artists), this transfer can look quite good in brightly lit environments, or frankly sometimes even in moderately lit ones, with good reproduction of the palette, nice detail levels, and commendable sharpness and clarity (see screenshot 3 for just one good example). However, there are recurrent problems here that I've attempted to provide several examples of in screenshots 15 through 19, and I'll simply let those examples "speak" for themselves. The elements show regular if minor signs of age related wear and tear, with typical issues like flecks and specks dotting the image. As with Svet's assessment, I'm grading this at around a 3.25, but I've given this an "official" score of 3.0 to both balance Svet's official score of 3.5 as well as to temper expectations by more demanding videophiles.
Eureka features a workmanlike DTS-HD Master Audio Mono mix which adequately supports the dialogue, as well as some sound effects (notably in the Yukon sequences), as well as Stanley Myers' score. The track is a bit shallow sounding at times, but there's no damage of any kind to report.
Roeg's films can be an acquired taste, and that may be even more so with regard to Eureka, a film which repeatedly dispenses with audience expectations in its delivery of a story that (to cite one final referent) bears certain similarities to Von Stroheim's legendary Greed. Performances are generally excellent, if a bit florid at times, and Roeg's typically energetic visual sense is certainly on display. My hunch is Jane Fonda will not be picking up a copy of this release. With caveats noted, and for Roeg fans probably more than the public at large, Eureka comes Recommended.
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