5.2 | / 10 |
Users | 3.6 | |
Reviewer | 3.5 | |
Overall | 3.6 |
A boy named Eragon finds a polished blue stone in the forest. At first, he thinks it's a lucky discovery, something that will bring meat to his poor family for the winter. Instead, it brings a dragon hatchling, and Eragon is soon thrust into a world of magic and power through which he and the dragon must navigate.
Starring: Michael Mehlmann, Ed Speleers, Tamás Deák, Jeremy Irons, Matt DevereAdventure | 100% |
Action | 90% |
Fantasy | 76% |
Family | 71% |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (448 kbps)
Spanish: Dolby Digital 5.1 (448 kbps)
English: Dolby Digital 2.0 (224 kbps)
BDInfo
English, English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
The next time one of your petulant children is complaining about doing his or her Creative Writing homework, you might want to casually drop the name of Christopher Paolini. You might want to stay away from some of the specifics of Paolini’s life story, notably his having been home schooled (why invite that headache?), but perhaps focus on the fact that well before Paolini was out of his teens, he was a multimillionaire due to his income from a little story he penned when he was only 15, Eragon. Even more impressive: Paolini wrote Eragon from his own free will, there was no homework involved, from his home schooling parents or otherwise. If the lure of riches can’t seduce your child into putting pen to paper, probably nothing can. Luckily, Paolini was inspired by nothing more or less than pure imagination. A voracious reader since childhood (childhood being a decidedly relative term in this case), Paolini grew up reading everything from Tolkein to Herbert to LeGuin to a host of other authors who melded magical fantasy and legend into rip roaring adventure stories that frequently had a (much) larger than life element. If, therefore, there are undeniable aspects of pastiche in Paolini’s Eragon, those elements are certainly easier to forgive given their author’s youth and inexperience. Unfortunately, that same feeling of having experienced large swaths of this story before haunts the film adaptation of Eragon, a film which can’t quite escape from any number of similarly themed epic heroic tales, be they the Lord of the Rings trilogy, or, to choose a couple from perhaps more closely linked dragon-themed stories, Dragonheart or even Harry Potter and the Goblet of Fire. If dogs are a man’s best friend, there’s some sort of analog in the world of fantasy films, where boys inevitably befriend dragons, and while there’s a nice (perhaps too nice) element of beast-human bonding in Eragon, there’s simply a feeling of déjà vu running throughout the film that keeps it from ever rising to the mythic heights to which it aspires.
Eragon was an early days Blu-ray release and thus sports an MPEG-2 codec, in 1080p and 2.35:1. There are elements of this transfer that look spectacular. Some of the sylvan forest scenes are incredible, and there are some absolutely luscious segments with water so crystalline and real looking you swear you could reach into your screen and get wet. Colors are often beautifully saturated, and a number of nice filters present everything from the cold blue opening sequence to the sunny yellow ambience of Eragon's village. But all is not well in this mythical realm, at least insofar as image quality goes. Eragon has long sequences which are bathed in shadows, gloom and darkness, and black levels are strong, with consistent contrast. Grain structure is intact and looks very natural. There are some persistent artifacts, including very ugly shimmer on things like the thatched roofs of the villagers' homes, and some brief but distracting aliasing. For the then-new technology of Blu-ray, this is certainly a respectable enough release, but by current standards, it has a couple of glaring problems that will most likely upset the more persnickety videophile.
Much, much better is Eragon's boisterous lossless DTS-HD Master Audio 5.1 mix, a beautifully detailed soundtrack that presents some awesome sound effects which brilliantly create some very immersive sequences. Saphira's roars, fire breathing and flapping wings all thunder through the soundfield with really bombastic LFE. Several of the action sequences are really amazing displays of sound effects editing, with precise placement of arrows, fists and other tools of the trade. Dialogue is always clear and crisp, and if Patrick Doyle's score is pretty cliché-ridden and cloying, it's also very well mixed into the proceedings.
Eragon may simply be a case where, to quote the old adage, "the book was better." But a young author like Paolini, for all his gifts, is probably not yet at the level of a Tolkein, able to utilize the long, vaunted history of myth and legend in a facile enough manner to craft anything really innovative and fresh. There's an element of staleness that undercuts Eragon, despite its attempts at grandeur and larger than life heroics. This is nonetheless a very pretty film, with some stunning location footage in Hungary and Slovokia, and Jeremy Irons is appropriately crusty and fun to watch. Younger children will probably be nonjudgmental enough to simply enjoy Eragon for the "wonder" of Saphira and Eragon's exciting battle scenes (though very young children will probably be disturbed by Robert Carlyle's Durza if not John Malkovich's evil king). One way or the other, if this stays at a bargain basement price, it's expense won't break the bank and so any minimal entertainment quotient will probably be okay with most consumers. Otherwise, just put this in your Netflix queue if you're sufficiently interested.
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