7.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Michèle seems indestructible. Head of a successful video game company, she brings the same ruthless attitude to her love life as to business. Being attacked in her home by an unknown assailant changes Michèle's life forever. When she resolutely tracks the man down, they are both drawn into a curious and thrilling game that may, at any moment, spiral out of control.
Starring: Isabelle Huppert, Laurent Lafitte, Anne Consigny, Charles Berling, Virginie EfiraForeign | 100% |
Drama | 45% |
Erotic | 39% |
Psychological thriller | 29% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Hungarian: Dolby Digital 5.1 (640 kbps)
English, English SDH, French, Portuguese, Spanish, Bulgarian, Croatian, Czech, Danish, Finnish, Hungarian, Icelandic, Korean, Mandarin (Simplified), Mandarin (Traditional), Norwegian, Polish, Romanian, Serbian, Slovak, Slovenian, Swedish, Thai
Blu-ray Disc
Single disc (1 BD)
Bonus View (PiP)
Region A, B (C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Paul Verhoeven is a filmmaker who thrives on the fringes and flourishes in the extremes. But he's also a filmmaker who, often, has something to say by way of his excesses. Social commentary abounds in his ultra-violent works RoboCop and Starship Troopers. His sexy Thriller Basic Instinct captivated audiences with complex characterizations beyond its infamous, frenzied sexual escapades. His latest, the French language film Elle, may not stand as his masterpiece -- that distinction remains with RoboCop -- but it's a picture that, with the action of rape, blends both the sex and violence for which he's known while crafting around it a seriously complex bit of provocative and thought-provoking cinema, a quality character exploration that's bleak and complex and certainly not at all clear-cut in terms of what, exactly, it has to say. The film is wide open for interpretation, supported by a terrific lead performance in what may be remembered as Verhoeven's most thoughtful film, one that sees the filmmaker embracing, but toning down, his almost comical excesses in favor of something much darker, both outwardly and inwardly alike.
Elle was shot digitally, and Verhoeven and Cinematographer Stéphane Fontaine give the movie a rather diffuse, soft, and warm appearance. Colors are frequently tender, never rambunctious or excessively showy but rather delicately supportive and, sometimes in lower light, a little moody. Black levels can push a little soupy in the darkest corners, too, murky and somewhat crushed but never appearing too pale. Source noise is frequent, again in lower light. Details are fine. The image's softer veneer doesn't allow for a seriously in-depth image, but general clothing and skin textures satisfy while environmental and general frame clarity are fine. The image is certainly not one of excess; it's gentle and supportive and in many ways a rather stark contrast to the film's tonally sharp edges but, on the other hand, complimentary of its mystery.
Elle's French language DTS-HD Master Audio 5.1 lossless soundtrack is sporadically intense but mostly straightforward and front-heavy. The movie is primarily dialogue-driven, and the spoken word plays firmly and naturally from the front-center, always well prioritized above any surrounding elements. Lighter ambience can linger up front or drift into the back, depending on location and intensity. Minor city ambience, for example, sometimes remains largely clustered up front, while restaurant din can be a little more immersive. Chapter seven introduces some gunfire at a shooting range, presenting with a satisfyingly authoritative punch with good pop and burst off to the sides. Gusty winds pound through the stage and shutters slam later in the movie, probably the peak of aggression and full-stage saturation in the film. Music gains momentum in chapter ten, delivering a serious depth and sense of immersion. Clarity is consistent in music and spacing effortless.
Elle contains a featurette, a talent interview, and a trailer. No DVD or digital versions are included.
Elle is the best (and only one of a precious few) Verhoeven film in years. It embodies everything the filmmaker is known for, perhaps visually toned down but psychologically turned way up. It's smart, expertly crafted, beautifully performed, and plays with an air of mystery, not so much in a "whodunit" sense, which is a part of the movie, but rather in what it all means and how and why characters respond as they do. It's absorbing, transcends its language barrier for non-French speakers, and proves one of the most primal and captivating films of its year. Sony's Blu-ray is good, offering fair video that seems reflective of filmmaker intent, solid audio, and a couple of good extras. Highly recommended.
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