7 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Ten years ago Chick (Anthony Wong), a local gangster was caught in bed with his boss’s wife, he killed both the boss and his wife then he managed to escape to South Africa. Chick has Worked in a Chinese restaurant. Jet, owner and his wife Ling takes advantage of Chick’s situation and treat him badly. One day Chick rapes and murders a black girl who is infected with a terrible epidemic – the Ebola virus. Chick has no idea he is carrying the disease. Chick then rapes and kills Ling, minces Ling’s body up into hamburger and the disease is spread through her flesh… When cases of Ebola virus start popping up, the police forensic department traces it back to the restaurant but Chick’s already gone. Chick is back in Hong Kong, using a forged American passport. The Ebola virus is spread through his liaisons with prostitutes.
Starring: Anthony Chau-Sang Wong, Meng Lo, Miu-Ying Chan, Yeung-Ming Wan, Fui-On ShingForeign | 100% |
Horror | 99% |
Dark humor | Insignificant |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Cantonese: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
Cantonese: Dolby Digital 2.0
English, English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A, B (C untested)
Movie | 3.0 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.5 |
In 1995, “Outbreak” was rushed into release, hoping to capitalize on growing interest in deadly virus stories. It was a Hollywood production meant to frighten and thrill a mass audience, and it found its way to box office domination, giving viewers a glimpse of body horrors from the comfort of a multiplex seat. 1996’s “Ebola Syndrome” isn’t nearly as polished or interested in charming outsiders, launching a tale about a horrible man doing horrible things while a horrible virus spreads across the land. Director Herman Yau delivers a big-time mess with the feature, which revels in ugliness, living up to is “Category III” classification with a steady display of contemptible and murderous human behavior, also showing just as much enthusiasm for gore zone visits, going splatter-esque with its vision for bloody encounters. “Ebola Syndrome” is a blunt instrument, but when Yau isn’t indulging his taste for screen chaos, he manages to provide a decent detective story at times, keeping things clear enough for recognizable conflicts to materialize, but only for brief amounts of time.
Screencaps are taken from the Blu-ray release of "Ebola Syndrome."
"Ebola Syndrome" arrives on UHD with a fresh scan of its 35mm camera negative. The visual presentation is pleasingly film-like, with nicely resolved
grain throughout, and colors are exciting, with defined primaries exploring local signage and period costuming. Bolder reds are found with bloodshed,
and different environments register as intended, including the greenery of Africa. Skintones are natural. Detail is excellent, with sharpness capturing
bodily harm, keeping gory scenes textured as the viral outbreak rages on. Hong Kong exteriors are dimensional, surveying urban areas, while Africa
provides deep savanna views. Interiors are equally clear, identifying restaurant decoration. Delineation is excellent. Highlights are tasteful, offering a
bright sense of natural light, with Africa exteriors compellingly illuminated. Hong Kong nightlife is also vivid, with golden lighting and hotter neon
signage. Source is in good condition.
The 2.0 DTS-HD MA mix offers broadly dubbed dialogue exchanges, which are defined. Only a few moments encounter mild sibilance issues. Scoring provides a distinct synth sound, supporting suspense and horror moments with authority. Sound effects are blunt but effective, exploring the destruction of bodies and physical attacks with different weapons.
"Ebola Syndrome" isn't tasteful. That's not the point of the movie. Yau wants to rage with the feature, offering all types of violence committed by an unrepentant lead character. There's nothing terribly exciting about this journey of insanity, but when the writing is at its clearest, the package becomes more appealing, dealing with storytelling instead of lengthy scenes of despicable behavior and egregious overacting from Wong. "Ebola Syndrome" wants to make a big screen mess, and it achieves that limited creative goal. In a way, the project is a complete success, but to physically sit through stretches of undisciplined filmmaking isn't nearly as thrilling.
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