7.6 | / 10 |
Users | 3.9 | |
Reviewer | 4.5 | |
Overall | 4.0 |
This is the England of 1554, but the veneer of traditional English composure and dignity has been stripped away. The British populace is in turmoil. Fearing a challenge to her throne, Queen Mary I imprisons her half-sister, Princess Elizabeth Tudor (The daughter of King Henry VIII and Anne Boleyn), in the Tower of London. But, in 1558, when "Bloody Mary" dies, Elizabeth is swept onto the throne and, at the age of 25, is crowned Queen of England. In order to survive, let alone to rule, Elizabeth must suss out hidden agendas: the Court is rife with intrigue; military strategists are risking the lives of young Englishmen; religious leaders at home and abroad place no faith in her; and the man she loves might not be worthy of her trust. The male-dominated ruling class would appear to have the advantage, but intelligent Elizabeth will deploy whatever means necessary to keep, or take what's rightfully hers.
Starring: Cate Blanchett, Geoffrey Rush, Christopher Eccleston, Joseph Fiennes, Richard AttenboroughRomance | 100% |
History | 74% |
Period | 71% |
Drama | 50% |
Biography | 49% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS 5.1
German: DTS 5.1
Italian: DTS 5.1
Spanish: DTS 5.1
Japanese: DTS 5.1
English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Danish, Dutch, Finnish, Greek, Korean, Mandarin (Simplified), Mandarin (Traditional), Norwegian, Swedish
50GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region free
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.5 |
This probably won’t be too hard to believe, but I have been a film geek from an early age. Probably the first
demonstrable evidence of this was when the Academy Award nominations were announced in early 1970. The Seattle
Post-Intelligencer did not print a complete list of nominees (such all inclusive entertainment reporting was the
exception rather than the rule back in those “Dark Ages”), but instead listed a roster of how many films each studio had
nominated and what the total number of studio nominations were. I was captured by one salient statistic that spring
morning: Universal had two films nominated and 13 nominations total. In that morning’s paper, the first Oscar ads
appeared on the movie page, and so I saw instantly that some Universal historical epic with Richard Burton called
Anne of the Thousand Days had received 10 nominations. That meant one of my first geek-fest experiences as a
child, Universal’s Sweet Charity, had only received three relatively minor technical nods, something that sent me
into something of an emotional tailspin (if you're not laughing by now, you probably never will be, at least as far as my
geekdom goes). The overwhelming number of nominations for Anne also however lured me to see a film I
probably would never have otherwise at that early age, which I grudgingly forgave for stealing the Universal Oscar
limelight from Bob Fosse and Shirley MacLaine.
Thus was I introduced to the machinations of Henry VIII and his second wife Anne of Boleyn, who gave birth to a
daughter, Elizabeth, who would go on to become one of the most iconic rulers in the history of the world, let alone
Britain. Elizabeth makes but a cameo of sorts in Anne of the Thousand Days,, a cute baby-walked coda to the
actual film played out against Genevieve Bujold's vicious voiceover from beyond the grave, but her presence provided a
dramatic subtext to the whole second half of the picture, as Henry’s desperate attempts to conceive a son left Elizabeth
in a sort of netherworld limbo, a second class citizen due to her gender despite first class qualifications in temperament
and intellect to be England’s Queen.
Elizabeth has been the stuff of many legendary film and television portrayals, from the earliest days of the silents with
such celebrated actors as Sarah Bernhardt essaying the role, to everyone from Flora Robson (twice, actually, in Fire
Over England and The Sea Hawk) to Bette Davis (The Private Lives of Elizabeth and Essex) to more
contemporary interpretations by the likes of Glenda Jackson, who lit up the small screen in the British miniseries
Elizabeth R before tackling the same role in Mary, Queen of Scots, incidentally directed by Anne of the
Thousand Days’ director, Charles Jarrott. As recently as 1998, the role brought home Oscar gold for Judi Dench in
Shakespeare in Love. And so the question lingers: did we really need another film version of Elizabeth
Regina? The answer may be debatable, considering the wealth of previous material captured on celluloid and
videotape, but the fact remains that Shekhar Kapur’s magnificent 1998 depiction of the Queen’s early life is sumptuously
produced and intelligently written (if not always completely historically accurate), and features an absolutely pitch
perfect performance by Cate Blanchett in the title role. And just to bring this all back full circle, it happens to be a
Universal release.
Cate Blanchett as the young Princess Elizabeth, about to be thrust into the throne of power.
Elizabeth arrives on Blu-ray from Universal with a largely stupendous VC-1 encoded 1080p transfer in a 1.85:1 aspect ratio (which will probably display as 1.78:1 on your system). This is one of the sharpest, most colorful Blu's I've seen in a long time, and puts Universal's Out of Africa release of a couple of weeks ago to shame. Colors are incredibly richly saturated here, with a breathtaking array of reds, blues, greens and purples. Detail is simply amazing, with gorgeous depth of field, perhaps more noticeable than usual due to Kapur and Adefarasin's impressive use of focus throughout the film. Flesh tones can't exactly be called "natural," due to the use of makeup on most characters, but the color spectrum here looks perfectly filmic and true to the original theatrical presentation. Grain is evident, but never overwhelming and contrast is exceptionally well balanced, even when white "blow out" is utilized several times throughout the film. The only thing keeping this from a 5-star rating are a couple of very minor artifacting issues, mostly on some of the heavily patterned and brocaded costumes. You'll see just a hint of aliasing and moire at times, but it's never too horrible. Otherwise, this is a stellar video presentation.
There's not a lot of bombast to Elizabeth's DTS-HD MA 5.1 mix, but what's here is very nicely directional and extremely clear. The soundfield here can be rather subtly realized at times, but in large hall scenes in the court, it really comes fully alive, with some great immersive moments filling the surrounds with lots of chatter and Elizabethan music. Nice aural pans crop up from time to time in scenes like horses traversing the screen. Dialogue is crisp and clean and always easy to hear, and the overall balance between dialogue, underscore and foley effects is top notch. There's also a very nice aual delineation between different kinds of spaces. You'll notice a clear difference between the ambience in Elizabeth's court and smaller spaces like Mary, Queen of Scots' lair or even, heaven forfend, the Tower of London.
All of the extras of the SD-DVD edition are ported over to this Blu-ray release, including the excellent commentary by director Kapur. Also on tap are the SD Making of Elizabeth (24:54), featuring a lot of backstage footage as well as some insightful commentary from Kapur and the films' players. The less worthy, EPK-fest, the generically named Elizabeth Featurette (6:04) is frankly lame and not worth your time. The disc also comes BD-live enabled.
You may have seen the story before, in fact you may have seen the story several times before, but Elizabeth has a lot going for it, including an elegant production design and a commanding performance by Cate Blanchett. This Blu-ray offers gorgeous video quality which is a definite upgrade from the SD-DVD. If you're a fan of historical drama, albeit fictionalized, this release comes very highly recommended.
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