7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Two men meet in Barcelona and after spending a day together they realize that they have already met twenty years ago.
Starring: Juan Barberini, Ramon Pujol, Mía Maestro, Mariano Lopez Seoane, Helen Celia Castro-Wood| Foreign | Insignificant |
| Drama | Insignificant |
| Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Spanish: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
There's a feeling of familiarity that a lot of us get when when we recognize someone and subconsciously think we've seen this person many years prior. This "strange sensation" is what writer/director Lucio Castro conjures up in his feature debut End of the Century (2019). Argentinian poet Ocho (Juan Barberini) is visiting Barcelona from New York after ending a twenty-year relationship he had with another man. Ocho is also taking a break from his job as an ad writer for an airline. After getting off the train, Ocho spends his time soaking in the sights and sounds of Barcelona before settling into an Airbnb apartment he's renting. At the beach one afternoon, Ocho sees a handsome guy he considers approaching but doesn't. Atop his balcony, Ocho gets another chance when he spots the same fellow walking the streets and sporting a T-shirt by the band KISS. Ocho yells, "Kiss!" and the younger man jaunts up to his apartment. Javi (Ramón Pujol) and Ocho engage in friendly conversation over drinks. The former is Spanish and works as a director in Berlin for a children's television show. Before long, Ocho and Javi energetically jump into bed together for a sweaty sexual encounter. While Javi is married, his husband and he have an open relationship. During a post-coital moment, Ocho tells Javi that he looks strangely familiar. Javi all-but confirms that the two knew each other twenty years earlier.
The film flashes back to 1999 when Javi was dating opera singer Sonia (Mía Maestro), with whom he later has a daughter with. Ocho knows Sonia courtesy of her ex-boyfriend, an old buddy of Ocho's. Javi and Ocho were both closeted at the time. They also partake in passionate lovemaking then so the romantic encounter they have two decades later feels like déjà vu. For the movie's third act, Castro puts an imaginary spin on the narrative, speculating what Javi and Ocho's relationship would be like had they remained together after first meeting each other in '99.

Have a cerveza.

The Cinema Guild has brought End of the Century to HD for its global debut on Blu-ray. The movie appears in its original theatrical aspect ratio of about 2.39:1 on this MPEG-4 AVC-encoded BD-50 (disc size: 37.23 GB). It appears that it was shot using HD cameras and the solid encode supports a very healthy standard video bitrate of 31575 kbps. There are no compression-related artifacts or image stability problems to report. Sight & Sound's Maria Delgado has observed that the image boasts a "slightly washed-out palette," which you can see in Screenshot #s 3, 9, and 10. Other outdoor scenes are sunny and bright (frame grabs 8 and 17) as well as verdant (capture #s 12-13, 18, and 20). The extreme close-up on Ocho (Screenshot #6) shows very good detail.
The Cinema Guild has provided eleven scene selections for the 84-minute feature.

The Cinema Guild has supplied a DTS-HD Master Audio 2.0 Stereo mix (2155 kbps, 24-bit) in Spanish. For the first twelve minutes of End of the Century, there's no dialogue. I thought the 2.0 track picked up the ambience on the streets of Barcelona very well. There isn't much of a musical underscore. The stereo really comes to live when Ocho and Javi dance to the "Space Age Love Song" by A Flock of Seagulls. The rest of the film is dialogue heavy so the mix is very front-oriented.
The optional English subtitles, displayed in a white font, are clear and easy to read.


I didn't feel that End of the Century was as engaging as it could have been, nor were the characters fully fleshed out. I was reminded of I Carry You with Me, which I recently reviewed, and believe it's a superior picture. The Cinema Guild delivers a stellar transfer of Bernat Mestres's very fine cinematography and that's a reason to pick up this disc. Extras include a solid commentary track with the director and sound designer/composer, two of Lucio Castro's short films, and a nearly half-hour Q&A with Castro and his cast. A MODERATE RECOMMENDATION for End of the Century.
(Still not reliable for this title)

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