6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
A reclusive American composer with an online following has a tentative romance with a beautiful social worker.
Starring: Jake Hoffman, Nikki Reed, Scott Bakula, Thomas Dekker, Jason Priestley| Psychological thriller | Insignificant |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.34:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 0.5 | |
| Overall | 2.0 |
At some point in most of our lives, many of us encountered an angry parent refusing to believe we were actually listening to music and instead insisting that we “turn that noise down.” It’s kind of funny thinking back to now seemingly innocuous tunes by the likes of Lennon and McCartney and remembering older folks with their heads about to explode over the supposed cacophony of songs like “I Want to Hold Your Hand.” I’ve tried to be a bit more reserved with regard to my own teenaged sons’ musical tastes, especially with regard to my older, now college aged, boy, who has had a long interest in so-called Electronic Dance Music (EDM). While this son delights in tormenting his poor old Dad with my evident ignorance about the difference between “house” and “trance” and any of the other seemingly innumerable subgenres within EDM, he’s also not above coming to his semi-musically proficient old man to ask about things like chord structures and various rhythmic gambits his favorite EDM crafters are employing to construct their songs. EDM is something of a phenomenon for elders like myself who grew up with traditional theory and composition classes, however. Kids nowadays (and, yes, I’m aghast that I’ve actually just said that) don’t think in terms of 32 bar song formats and tropes like I-vi-IV-V, instead building dance worthy pieces out of cut and pasted loops, “drops,” and other elements that at times make their creations something akin to patchwork quilts. Perhaps that aspect in and of itself indicates something of a fractured state, no matter how organically any individual tune may ultimately end up, an element that Enter the Dangerous Mind (a not so subtle play on the acronym EDM) exploits in its portrayal of an unhinged EDM creator who goes off the deep end and becomes a slice and dice (or perhaps more appropriately aim and shoot) killer. The context of Enter the Dangerous Mind is probably its most distinctive feature, but writer and co-director Victor Teran ultimately settles for more hoary horror clichés, making the film a cinematic equivalent of white noise rather than any otherwise unforgettable song.


Enter the Dangerous Mind is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.34:1. This is one of the most relentlessly color graded offerings in recent memory, with virtually the entire film either somewhat desaturated (see screenshot 2) or swathed in shades of slate gray (screenshots 5, 6 and 13) or a sickly yellow color (screenshots 7 and 11). Just for good measure, there's a rather interesting quasi-sepia tone that informs the central flashback sequences detailing the horrifying childhood encounter that set Jim on his perilous journey toward mental illness (see screenshot 9). Coupled with the low contrast and low light ambiences that are utilized for the bulk of the film, detail and fine detail sometimes struggle to provide precision, and in fact many scenes are bathed in a kind of murk that makes even the edges of the frame inchoate (see screenshot 12). In relatively normal lighting and without an abundance of color grading, detail is actually commendable (see screenshot 15), but overall this is a fairly flat looking presentation that never really pops, part of which is certainly by design. There are no issues with noise, despite the omnipresent darkness of the film, and no issues with image instability.

Enter the Dangerous Mind features a throbbing DTS-HD Master Audio 5.1 mix that offers a glut of EDM inspired cues that are sliced and diced variously to indicate Jim's descent into madness. Coupled with some of the more inventive "tricks" like the aforementioned scene where Jim's thoughts precede his speech by a second offer nice immersion and at times ingenious ping ponging and/or panning effects. The low end of this track is quite forceful quite a bit of the time, giving the subwoofer a real workout. Dialogue is presented cleanly and clearly and there are no problems of any kind to cause concern.


Enter the Dangerous Mind has a frankly fairly interesting setup and an at least somewhat unusual setting (insofar as the EDM scene is explored), but it's simply too derivative and ultimately too nonsensical to ever create the feeling of angst it so obviously wants to. An almost Grand Guignol third act gives way to a pretty cheesy sting at the end which almost casts the film as a camp-fest. Performances are generally very strong and technical merits are generally excellent for those considering a purchase.
(Still not reliable for this title)

Slipcover in Original Pressing
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Signed Limited Edition to 100 Copies - SOLD OUT
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Limited Edition to 3000 - SOLD OUT
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