7.2 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
A look at the life of the legendary rock and roll star, Elvis Presley.
Starring: Austin Butler, Tom Hanks, Olivia DeJonge, Helen Thomson, Richard RoxburghMusic | 100% |
Biography | 97% |
Period | 39% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby Digital 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 2.5 |
Director Baz Luhrmann, who's been coasting on the strength of Moulin Rouge! for over 20 years and whose last project was 2013's abysmal The Great Gatsby, turns his peculiar gaze on The King of Rock and Roll with Elvis, an uneven biopic of the late, great musical icon (Austin Butler). But wait! It's actually closer to a tell-all by Presley's manager "Colonel" Tom Parker (Tom Hanks), a man accused of mismanaging the star's funds and estate for decades by fleecing him out of untold millions of dollars. This kind of gaudy approach might suit Presley's tumultuous career path during the 1970s but Luhrmann pastes it all over the 159-minute production, one that's also cheaply decorated with flashy scene transitions, odd tonal shifts, and quick cuts that will annoy, confuse, and ultimately alienate most new viewers.
It's certainly worth a watch either way, if only based on the strength of its source material. The colorful costumes and production design by Luhrmann's long-time wife and frequent collaborator Catherine Martin are first rate, as are most of the musical productions and performances... as well as the visuals, at least when they don't fall over ass-backwards into overcooked territory. Several solid dramatic moments dot the landscape, as do a number of appreciated nods to Presley's many musical influences including Little Richard (played by Alton Mason) and especially Sister Rosetta Tharpe (Yolanda "Yola" Quartey), who's often regarded as "the Godmother of rock and roll". I can admit any production that gives a little shine to these perhaps even bigger musical icons is at least worth a once-over and, if nothing else, those more receptive to Luhrmann's very specific style of filmmaking may find Elvis much easier to digest.
For a slightly warmer take on Elvis and a more detailed synopsis of the story, please refer to Brian Orndorf's theatrical review. Curious newcomers, as well as those who saw and enjoyed it theatrically,
should appreciate Warner Bros.' surprisingly solid home video package for the film, especially considering Elvis didn't even debut in the
United Status until the last week of June. Available as either this Blu-ray combo pack or a separate 4K/ Blu-ray set, both options come equipped with a great A/V
presentation and a small but appreciated collection of bonus features.
Though it obviously falls short of its 4K counterpart, Warner Bros.' 1080p transfer still offers a very crisp and faithful representation of Elvis' specific appearance. Cinematographer Mandy Walker reportedly shot the entire film using a combination of ARRI ALEXA 65, LF, and Panaflex System 65 cameras with custom "Elvis" lenses made from special glass that produced an image both slightly less sharp and with more aberration than traditional ones. Meant to evoke the era in which it represents -- more than 1970s than anything else, which is when the bulk of the film takes place -- this formula genuinely produces an image evocative of a classic cinematic appearance. With the addition of artificial film grain, the illusion is even more convincing. Still, this is ultimately a purely digital image through and through, and one with a varied color palette that ranges from dark and muted to almost candy-colored in its overall intensity, especially in some of the specific background elements by costume and production designer Catherine Martin.
Elvis has survived the down-conversion to 1080p surprisingly well, especially considering it contains more than 2 1/2 hours of HD content and a Dolby Atmos track. Compression artifacts and other anomalies like banding and black crush, which often prove to be the format's Achilles' heel, are largely kept in check but do pop up during a few brief moments, yet most of the show plays just about perfectly within Blu-ray's more limited boundaries. Fine detail, black levels, and color saturation are all well up to part, with visible textures on costume details and other background elements, while close-ups fare especially well under stage lights. Even the film's darker moments hold up nicely despite the very light banding and black crush, as evidenced by some of this review's 1920x1080 screenshots which, despite some innate compression during uploading, offer a reasonably accurate portrayal of what you'll see on a properly calibrated setup -- and if you're upscaling to 4K, it may prove to be more impressive still. I's a great-looking disc that, while obviously coming in second behind the 4K disc, will be more than satisfactory for small to medium-sized displays.
Equipped with a default Dolby Atmos mix on both the 4K and Blu-ray (which, as always, automatically folds down to a Dolby TrueHD 7.1 core if you aren't yet equipped for Atmos), Elvis routinely takes full advantage of the format with a wide-open and, at times, incredibly immersive sound field that impresses at almost every turn. Dialogue is always clean and crisp, well-mixed with other elements (including background sound effects and, of course, the plethora of music cues), and serves up a strong dynamic range without necessarily making viewers adjust their volume levels more than a few times along the way. Frequent musical performances are unsurprisingly a highlight, from the boisterous but more intimate locales seen in Elvis' youth to the star-making concert during which he first met "Colonel" Tom Parker and, of course, the much more grandiose stage shows that frequently dot Elvis' third act in Las Vegas. It's a frequently over-the-top yet carefully reigned-in sonic experience, one that captures plenty of impressive moments without necessarily feeling overcooked, and regularly reaches into the rear and Atmos-exclusive height channels at opportune moments. My only quibble is that it seems mixed a few decibels lower than reference level, which includes the LFE channel, but listeners most will find this to be a more or less perfect recreation of the theatrical audio experience.
Optional English (SDH) subtitles are included during the film and all bonus features.
This two-disc release ships in a dual-hubbed keepcase with poster-themed cover artwork, a matching foil-enhanced slipcover, a promotional insert, and a Digital Copy redemption code.
Director Baz Luhrmann's Elvis is almost exactly half of a great movie; Presley's story has always been a fascinating one, and the lead performance by Austin Butler carries much of the film's weight and momentum. Sadly the show falls short in other areas, including Luhrmann's trademark excessive visual style and the mostly distracting presence of a miscast Tom Hanks as Elvis' infamous manager, "Colonel" Tom Parker. All told it's entertaining enough for a watch and may score stronger with the late legend's most devoted fans, but Elvis wears out its welcome sooner than expected and, at almost 160 minutes in length, makes for quite the exhausting experience. Warner Bros.' Blu-ray/DVD combo pack, though clearly bested visually by its 4K counterpart, offers a great A/V presentation and a short but serviceable collection of extras. A worthwhile purchase for established fans, but newcomers should proceed with caution.
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